This unorthodox biography explores the life of an extraordinary Enlightenment woman who, by sheer force of character, parlayed a skill in midwifery into a national institution. In 1759, in an effort to end infant mortality, Louis XV commissioned Madame Angélique Marguerite Le Boursier du Coudray to travel throughout France teaching the art of childbirth to illiterate peasant women. For the next thirty years, this royal emissary taught in nearly forty cities and reached an estimated ten thousand students. She wrote a textbook and invented a life-sized obstetrical mannequin for her demonstrations. She contributed significantly to France's demographic upswing after 1760.
Who was the woman, both the private self and the pseudonymous public celebrity? Nina Rattner Gelbart reconstructs Madame du Coudray's astonishing mission through extensive research in the hundreds of letters by, to, and about her in provincial archives throughout France. Tracing her subject's footsteps around the country, Gelbart chronicles du Coudray's battles with finance ministers, village matrons, local administrators, and recalcitrant physicians, her rises in power and falls from grace, and her death at the height of the Reign of Terror. At a deeper level, Gelbart recaptures du Coudray's interior journey as well, by questioning and dismantling the neat paper trail that the great midwife so carefully left behind. Delightfully written, this tale of a fascinating life at the end of the French Old Regime sheds new light on the histories of medicine, gender, society, politics, and culture.
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In The King's Midwife, scholar Nina Rattner Gelbart takes on a daunting task: the biography of a woman so fiercely private (or should that be public?) that she left no record at all of her personal life. "In her hundreds of letters there is never a single mention of her origins, parents, childhood, siblings, education, young adulthood, training, marriage if there was one, children if she had any, friends outside of her work," Gelbart writes, with more than a touch of frustration. What we do know about Madame du Coudray is this: in 1750, spooked by reports that the French population was in decline, King Louis XV appointed her to travel throughout the country, training young peasant women to assist at live births. For 30 years, du Coudray crisscrossed the provinces in pursuit of this goal, using a life-size obstetrical mannequin that she'd invented as a teaching aid. Gelbart relies on du Coudray's voluminous correspondence with regional authorities to construct her portrait of a driven, proud, politically savvy, and fiercely ambitious woman. To make her way as an 18th-century woman in the world of the male medical establishment--not to mention the royal court, and later, postrevolutionary France--du Coudray seems to have downplayed her interior life as much as possible. Yet Gelbart makes "a virtue of necessity" by using the very incompleteness of du Coudray's story to illuminate the larger issues at stake--the "history and mystery" encountered when writing any biography: "Historians always have to work with fragments and lacunae, with revelations and secrets. We may crave coherence and synthesis, but because much remains indecipherable we do not get it." Despite the ultimate "unknowability" of du Coudray and her motives, Gelbart does an admirable job in bringing her to life through her public works. The King's Midwife is a "scholarly" biography--a statement that might justifiably strike fear in the heart of the stoutest reader--but Gelbart keeps the academese to blessed minimum. For the most part, this is a lively and well-written account of an exceptional life.From the Inside Flap:
"Nina Gelbart has achieved something very rare: a penetrating original work of social history that reads like a novel. With marvelous mastery of France's archival records, Gelbart brings to life the eighteenth century's most famous midwife, Madame de Coudray. The vivid details of early modern childbirth are presented in a moving and unforgettable style. And better yet, Gelbart carefully and imaginatively weaves together the story of Coudray within the often colorful aristocratic society that governed France on the eve of its greatest revolution. History just doesn't get much better than this."—Gary Kates, author of Monsieur D'Eon Is a Woman
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Descripción University of California Press, 1998. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería 0520210360
Descripción University of California Press, 1998. Hardcover. Estado de conservación: New. Nº de ref. de la librería DADAX0520210360
Descripción University of California Press, 1998. Hardcover. Estado de conservación: New. Nº de ref. de la librería P110520210360
Descripción Estado de conservación: Brand New. Book Condition: Brand New. Nº de ref. de la librería 97805202103631.0