Inside the White Cube: The Ideology of the Gallery Space

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9780520220409: Inside the White Cube: The Ideology of the Gallery Space

Book by Brian ODoherty

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Reseña del editor:

When these essays first appeared in "Artforum" in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated - the three issues of "Artforum" in which they appeared have become nearly impossible to obtain. Having Brian O'Doherty's provocative essays available again is a signal event for the art world. This edition also includes "The Gallery as Gesture," a critically important piece published ten years after the others. O'Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system. These essays are essential reading for anyone interested in the history and issues of postwar art in Europe and the United States. Teeming with ideas, relentless in their pursuit of contradiction and paradox, they exhibit both the understanding of the artist (Patrick Ireland) and the precision of the scholar.

Contraportada:

"These famous essays are as fresh and stimulating today as when they jumped off the pages of "Artforum. Those who have not read Brian O'Doherty will relish his poetically phrased, elegantly written, and ironically tempered taunt to so many received notions about twentieth-century mainstream art."--Jan van der Marck, author of "Arman

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Brian O Doherty
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Descripción University of California Press, United States, 2000. Paperback. Estado de conservación: New. Expanded edition. 203 x 201 mm. Language: English . Brand New Book. When these essays first appeared in Artforum in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated-the three issues of Artforum in which they appeared have become nearly impossible to obtain. Having Brian O Doherty s provocative essays available again is a signal event for the art world. This edition also includes The Gallery as Gesture, a critically important piece published ten years after the others. O Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system. These essays are essential reading for anyone interested in the history and issues of postwar art in Europe and the United States.Teeming with ideas, relentless in their pursuit of contradiction and paradox, they exhibit both the understanding of the artist (Patrick Ireland) and the precision of the scholar. With an introduction by Thomas McEvilley and a brilliantly cogent afterword by its author, Brian O Doherty once again leads us on the perilous journey to center to the art world: Inside the White Cube. Nº de ref. de la librería AAU9780520220409

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Brian O Doherty
Editorial: University of California Press, United States (2000)
ISBN 10: 0520220404 ISBN 13: 9780520220409
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Descripción University of California Press, United States, 2000. Paperback. Estado de conservación: New. Expanded edition. 203 x 201 mm. Language: English . Brand New Book. When these essays first appeared in Artforum in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated-the three issues of Artforum in which they appeared have become nearly impossible to obtain. Having Brian O Doherty s provocative essays available again is a signal event for the art world. This edition also includes The Gallery as Gesture, a critically important piece published ten years after the others. O Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system. These essays are essential reading for anyone interested in the history and issues of postwar art in Europe and the United States.Teeming with ideas, relentless in their pursuit of contradiction and paradox, they exhibit both the understanding of the artist (Patrick Ireland) and the precision of the scholar. With an introduction by Thomas McEvilley and a brilliantly cogent afterword by its author, Brian O Doherty once again leads us on the perilous journey to center to the art world: Inside the White Cube. Nº de ref. de la librería AAU9780520220409

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Descripción University Of California Pres -, -. Estado de conservación: NEW. -- Ilustrador. Original Books from across the World in Brand New Condition --------- It can be shipped from U.S, Canada, Germany & India/Overseas centre subject to availability.____9780520220409. book. Nº de ref. de la librería CA-NTT-NDAPR-53

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Descripción University of California Press 2000-01-06, 2000. Estado de conservación: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-GRD-00510513

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Brian O'Doherty, Thomas McEvilley
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Descripción University of California Press. Paperback. Estado de conservación: new. BRAND NEW, Inside the White Cube: The Ideology of the Gallery Space (Expanded edition), Brian O'Doherty, Thomas McEvilley, When these essays first appeared in "Artforum" in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated - the three issues of "Artforum" in which they appeared have become nearly impossible to obtain. Having Brian O'Doherty's provocative essays available again is a signal event for the art world. This edition also includes "The Gallery as Gesture," a critically important piece published ten years after the others. O'Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system. These essays are essential reading for anyone interested in the history and issues of postwar art in Europe and the United States. Teeming with ideas, relentless in their pursuit of contradiction and paradox, they exhibit both the understanding of the artist (Patrick Ireland) and the precision of the scholar. Nº de ref. de la librería B9780520220409

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Brian O'Doherty (author), Thomas McEvilley (introduction)
Editorial: University of California Press 2000-01-06, Berkeley (2000)
ISBN 10: 0520220404 ISBN 13: 9780520220409
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Descripción University of California Press 2000-01-06, Berkeley, 2000. paperback. Estado de conservación: New. Nº de ref. de la librería 9780520220409

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Descripción University Of California Pres -, -. Estado de conservación: NEW. -- Ilustrador. Original Books from across the World in Brand New Condition --------- It can be shipped from U.S, Canada, Germany & India/Overseas centre subject to availability.____9780520220409. book. Nº de ref. de la librería RM-BS-3240i

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Descripción University of California Press, 2000. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería BB-9780520220409

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