Cindy Sherman: Retrospective

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9780500279878: Cindy Sherman: Retrospective

American artist Cindy Sherman creates staged and manipulated photographs that draw on popular culture and art history to explore female identity. Her art embodies two developments in the art world: the impact of postmodern theory on art practice; and the rise of photography and mass-media techniques as modes of artistic expression. This volume, published on the occasion of an international touring exhibition, presents over 200 images from the breadth of Sherman's work, from the "Untitled Film Stills" of the 1970s to series such as "Centerfolds", "Fashion", "Disasters", "Fairy Tales" and "History Portraits". Essayists Cruz, Jones and Smith offer insights into Sherman's art from several vantage points, positioning it within the trajectory of feminist art history and revealing her influence since the 1970s.

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About the Author:

Amanda Cruz is the Manilow Curator of Exhibitions at the Museum of Contemporary Art, Chicago. Elizabeth A. T. Smith is Curator at The Museum of Contemporary Art, Los Angeles. Amelia Jones is an associate professor of contemporary art and theory and the history of photography at the University of California, Riverside.

From Booklist:

Cindy Sherman has taken self-portraiture and masquerade to the highest heights and the campiest lows, bringing the shady ambience of B-movies to art photography while exploring the plexus of narcissism, from its silliest manifestations to its most provocative expressions. Sherman explores the implications of role-playing and fantasy, seeing and being seen, and society's perceptions of women, eroticism, and consumerism in her photographs, creating resonant images and supplying art critics with much grist for their mills. In her contribution to this retrospective volume, Amelia Jones begins with the remark that "much ink has been spilled over Cindy Sherman," and, obviously, the flow continues, but Jones, Cruz, and their colleagues provide just the sort of commentary Sherman's work demands, and the photographs themselves are engaging, both viscerally and intellectually. Sherman has been in costume before her own camera for more than 20 years, earning the right to a major traveling exhibition and speculation as to what she'll come up with next. How many selves can a self be? Stay tuned. Donna Seaman

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Amanda Cruz, Amelia Jones, Elizabeth A.T. Smith
Editorial: Thames Hudson Ltd, United Kingdom (1997)
ISBN 10: 050027987X ISBN 13: 9780500279878
Nuevos Paperback Cantidad: 10
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Descripción Thames Hudson Ltd, United Kingdom, 1997. Paperback. Estado de conservación: New. 2nd. Language: English . Brand New Book. American artist Cindy Sherman creates staged and manipulated photographs that draw on popular culture and art history to explore female identity. Her art embodies two developments in the art world: the impact of postmodern theory on art practice; and the rise of photography and mass-media techniques as modes of artistic expression. This volume, published on the occasion of an international touring exhibition, presents over 200 images from the breadth of Sherman s work, from the Untitled Film Stills of the 1970s to series such as Centerfolds , Fashion , Disasters , Fairy Tales and History Portraits . Essayists Cruz, Jones and Smith offer insights into Sherman s art from several vantage points, positioning it within the trajectory of feminist art history and revealing her influence since the 1970s. Nº de ref. de la librería AA29780500279878

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Cruz, Amanda; Jones, Amelia
Editorial: Thames & Hudson
ISBN 10: 050027987X ISBN 13: 9780500279878
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Descripción Thames & Hudson. PAPERBACK. Estado de conservación: New. 050027987X a fine clean new copy - enjoy. Nº de ref. de la librería SKU1013249

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Cruz, Amanda; Jones, Amelia; Smith, Elizabeth A.T.
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ISBN 10: 050027987X ISBN 13: 9780500279878
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Descripción Thames & Hudson Ltd, 2000. Estado de conservación: New. Published for the opening of a touring exhibition in Los Angeles in October 1997, this volume offers insights into the work of photographer Cindy Sherman from several vantage points. Her art is placed within the trajectory of feminist history, revealing her influence since the 1970s. Num Pages: 232 pages, 279 illustrations, 145 in colour. BIC Classification: ACX; AGB; AJ; JFFK. Category: (G) General (US: Trade); (UU) Undergraduate. Dimension: 230 x 304 x 18. Weight in Grams: 1392. . 2000. 2nd. Paperback. . . . . . Nº de ref. de la librería V9780500279878

