Aeneid - Tapa blanda

." . . a first-rate rendering of Vergil's epic. . . . " --Vergilius -- (04/01/1999) "What's right with this translation is that today's reader can read it. Virgil's poetry remains in modern garb. The language is clean and clear and precise, and best of all it is today's language. . . . If you've wanted since your Latin 4 days to take an unhurried look at the Aeneid, this book is a fine way to do it." --Providence Journal Bulletin -- (04/01/1999) ." . . a vigorous and intelligent rendering of Virgil's epic in modern idiom. . . . [This] translation captures the half-hearted attempt of Aeneas to persuade his men (and himself) that good times are ahead. Equally important, the rendering of Aeneas' encouraging words is realistic and vigorous, and the passage is not reduced to a set of famous Virgilian one-liners. The net effect of this style of translation is totain [sic] the narrative pace of Virgil's excellent story while preserving ambiguities that are often lost when Virgil is translated as a source for quotable quotes. This new version is also remarkable for its dynamic rendering of great descriptive passages. Such 'purple passages' show both Virgil and Prof. McCrorie as accomplished poets." --Providence -- (04/01/1999) "This reader's impression of the Aeneid in Edward McCrorie's new translation was that of power--the power of the story and especially of the narrative art itself. . . . The reader without Latin or much experience of epic might better enjoy this version than other, more minutely faithful, renderings. I would not hesitate to recommend it for that group as well as for Latinists interested in reconsidering the Vergil we think we know." --New England Classical Letter and Journal -- (04/01/1999) ." . . a phenomenal and masterly tour de force. [McCrorie] has presented us with a version of the Aeneid translated line by line, remarkable for its fidelity to the original not only in literal meaning, but also--equally important--in spirit and sense. . . . [McCrorie's] lines abound with the beauty of the original. . . . This is a superlative translation, well worth reading in full or merely keeping at one's side for occasional forays. Do yourself a favour--buy it!" --Joint Association of Classical Teachers -- (04/01/1999) "While no translator can claim to have captured wholly the breathtakingly beautiful Latin of the Aeneid, McCrorie, a poet of great skill and imagination, can come close to matching the artistry of the Roman bard. . . . In his excellent introduction to the volume, Vincent Cleary invites American readers to reclaim the Aeneid as a classic that resonates with our culture. McCrorie's translation can help achieve this goal. It retains most of what readers over the ages have found appealing in the poem: the powerful drama, the melancholy, the chilling ambiguity. What is more, it serves these up as only a poet could. An Anglophone St. Augustine, on reading McCrorie's translation, would, I think, still be moved to tears by Dido's plight and the beauty of the poem." --Blaise Nagy, Harvard Review -- (04/01/1999) "[A] handsomely published, illustrated, and translated version of Vergil." --William Arrowsmith, Boston University --William Arrowsmith, Boston University (04/01/1999) "I admire the ambition of your project and the generosity of many of your lines." --Robert Fagles --Robert Fagles (04/01/1999) "A brilliant effort." --Robert Bly --Robert Bly (04/01/1999) "I have been enjoying [your translation's] live diction, its plain nobility of tone, its supple movement and narrative urgency." --Richard Wilbur --Richard Wilbur (04/01/1999) "It is a delight to note the appearance of a splendid new translation of Virgil's Aeneid by Edward McCrorie . . . a vigorous and intelligent rendering of Virgil's epic in modern idiom . . . the rendering of Aeneas' encouraging words to his men is realistic and vigorous, and the passage is not reduced to a set of famous Virgilian one-liners. The net effect of this style of translation is to maintain the narrative pace of Virgil's excellent story while preserving ambiguities that are often lost when Virgil is translated as a source for quotable quotes. . . . This new translation is also remarkable for its dynamic rendering of great descriptive passages." --John M. Lawless, Providence College -- (04/01/1999) "[The whole translation] looks good to me. These are handsome pages. Your introduction also reads well, with its reminder that Virgil was an Italian and its stressing the operative qualities of his work." --John Frederick Nims -- (04/01/1999) "Your version seemed to me to be not only sound and tasteful but most readable." --Frank O. Copley, University of Michigan -- (04/01/1999) "I have read [your translation] with great pleasure, finding your lines beautiful, intelligible--and close to Vergil's! Despite the recent spate of Aeneid translations, I think that if your version, which now exists as a work of art, could be produced inexpensively in paperback, it would be a good choice in Classics in Translation courses." --Deborah Boedecker, Center for Hellenic Studies --Deborah Boedecker, Center for Hellenic Studies (04/01/1999) "I think you have done it outstandingly. I like very much the movement and energy of your verse and often I was struck by the unhackneyed and absolute propriety of your renderings." --Charles Fornara, Brown University -- (04/01/1999) "Splendid and vigorous . . . I have rejoiced in your capture of Latinate rhythms, your frequent use of amphibrachs and hendecasyllabics. The poem moves with both grandeur and swift pace. You have done a handsome job." --Anthony Hecht -- (04/01/1999)

In Aeneas, Virgil created the most powerful figure in Latin literature, the dutiful yet fallible Trojan prince who overcomes war, suffering and countless setbacks to lay the foundations of the Roman race. Like many of his generation, John Dryden (1631-1700) believed the great classical epics could provide moral models to 'form the Mind to Heroick Virtue by Example'. For his version of the Aeneid, he formed a style vigorous yet refined and drew on the deep understanding of political unrest he had acquired during the Civil Wars of 1642-51 and the Glorious Revolution of 1688. This Penguin English Poets edition includes maps, a substantial glossary and enough background to help readers overcome any unfamiliarity with style or substance, thus making freshly accessible a work of enduring worth.