Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity

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9780520257979: Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity
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"[A] tautly constructed and thought-provoking new study." Times Literary Supplement (TLS) 20090213 "Illuminating." Notes 20090301 "Exceptionally interesting and full of insights." -- Marina Ritzarev European Legacy 20091202 "[A] formidably learned and wittily expressed book." -- Mary Hunter Modernism/Modernity 20090401 "Rich tapestry of cultural history." Journal American Musicological Soci 20110504 "As an explanation of the tenets of modern music's reception ... Berger's thesis may be accepted as hard music historical fact." Canadian Journal Of History 20100823

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In this erudite and elegantly composed argument, Karol Berger uses the works of Monteverdi, Bach, Mozart, and Beethoven to support two groundbreaking claims: first, that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously; second, that this change in the structure of musical time was an aspect of a larger transformation in the way educated Europeans began to imagine and think about time with the onset of modernity, a part of a shift from the premodern Christian outlook to the modern post-Christian world view. Until this historical moment, as Berger illustrates in his analysis of Bach's "St. Matthew Passion", music was simply 'in time'. Its successive events unfolded one after another, but the distinction between past and future, earlier and later, was not central to the way the music was experienced and understood. But after the shift, as he finds in looking at Mozart's "Don Giovanni", the experience of linear time is transformed into music's essential subject matter; the cycle of time unbends and becomes an arrow. Berger complements these musical case studies with a rich survey of the philosophical, theological, and literary trends influencing artists during this period.

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Karol Berger
Editorial: University of California Press, United States (2008)
ISBN 10: 0520257979 ISBN 13: 9780520257979
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Descripción University of California Press, United States, 2008. Paperback. Estado de conservación: New. 239 x 155 mm. Language: English . Brand New Book. In this erudite and elegantly composed argument, Karol Berger uses the works of Monteverdi, Bach, Mozart, and Beethoven to support two groundbreaking claims: first, that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously; second, that this change in the structure of musical time was an aspect of a larger transformation in the way educated Europeans began to imagine and think about time with the onset of modernity, a part of a shift from the premodern Christian outlook to the modern post-Christian world view. Until this historical moment, as Berger illustrates in his analysis of Bach s St. Matthew Passion , music was simply in time . Its successive events unfolded one after another, but the distinction between past and future, earlier and later, was not central to the way the music was experienced and understood. But after the shift, as he finds in looking at Mozart s Don Giovanni , the experience of linear time is transformed into music s essential subject matter; the cycle of time unbends and becomes an arrow. Berger complements these musical case studies with a rich survey of the philosophical, theological, and literary trends influencing artists during this period. Nº de ref. de la librería AAH9780520257979

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Descripción University of California Press, 2008. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería WF-9780520257979

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Karol Berger
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Descripción University of California Press, United States, 2008. Paperback. Estado de conservación: New. 239 x 155 mm. Language: English . Brand New Book. In this erudite and elegantly composed argument, Karol Berger uses the works of Monteverdi, Bach, Mozart, and Beethoven to support two groundbreaking claims: first, that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously; second, that this change in the structure of musical time was an aspect of a larger transformation in the way educated Europeans began to imagine and think about time with the onset of modernity, a part of a shift from the premodern Christian outlook to the modern post-Christian world view. Until this historical moment, as Berger illustrates in his analysis of Bach s St. Matthew Passion , music was simply in time . Its successive events unfolded one after another, but the distinction between past and future, earlier and later, was not central to the way the music was experienced and understood. But after the shift, as he finds in looking at Mozart s Don Giovanni , the experience of linear time is transformed into music s essential subject matter; the cycle of time unbends and becomes an arrow. Berger complements these musical case studies with a rich survey of the philosophical, theological, and literary trends influencing artists during this period. Nº de ref. de la librería AAH9780520257979

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Descripción University of California Press, 2008. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0520257979

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Descripción University of California Press, 2008. Paperback. Estado de conservación: New. 1. Nº de ref. de la librería DADAX0520257979

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Descripción 2008. Paperback. Estado de conservación: NEW. 9780520257979 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Nº de ref. de la librería HTANDREE01135554

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Descripción Univ of California Pr, 2008. Paperback. Estado de conservación: Brand New. 1st edition. 432 pages. 9.00x6.00x1.00 inches. In Stock. Nº de ref. de la librería __0520257979

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Descripción 2008. Paperback. Estado de conservación: New. 152mm x 28mm x 224mm. Paperback. In this erudite and elegantly composed argument, Karol Berger uses the works of Monteverdi, Bach, Mozart, and Beethoven to support two groundbreaking claims: first, that it was only in the.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 420 pages. 0.590. Nº de ref. de la librería 9780520257979

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Descripción 2008. Paperback. Estado de conservación: New. 152mm x 28mm x 224mm. Paperback. In this erudite and elegantly composed argument, Karol Berger uses the works of Monteverdi, Bach, Mozart, and Beethoven to support two groundbreaking claims: first, that it wa.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 420 pages. 0.590. Nº de ref. de la librería 9780520257979

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