The indispensable one-volume reference work on 19th-century art in Europe and America has been substantially updated and enlarged. This second edition contains: a revised, expanded and illustrated Introduction; 3 new chapters - Landscape Art and Romantic Nationalism in Germany and America; Photography, Modernity and Art; and The Appeal of Modern Art: Toulouse-Lautrec; fully updated selected bibliography; a revised list of Illustrations and Index; 47 new monochrome illustrations; 13 new colour illustrations.
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Stephen F. Eisenman teaches Art History at Northwestern University and is the author of Gauguin's Skirt. Thomas Crow is Director of the Getty Research Institute in Los Angeles, California. Brian Lukacher is Associate Professor of Art History at Vassar College. Linda Nochlin is Lila Wallace Professor of Modern Art at the Institute of Fine Arts at New York University. David Llewellyn Phillips is Senior Lecturer in Humanities at the University of Western Sydney. Frances K. Pohl is Professor of Art History at Pomona College, California.From Library Journal:
The political, industrial, and cultural revolutions that punctuated the 19th century were reflected in the fine arts, though not always consciously. Art was no longer the sole domain of the upper classes, and the complexity of the new social order became evident in the works of artists like Blake and Goya early in the century and Cassatt and Eakins later on. In this first comprehensive reconsideration of 19th-century art from the viewpoint of the "new" art history, Eisenman and four other art historians examine issues of class, gender, racism, and Eurocentrism as they pertain to North American and European art. This handsomely produced volume, rich in ideas and illustrations, complements the works of Albert Boime (e.g., The Art of Exclusion: Representing Blacks in the Nineteenth Century, Smithsonian, 1990). Of interest to scholars and art enthusiasts alike.
Daniel J. Lombardo, Jones Lib., Amherst, Mass.
Copyright 1994 Reed Business Information, Inc.
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