During her 25-year tenure as film critic for The New Yorker, Pauline Kael established herself as one of America's most respected movie reviewers. This marvelous reprise of the most entertaining movie reviews ever written is a boon to serious moviegoers and the perfect companion in the age of the VCR. Today, the best place to find "the movies" is in books--and "the best books to go to remain those of Pauline Kael" (New York Magazine).
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For Keeps is a dazzling anthology of reviews and essays by Pauline Kael, America's most important movie critic. This hefty book contains a fifth of Kael's total output. It reprints all of her most famous reviews, including her controversial treatments of Last Tango in Paris, The Long Goodbye, and Nashville. Also here are some of her best longer essays, "Movie Brutalists," "Trash, Art, and the Movies," and &quoy;Cary Grant: the Man from Dream City." Raising Kane, Kael's book-length revisionist view of Citizen Kane, is reproduced in its entirety. Kael's style is impassioned, incisive, witty, and deeply personal. In the preface to this extraordinary volume, Kael says, "I'm frequently asked why I don't write my memoirs. I think I have."From Publishers Weekly:
In this mammoth anthology, former New Yorker film critic Kael skims the cream from 10 of her previous review compilations published between 1965 and 1991, adding a generous excerpt from The Citizen Kane Book (1971). In more than 275 pointed, wisecracking, sometimes maddening, always engaging reviews, Kael deflates pretensions, skewers schlock and zeroes in on what makes good movies work. She files opinionated, often politically incorrect put-downs of Dances with Wolves, Platoon, Rain Man, Fellini Satyricon, West Side Story, The Color Purple and Lenny, while revealing her eclectic, unpredictable taste in plaudits for Lolita, Prizzi's Honor, Tootsie, Z, The Magic Flute and My Beautiful Laundrette. Kael resolutely approaches film as an art form that must be understood on its own terms, yet her reviews depict precisely how movies interact with life, popular culture and the collective psyche, making this a treasure trove of some of the best film criticism available. First serial to the New Yorker.
Copyright 1994 Reed Business Information, Inc.
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Descripción Plume, 1996. Paperback. Estado de conservación: New. Nº de ref. de la librería P110452273080
Descripción Plume. PAPERBACK. Estado de conservación: New. 0452273080 New Condition. Nº de ref. de la librería NEW6.0236234
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Descripción Plume, 1996. Paperback. Estado de conservación: New. Nº de ref. de la librería DADAX0452273080