Medieval Modern: Art Out of Time

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9780500238974: Medieval Modern: Art Out of Time
Críticas:

Nagel boldly forges and uncovers intellectual and formal relationships between . . . art objects and practices from the medieval and modern eras.

Reseña del editor:

This groundbreaking study explores the deep connections between modern and premodern art, offering a radical reading that reveals the underlying patterns and ideas traversing centuries of artistic practice. Nagel reconsiders from an innovative double perspective some key issues in the history of art, from iconoclasm and illusionism to the status of painting, installation, and the museum as institution. He examines, among other topics, why the medieval workshop was of such importance to the Bauhaus; how the 4th-century Jerusalem Chapel in Rome was a proto-earthwork akin to the projects of Robert Smithson; and the relationship between medieval relics and Duchamps readymades. Alongside an analysis of 20th-century medievalist theorists such as Brecht, Joyce and Eco, Nagel considers a wide range of celebrated artists. This is a radical new reading of art that will profoundly broaden our understanding of both premodern practices and the art of the 20th and 21st centuries.

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Descripción Thames and Hudson Ltd 2012-11-26, 2012. Estado de conservación: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-GRD-04922191

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Descripción Thames Hudson Ltd, United Kingdom, 2012. Hardback. Estado de conservación: New. 238 x 168 mm. Language: English . Brand New Book. This groundbreaking study explores the deep connections between modern and premodern art, offering a radical reading that reveals the underlying patterns and ideas traversing centuries of artistic practice. Nagel reconsiders from an innovative double perspective some key issues in the history of art, from iconoclasm and illusionism to the status of painting, installation, and the museum as institution. He examines, among other topics, why the medieval workshop was of such importance to the Bauhaus; how the 4th-century Jerusalem Chapel in Rome was a proto-earthwork akin to the projects of Robert Smithson; and the relationship between medieval relics and Duchamps readymades. Alongside an analysis of 20th-century medievalist theorists such as Brecht, Joyce and Eco, Nagel considers a wide range of celebrated artists. This is a radical new reading of art that will profoundly broaden our understanding of both premodern practices and the art of the 20th and 21st centuries. Nº de ref. de la librería AA29780500238974

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Descripción Thames Hudson Ltd, United Kingdom, 2012. Hardback. Estado de conservación: New. 238 x 168 mm. Language: English . Brand New Book. This groundbreaking study explores the deep connections between modern and premodern art, offering a radical reading that reveals the underlying patterns and ideas traversing centuries of artistic practice. Nagel reconsiders from an innovative double perspective some key issues in the history of art, from iconoclasm and illusionism to the status of painting, installation, and the museum as institution. He examines, among other topics, why the medieval workshop was of such importance to the Bauhaus; how the 4th-century Jerusalem Chapel in Rome was a proto-earthwork akin to the projects of Robert Smithson; and the relationship between medieval relics and Duchamps readymades. Alongside an analysis of 20th-century medievalist theorists such as Brecht, Joyce and Eco, Nagel considers a wide range of celebrated artists. This is a radical new reading of art that will profoundly broaden our understanding of both premodern practices and the art of the 20th and 21st centuries. Nº de ref. de la librería AA29780500238974

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Descripción Thames & Hudson Ltd. Hardback. Estado de conservación: new. BRAND NEW, Medieval Modern: Art Out of Time, Alexander Nagel, This groundbreaking study explores the deep connections between modern and premodern art, offering a radical reading that reveals the underlying patterns and ideas traversing centuries of artistic practice. Nagel reconsiders from an innovative double perspective some key issues in the history of art, from iconoclasm and illusionism to the status of painting, installation, and the museum as institution. He examines, among other topics, why the medieval workshop was of such importance to the Bauhaus; how the 4th-century Jerusalem Chapel in Rome was a proto-earthwork akin to the projects of Robert Smithson; and the relationship between medieval relics and Duchamps readymades. Alongside an analysis of 20th-century medievalist theorists such as Brecht, Joyce and Eco, Nagel considers a wide range of celebrated artists. This is a radical new reading of art that will profoundly broaden our understanding of both premodern practices and the art of the 20th and 21st centuries. Nº de ref. de la librería B9780500238974

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Descripción Thames & Hudson. Hardcover. Estado de conservación: New. 0500238979 *BRAND NEW* Ships Same Day or Next!. Nº de ref. de la librería SWATI2122243803

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Descripción Thames & Hudson Ltd, 2012. Estado de conservación: New. 2012. 1st Edition. Hardcover. Explores the connections between modern and premodern art, offering a radical reading that reveals the underlying patterns and ideas traversing centuries of artistic practice. This book reconsiders from a double perspective some key issues in the history of art, from iconoclasm and illusionism to the status of painting, and installation. Num Pages: 312 pages, 134 illustrations, 104 in colour. BIC Classification: AC. Category: (G) General (US: Trade). Dimension: 240 x 177 x 33. Weight in Grams: 1196. . . . . . . Nº de ref. de la librería V9780500238974

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Nagel, Alexander
Editorial: Thames & Hudson Ltd
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Descripción Thames & Hudson Ltd. Estado de conservación: New. 2012. 1st Edition. Hardcover. Explores the connections between modern and premodern art, offering a radical reading that reveals the underlying patterns and ideas traversing centuries of artistic practice. This book reconsiders from a double perspective some key issues in the history of art, from iconoclasm and illusionism to the status of painting, and installation. Num Pages: 312 pages, 134 illustrations, 104 in colour. BIC Classification: AC. Category: (G) General (US: Trade). Dimension: 240 x 177 x 33. Weight in Grams: 1196. . . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780500238974

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