Lennie Tristano: His Life in Music (Jazz Perspectives)

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9780472113460: Lennie Tristano: His Life in Music (Jazz Perspectives)
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"In Lennie Tristano: His Life in Music, Shim has provided a comprehensive biographical and analytical account of one of jazz's most important and most frequently misun-derstood figures. Her insights into Tristano's personality are well nuanced, and the focus on his teaching makes a unique contribution to the history of jazz. This vividly written study is likely to become a standard work." - Brian Priestley, author of Chasin' The Bird: The Life and Legacy of Charlie Parker and co-author of The Rough Guide to Jazz"

From the Publisher:

Lennie Tristano occupies a rare position in jazz history. Emerging from an era when modernism was the guiding principle in jazz, Tristano explored musical avenues that were avant-garde even by modernism's experimental standards. In so doing, he tested and transcended the boundaries of jazz. In 1949, years before musicians such as Ornette Coleman and Cecil Taylor took credit for the movement, Tristano made the first recordings of "free jazz," a new kind of group improvisation based on spontaneous interaction among band members without any regard for predetermined form, harmony, or rhythm. Then, in the 1950s, Tristano broke new ground by his use of multitracking. Tristano was a musical purist as well as an innovator, vehemently opposing any commercial element in music and abhorring the music industry, which he perceived as pernicious to the spirit of jazz. However, like many purists, Tristano's independence prevented his music from receiving wide exposure. With its blend of oral history, archival research, and musical analysis, "Lennie Tristano" sheds new light on the important role Tristano played in the jazz world, and introduces this often-overlooked musician to a new generation of jazz aficionados.

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Shim, Eunmi
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ISBN 10: 0472113461 ISBN 13: 9780472113460
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Shim, Eunmi
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Descripción The University of Michigan Press, United States, 2007. Hardback. Estado de conservación: New. 231 x 152 mm. Language: English . Brand New Book. Lennie Tristano occupies a rare position in jazz history. Emerging from an era when modernism was the guiding principle in jazz, Tristano explored musical avenues that were avant-garde even by modernism s experimental standards. In so doing, he tested and transcended the boundaries of jazz. In 1949, years before musicians such as Ornette Coleman and Cecil Taylor took credit for the movement, Tristano made the first recordings of free jazz, a new kind of group improvisation based on spontaneous interaction among band members without any regard for predetermined form, harmony, or rhythm. Then, in the 1950s, Tristano broke new ground by his use of multitracking. Tristano was a musical purist as well as an innovator, vehemently opposing any commercial element in music and abhorring the music industry, which he perceived as pernicious to the spirit of jazz. However, like many purists, Tristano s independence prevented his music from receiving wide exposure. With its blend of oral history, archival research, and musical analysis, Lennie Tristano sheds new light on the important role Tristano played in the jazz world, and introduces this often-overlooked musician to a new generation of jazz aficionados. Nº de ref. de la librería AAW9780472113460

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Shim, Eunmi
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Descripción The University of Michigan Press, United States, 2007. Hardback. Estado de conservación: New. 231 x 152 mm. Language: English . Brand New Book. Lennie Tristano occupies a rare position in jazz history. Emerging from an era when modernism was the guiding principle in jazz, Tristano explored musical avenues that were avant-garde even by modernism s experimental standards. In so doing, he tested and transcended the boundaries of jazz. In 1949, years before musicians such as Ornette Coleman and Cecil Taylor took credit for the movement, Tristano made the first recordings of free jazz, a new kind of group improvisation based on spontaneous interaction among band members without any regard for predetermined form, harmony, or rhythm. Then, in the 1950s, Tristano broke new ground by his use of multitracking. Tristano was a musical purist as well as an innovator, vehemently opposing any commercial element in music and abhorring the music industry, which he perceived as pernicious to the spirit of jazz. However, like many purists, Tristano s independence prevented his music from receiving wide exposure. With its blend of oral history, archival research, and musical analysis, Lennie Tristano sheds new light on the important role Tristano played in the jazz world, and introduces this often-overlooked musician to a new generation of jazz aficionados. Nº de ref. de la librería AAW9780472113460

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Descripción University of Michigan Press, 2007. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service!. Nº de ref. de la librería ABE_book_new_0472113461

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Descripción The University of Michigan Press, 2007. HRD. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería CE-9780472113460

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Descripción University of Michigan Press, 2007. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería 0472113461

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Descripción The University of Michigan Press. Hardback. Estado de conservación: new. BRAND NEW, Lennie Tristano: His Life in Music, Eunmi Shim, Lennie Tristano occupies a rare position in jazz history. Emerging from an era when modernism was the guiding principle in jazz, Tristano explored musical avenues that were avant-garde even by modernism's experimental standards. In so doing, he tested and transcended the boundaries of jazz. In 1949, years before musicians such as Ornette Coleman and Cecil Taylor took credit for the movement, Tristano made the first recordings of "free jazz," a new kind of group improvisation based on spontaneous interaction among band members without any regard for predetermined form, harmony, or rhythm. Then, in the 1950s, Tristano broke new ground by his use of multitracking. Tristano was a musical purist as well as an innovator, vehemently opposing any commercial element in music and abhorring the music industry, which he perceived as pernicious to the spirit of jazz. However, like many purists, Tristano's independence prevented his music from receiving wide exposure. With its blend of oral history, archival research, and musical analysis, "Lennie Tristano" sheds new light on the important role Tristano played in the jazz world, and introduces this often-overlooked musician to a new generation of jazz aficionados. Nº de ref. de la librería B9780472113460

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Descripción University of Michigan Press. Hardcover. Estado de conservación: New. 0472113461 Brand New Book. Ships from the United States. 30 Day Satisfaction Guarantee!. Nº de ref. de la librería 4782347

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Descripción University of Michigan Press, 2007. Hardcover. Estado de conservación: New. 1st. Nº de ref. de la librería DADAX0472113461

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