Contours of the Theatrical Avant-Garde: Performance and Textuality (Theater: Theory/Text/Performance)

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9780472067275: Contours of the Theatrical Avant-Garde: Performance and Textuality (Theater: Theory/Text/Performance)
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This collection of essays explores the development of avant-garde theater and its relation to questions of textuality, authority, and the academy. Although the canon of modern and contemporary drama would be difficult to imagine without the influential legacy of the movements and strands of the historical avant-garde, this critical history is often overlooked in courses on modern and contemporary drama and theater.Though primarily focusing on issues of textuality and performance, the essays regard the antitextualism of the avant-garde as indicative of the wide variety of anti-cultural sentiments that have characterized avant-garde performance. The volume begins with the anti-textual sentiments of the avant-garde, then offers antitextual models, explores specific performances, and ends with a critical analysis of the avant-garde. Uniting the array of opinions articulated is a belief that despite the problems that haunt the traditions of avant-garde theater, it can nonetheless offer continued valuable insights into the industries of literature, theater, scholarship, and culture.James M. Harding is Assistant Professor of English, Mary Washington College. He is author of "Adorno and a """Writing of the Ruins.""

From the Publisher:

A critical history of avant-garde performance and the problematic relationship of text to performance

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James Martin Harding
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Descripción The University of Michigan Press. Paperback. Estado de conservación: new. BRAND NEW, Contours of the Theatrical Avant-Garde: Performance and Textuality, James Martin Harding, This collection of essays explores the development of avant-garde theater and its relation to questions of textuality, authority, and the academy. Although the canon of modern and contemporary drama would be difficult to imagine without the influential legacy of the movements and strands of the historical avant-garde, this critical history is often overlooked in courses on modern and contemporary drama and theater.Though primarily focusing on issues of textuality and performance, the essays regard the antitextualism of the avant-garde as indicative of the wide variety of anti-cultural sentiments that have characterized avant-garde performance. The volume begins with the anti-textual sentiments of the avant-garde, then offers antitextual models, explores specific performances, and ends with a critical analysis of the avant-garde. Uniting the array of opinions articulated is a belief that despite the problems that haunt the traditions of avant-garde theater, it can nonetheless offer continued valuable insights into the industries of literature, theater, scholarship, and culture.James M. Harding is Assistant Professor of English, Mary Washington College. He is author of "Adorno and a """Writing of the Ruins."". Nº de ref. de la librería B9780472067275

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James Martin Harding
Editorial: The University of Michigan Press, United States (2000)
ISBN 10: 0472067273 ISBN 13: 9780472067275
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Descripción The University of Michigan Press, United States, 2000. Paperback. Estado de conservación: New. New.. 232 x 154 mm. Language: English . Brand New Book. This collection of essays explores the development of avant-garde theater and its relation to questions of textuality, authority, and the academy. Although the canon of modern and contemporary drama would be difficult to imagine without the influential legacy of the movements and strands of the historical avant-garde, this critical history is often overlooked in courses on modern and contemporary drama and theater.Though primarily focusing on issues of textuality and performance, the essays regard the antitextualism of the avant-garde as indicative of the wide variety of anti-cultural sentiments that have characterized avant-garde performance. The volume begins with the anti-textual sentiments of the avant-garde, then offers antitextual models, explores specific performances, and ends with a critical analysis of the avant-garde. Uniting the array of opinions articulated is a belief that despite the problems that haunt the traditions of avant-garde theater, it can nonetheless offer continued valuable insights into the industries of literature, theater, scholarship, and culture.James M. Harding is Assistant Professor of English, Mary Washington College. He is author of Adorno and a Writing of the Ruins. Nº de ref. de la librería AAN9780472067275

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James Martin Harding
Editorial: The University of Michigan Press, United States (2000)
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Descripción The University of Michigan Press, United States, 2000. Paperback. Estado de conservación: New. New.. 232 x 154 mm. Language: English . Brand New Book. This collection of essays explores the development of avant-garde theater and its relation to questions of textuality, authority, and the academy. Although the canon of modern and contemporary drama would be difficult to imagine without the influential legacy of the movements and strands of the historical avant-garde, this critical history is often overlooked in courses on modern and contemporary drama and theater.Though primarily focusing on issues of textuality and performance, the essays regard the antitextualism of the avant-garde as indicative of the wide variety of anti-cultural sentiments that have characterized avant-garde performance. The volume begins with the anti-textual sentiments of the avant-garde, then offers antitextual models, explores specific performances, and ends with a critical analysis of the avant-garde. Uniting the array of opinions articulated is a belief that despite the problems that haunt the traditions of avant-garde theater, it can nonetheless offer continued valuable insights into the industries of literature, theater, scholarship, and culture.James M. Harding is Assistant Professor of English, Mary Washington College. He is author of Adorno and a Writing of the Ruins. Nº de ref. de la librería AAN9780472067275

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Descripción The University of Michigan Press, 2000. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería CE-9780472067275

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James Martin Harding
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Descripción University of Michigan Press, 2000. Paperback. Estado de conservación: New. Nº de ref. de la librería DADAX0472067273

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Descripción Univ of Michigan Pr, 2000. Paperback. Estado de conservación: Brand New. 301 pages. 9.25x6.25x1.25 inches. In Stock. Nº de ref. de la librería __0472067273

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Descripción 2000. Paperback. Estado de conservación: New. 156mm x 26mm x 236mm. Paperback. This collection of essays explores the development of avant-garde theater and its relation to questions of textuality, authority, and the academy. Although the canon of modern and contempo.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 312 pages. 0.499. Nº de ref. de la librería 9780472067275

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Descripción University of Michigan Press, 2000. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0472067273

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Descripción 2000. Paperback. Estado de conservación: New. 156mm x 26mm x 236mm. Paperback. This collection of essays explores the development of avant-garde theater and its relation to questions of textuality, authority, and the academy. Although the canon of modern.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 312 pages. 0.499. Nº de ref. de la librería 9780472067275

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