Primitivism and Twentieth-Century Art: A Documentary History (Documents of Twentieth-Century Art)

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9780520215030: Primitivism and Twentieth-Century Art: A Documentary History (Documents of Twentieth-Century Art)
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Focusing on the Western artistic engagement with 'traditional, indigenous arts of Africa, Oceania, and North America, ' the sources here offer a broad range of opinions from artists and critics, archaeologists and psychologists.... they chart the development of primitivism from its function as a formal tool of modernist painters and a plaything of 1920s jazz club socialites to its status as a scholarly conceit of mid-centry anthropologists."--"Times Literary Supplement (TLS)"

Reseña del editor:

This book is the first to bring together texts documenting the encounter between Western artists and writers and what has historically been called primitive art - the traditional, indigenous arts of Africa, Oceania, and North America. Beginning with the 'discovery' of that art by European artists and writers early in the twentieth century, this anthology charts the evolving pictorial responses, artistic aspirations, aesthetic theories, and cultural debates that have developed from this encounter. Written by artists, literary figures, collectors, museum curators, and cultural critics, these essays - most of them never before translated or reprinted - show the dazzling range of issues elicited by the confrontation with primitive arts and cultures. Primitivism designates not a specific movement or group of artists, but a persuasive notion crucial to twentieth-century art and modern thinking generally. Because the encounter between the West and primitive art took place at the height of Western colonialism, a number of racial and political issues come into play, either overtly or implicitly, in writings about both the art and the people who produced it. The contributions to this volume speak to each other in provocative ways, giving a unique overview of those issues. Jack Flam provides an introduction to the book and brief outlines for each of its four sections. Also included are a coda of quotations from artists and critics from throughout the century; a chronology of events, exhibitions, and publications; an extensive bibliography; and over forty illustrations.

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Descripción University of California Press, 2003. Condición: New. 2003. 0th Edition. Paperback. Brings together texts documenting the encounter between Western artists and writers and what has historically been called primitive art - the traditional, indigenous arts of Africa, Oceania, and North America. This book charts artistic aspirations, aesthetic theories, and cultural debates that have developed from this encounter. Editor(s): Flam, Jack; Deutch, Miriam. Series: Documents of Twentieth-Century Art. Num Pages: 508 pages, 41 b/w illustrations. BIC Classification: ACBK; ACX. Category: (P) Professional & Vocational. Dimension: 250 x 179 x 25. Weight in Grams: 898. . . . . . . Nº de ref. del artículo: V9780520215030

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Descripción University of California Press. Condición: New. 2003. 0th Edition. Paperback. Brings together texts documenting the encounter between Western artists and writers and what has historically been called primitive art - the traditional, indigenous arts of Africa, Oceania, and North America. This book charts artistic aspirations, aesthetic theories, and cultural debates that have developed from this encounter. Editor(s): Flam, Jack; Deutch, Miriam. Series: Documents of Twentieth-Century Art. Num Pages: 508 pages, 41 b/w illustrations. BIC Classification: ACBK; ACX. Category: (P) Professional & Vocational. Dimension: 250 x 179 x 25. Weight in Grams: 898. . . . . . Books ship from the US and Ireland. Nº de ref. del artículo: V9780520215030

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Descripción University of California Press, United States, 2003. Paperback. Condición: New. Annotated edition. Language: English . Brand New Book. This book is the first to bring together texts documenting the encounter between Western artists and writers and what has historically been called primitive art - the traditional, indigenous arts of Africa, Oceania, and North America. Beginning with the discovery of that art by European artists and writers early in the twentieth century, this anthology charts the evolving pictorial responses, artistic aspirations, aesthetic theories, and cultural debates that have developed from this encounter. Written by artists, literary figures, collectors, museum curators, and cultural critics, these essays - most of them never before translated or reprinted - show the dazzling range of issues elicited by the confrontation with primitive arts and cultures. Primitivism designates not a specific movement or group of artists, but a persuasive notion crucial to twentieth-century art and modern thinking generally. Because the encounter between the West and primitive art took place at the height of Western colonialism, a number of racial and political issues come into play, either overtly or implicitly, in writings about both the art and the people who produced it. The contributions to this volume speak to each other in provocative ways, giving a unique overview of those issues. Jack Flam provides an introduction to the book and brief outlines for each of its four sections. Also included are a coda of quotations from artists and critics from throughout the century; a chronology of events, exhibitions, and publications; an extensive bibliography; and over forty illustrations. Nº de ref. del artículo: AAU9780520215030

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Descripción University of California Press, United States, 2003. Paperback. Condición: New. Annotated edition. Language: English . Brand New Book. This book is the first to bring together texts documenting the encounter between Western artists and writers and what has historically been called primitive art - the traditional, indigenous arts of Africa, Oceania, and North America. Beginning with the discovery of that art by European artists and writers early in the twentieth century, this anthology charts the evolving pictorial responses, artistic aspirations, aesthetic theories, and cultural debates that have developed from this encounter. Written by artists, literary figures, collectors, museum curators, and cultural critics, these essays - most of them never before translated or reprinted - show the dazzling range of issues elicited by the confrontation with primitive arts and cultures. Primitivism designates not a specific movement or group of artists, but a persuasive notion crucial to twentieth-century art and modern thinking generally. Because the encounter between the West and primitive art took place at the height of Western colonialism, a number of racial and political issues come into play, either overtly or implicitly, in writings about both the art and the people who produced it. The contributions to this volume speak to each other in provocative ways, giving a unique overview of those issues. Jack Flam provides an introduction to the book and brief outlines for each of its four sections. Also included are a coda of quotations from artists and critics from throughout the century; a chronology of events, exhibitions, and publications; an extensive bibliography; and over forty illustrations. Nº de ref. del artículo: AAU9780520215030

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