Just after midnight on 21 June 2000 - midsummer's day - Andy Goldsworthy supervised the unloading of 13 huge snowballs from refrigerated trucks parked by Smithfield Market in the City of London. Each snowball was several feet in diameter and weighed about a ton. Over the next few hours, they were carefully manoeuvred into predetermined sites on the streets of the City to be released from their plastic wrappings at dawn so that they were there to greet the workers in London's financial district as they streamed off buses and out of tube stations on their way to their offices. The snowballs were then left to melt - a process that, even in the warmth of summer, took anything up to six days. All this amazed, delighted and sometimes affronted the passers-by, and a rich element of "Midsummer Snowballs" is the public's responses: gazing, touching, smiling, laughing, or simply walking by and pretending to ignore the enormous mass of snow on the pavement. These reactions are covered in spontaneous photographs taken by a team of photographers who worked around the clock. The introduction by Judith Collins places the snowballs in the context not just of Goldsworthy's work but in that of earlier painters and sculptors. The story of the snowballs is told by Goldsworthy himself, and chronicled in the colour photographs.
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Throughout time artists have been making art about the landscape. In Midsummer Snowballs, Scottish artist Andy Goldsworthy makes art from the landscape and dramatically unleashes it upon the city. Over the winter months in Scotland, Goldsworthy assembled 13 enormous one-ton snowballs and placed them in cold storage. One summer night, he released them onto the streets of London's financial district. Londoners awoke to startling winter sculptures on their sunny sidewalks. The snowballs were filled with a variety of elements, from feathers, seeds, and pinecones to rusted metal. The element of surprise continued as the warm summer air melted the sculptures and slowly revealed their insides to the passing public. Goldsworthy, whose career has been focused on making art in nature, creates beautiful and meaningful moments with these snow pieces. The sculptures highlight each viewer's relationship to public art, from hostility to wonder, as well as the connection between the city and the countryside. The book includes a straightforward, diary-like essay on the workings of the entire project, setbacks and all. With 280 full color photographs, it is a truly lovely and inspiring book. --J.P. CohenAbout the Author:
Judith Collins was until 2000 Senior Curator of 20th Century British Art at the Tate Gallery, London. As well as lecturing and broadcasting, she has also written widely on 20th century British artists and on various aspects of modern British art and design.
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Descripción 2001. Rilegato. Estado de conservación: nuovo. Nº de ref. de la librería ABE-2696996316