Contours of the Theatrical Avant-Garde: Performance and Textuality (Theater: Theory/Text/Performance)

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9780472067275: Contours of the Theatrical Avant-Garde: Performance and Textuality (Theater: Theory/Text/Performance)

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This collection of essays explores the development of avant-garde theater and its relation to questions of textuality, authority, and the academy. Although the canon of modern and contemporary drama would be difficult to imagine without the influential legacy of the movements and strands of the historical avant-garde, this critical history is often overlooked in courses on modern and contemporary drama and theater.Though primarily focusing on issues of textuality and performance, the essays regard the antitextualism of the avant-garde as indicative of the wide variety of anti-cultural sentiments that have characterized avant-garde performance. The volume begins with the anti-textual sentiments of the avant-garde, then offers antitextual models, explores specific performances, and ends with a critical analysis of the avant-garde. Uniting the array of opinions articulated is a belief that despite the problems that haunt the traditions of avant-garde theater, it can nonetheless offer continued valuable insights into the industries of literature, theater, scholarship, and culture.James M. Harding is Assistant Professor of English, Mary Washington College. He is author of "Adorno and a """Writing of the Ruins.""

Reseña del editor:

A critical history of avant-garde performance and the problematic relationship of text to performance

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Harding, James M.
Editorial: Univ Michigan Press
ISBN 10: 0472067273 ISBN 13: 9780472067275
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Descripción Univ Michigan Press. Estado de conservación: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2271665

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Editorial: The University of Michigan Press, United States (2000)
ISBN 10: 0472067273 ISBN 13: 9780472067275
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Descripción The University of Michigan Press, United States, 2000. Paperback. Estado de conservación: New. New.. 232 x 154 mm. Language: English . Brand New Book. This collection of essays explores the development of avant-garde theater and its relation to questions of textuality, authority, and the academy. Although the canon of modern and contemporary drama would be difficult to imagine without the influential legacy of the movements and strands of the historical avant-garde, this critical history is often overlooked in courses on modern and contemporary drama and theater.Though primarily focusing on issues of textuality and performance, the essays regard the antitextualism of the avant-garde as indicative of the wide variety of anti-cultural sentiments that have characterized avant-garde performance. The volume begins with the anti-textual sentiments of the avant-garde, then offers antitextual models, explores specific performances, and ends with a critical analysis of the avant-garde. Uniting the array of opinions articulated is a belief that despite the problems that haunt the traditions of avant-garde theater, it can nonetheless offer continued valuable insights into the industries of literature, theater, scholarship, and culture.James M. Harding is Assistant Professor of English, Mary Washington College. He is author of Adorno and a Writing of the Ruins. Nº de ref. de la librería AAN9780472067275

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Editorial: The University of Michigan Press, United States (2000)
ISBN 10: 0472067273 ISBN 13: 9780472067275
Nuevos Paperback Cantidad: 1
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Descripción The University of Michigan Press, United States, 2000. Paperback. Estado de conservación: New. New.. 232 x 154 mm. Language: English . Brand New Book. This collection of essays explores the development of avant-garde theater and its relation to questions of textuality, authority, and the academy. Although the canon of modern and contemporary drama would be difficult to imagine without the influential legacy of the movements and strands of the historical avant-garde, this critical history is often overlooked in courses on modern and contemporary drama and theater.Though primarily focusing on issues of textuality and performance, the essays regard the antitextualism of the avant-garde as indicative of the wide variety of anti-cultural sentiments that have characterized avant-garde performance. The volume begins with the anti-textual sentiments of the avant-garde, then offers antitextual models, explores specific performances, and ends with a critical analysis of the avant-garde. Uniting the array of opinions articulated is a belief that despite the problems that haunt the traditions of avant-garde theater, it can nonetheless offer continued valuable insights into the industries of literature, theater, scholarship, and culture.James M. Harding is Assistant Professor of English, Mary Washington College. He is author of Adorno and a Writing of the Ruins. Nº de ref. de la librería AAN9780472067275

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James Martin Harding
Editorial: The University of Michigan Press
ISBN 10: 0472067273 ISBN 13: 9780472067275
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Descripción The University of Michigan Press. Paperback. Estado de conservación: new. BRAND NEW, Contours of the Theatrical Avant-Garde: Performance and Textuality, James Martin Harding, This collection of essays explores the development of avant-garde theater and its relation to questions of textuality, authority, and the academy. Although the canon of modern and contemporary drama would be difficult to imagine without the influential legacy of the movements and strands of the historical avant-garde, this critical history is often overlooked in courses on modern and contemporary drama and theater.Though primarily focusing on issues of textuality and performance, the essays regard the antitextualism of the avant-garde as indicative of the wide variety of anti-cultural sentiments that have characterized avant-garde performance. The volume begins with the anti-textual sentiments of the avant-garde, then offers antitextual models, explores specific performances, and ends with a critical analysis of the avant-garde. Uniting the array of opinions articulated is a belief that despite the problems that haunt the traditions of avant-garde theater, it can nonetheless offer continued valuable insights into the industries of literature, theater, scholarship, and culture.James M. Harding is Assistant Professor of English, Mary Washington College. He is author of "Adorno and a """Writing of the Ruins."". Nº de ref. de la librería B9780472067275

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James Martin Harding
Editorial: The University of Michigan Press (2000)
ISBN 10: 0472067273 ISBN 13: 9780472067275
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Descripción The University of Michigan Press, 2000. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería CE-9780472067275

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Harding, James Martin (Editor)
Editorial: Univ of Michigan Pr (2000)
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Descripción Univ of Michigan Pr, 2000. Paperback. Estado de conservación: Brand New. 301 pages. 9.25x6.25x1.25 inches. In Stock. Nº de ref. de la librería __0472067273

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James M. Harding (Editor)
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Descripción University of Michigan Press, 2000. Paperback. Estado de conservación: New. Nº de ref. de la librería DADAX0472067273

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James Martin Harding
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Descripción University of Michigan Press, 2000. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0472067273

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Descripción University of Michigan Press. PAPERBACK. Estado de conservación: New. 0472067273 New Condition. Nº de ref. de la librería NEW6.1168757

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