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Amanda Cruz, Elizabeth A. T. Smith
Editorial: Thames & Hudson 1997-11-10, New York (1997)
ISBN 10: 050027987X ISBN 13: 9780500279878
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Descripción Thames & Hudson 1997-11-10, New York, 1997. paperback. Estado de conservación: New. Nº de ref. de la librería 9780500279878

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Amanda Cruz, Amelia Jones, Elizabeth A.T. Smith
Editorial: Thames Hudson Ltd, United Kingdom (1997)
ISBN 10: 050027987X ISBN 13: 9780500279878
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Descripción Thames Hudson Ltd, United Kingdom, 1997. Paperback. Estado de conservación: New. 2nd. Language: English . Brand New Book. American artist Cindy Sherman creates staged and manipulated photographs that draw on popular culture and art history to explore female identity. Her art embodies two developments in the art world: the impact of postmodern theory on art practice; and the rise of photography and mass-media techniques as modes of artistic expression. This volume, published on the occasion of an international touring exhibition, presents over 200 images from the breadth of Sherman s work, from the Untitled Film Stills of the 1970s to series such as Centerfolds , Fashion , Disasters , Fairy Tales and History Portraits . Essayists Cruz, Jones and Smith offer insights into Sherman s art from several vantage points, positioning it within the trajectory of feminist art history and revealing her influence since the 1970s. Nº de ref. de la librería AA29780500279878

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Cruz, Amanda; Jones, Amelia; Smith, Elizabeth A.T.
Editorial: Thames & Hudson Ltd
ISBN 10: 050027987X ISBN 13: 9780500279878
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Kennys Bookstore
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Descripción Thames & Hudson Ltd. Estado de conservación: New. Published for the opening of a touring exhibition in Los Angeles in October 1997, this volume offers insights into the work of photographer Cindy Sherman from several vantage points. Her art is placed within the trajectory of feminist history, revealing her influence since the 1970s. Num Pages: 232 pages, 279 illustrations, 145 in colour. BIC Classification: ACX; AGB; AJ; JFFK. Category: (G) General (US: Trade); (UU) Undergraduate. Dimension: 230 x 304 x 18. Weight in Grams: 1392. . 2000. 2nd. Paperback. . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780500279878

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Amanda Cruz; Amelia Jones
ISBN 10: 050027987X ISBN 13: 9780500279878
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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97805002798780000000

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Amanda Cruz; Elizabeth A. T. Smith
Editorial: Thames and Hudson Ltd (1997)
ISBN 10: 050027987X ISBN 13: 9780500279878
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Descripción Thames and Hudson Ltd, 1997. Estado de conservación: New. Nº de ref. de la librería GH9780500279878

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Amanda Cruz
Editorial: Thames and Hudson Ltd (1997)
ISBN 10: 050027987X ISBN 13: 9780500279878
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Descripción Thames and Hudson Ltd, 1997. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería GB-9780500279878

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10.

Sherman, Cindy; Cruz, Amanda, and Smith, Elizabeth A. T., and Jones, Amelia (Essays by)
Editorial: Thames and Hudson, London and New York (1997)
ISBN 10: 050027987X ISBN 13: 9780500279878
Nuevos Paperback Cantidad: 1
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LEFT COAST BOOKS
(Goleta, CA, Estados Unidos de America)
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Descripción Thames and Hudson, London and New York, 1997. Paperback. Estado de conservación: NEW. ix, 219 pp., illus. (some col.), biblio.; 31 cm. Published on the occasion of the exhibition of the same name jointly organized by the Museum of Contemporary Art, Los Angeles, and the Museum of Contemporary Art, Chicago. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. Sherman became famous (as a postmodernist) in the 1980s for her "Untitled Film Stills," deconstructing the representation of women in the mass media and problematizing the genre of self-portraiture in an age of simulation. She is, undoubtedly, one of the most influential American artists of the last quarter century. This publication accompanied the first major retrospective of her work. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue. Nº de ref. de la librería 022156

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