Bagombo Snuff Box: Uncollected Short Fiction

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9780425174463: Bagombo Snuff Box: Uncollected Short Fiction

Never-before-collected, vintage Vonnegut.

"Vonnegut said that his last book, Timequake (1997), would be his last, but no one as imaginative and in love with language and story can resist the lure of the page, and it's obvious that he had a grand time working on this collection of his vintage stories. Bagombo Snuff Box resurrects Vonnegut's earliest efforts, stories written during the fifties and sixties for such popular venues as The Saturday Evening Post and Collier's. In his engagingly autobiographical introduction, Vonnegut describes his stints as a Chicago journalist and PR man for General Electric in Schenectady, New York; his decision to supplement his income by writing; and his rapid success and evolution into a full-time writer. So, here are his literary roots, a set of stories that reflects their era's eagerness to turn the horrors of war into anecdote and to equate technology with progress. Unabashedly fablelike, they can be either sly or sweet, sentimental or vaudevillian, but all are quietly subversive. . . . Rich in low-key humor and good old-fashioned morality, Vonnegut's stories are both wily and tender." —Booklist

"You trust this voice . . . the pretentious are all brought to earth with his wit . . . These stories . . . speak only of simple truths." —Chicago Sun-Times

"Sinopsis" puede pertenecer a otra edición de este libro.

Review:

From out of the blue, here's a new collection of Vonnegut fiction--his first magazine stories from the 1950s in book form at last, with some charming reminiscences (and three new endings for old stories) by the author. Vonnegut says these tales were meant to be as evanescent as lightening bugs, and that image captures their frail magic. They're like time travelers from an epoch when stories swarmed in mass-market magazines, before TV dawned and doomed them.

Later greatness glimmers here: the offbeat sci-fi of "Thanasphere" (in which an astronaut encounters dead souls in space) and the hero's bogus adventures in alien lands in "Bagombo Snuff Box" look forward to Vonnegut's Slaughterhouse Five, as do the war stories "Souvenir," "Der Arme Dolmetscher," and "The Cruise of The Jolly Roger," which incorporate and amplify Vonnegut's actual war experiences. There's authentic midcentury news here, even in the gentle Saturday Evening Post social satire of "The No-Talent Kid," "Ambitious Sophomore," and "The Boy Who Hated Girls," which pretty much nail the high-school marching band experience. The pieces are peppered with odd, true observations and neat little turns of phrase: one incompetent kid in Lincoln High's band marches "flappingly, like a mother flamingo pretending to be injured, luring alligators from her nest."

You can't miss the ironic humor and the humane, death-haunted melancholy of the young war veteran and tyro writer. This collection beats his first novel, Player Piano, and anticipates the masterpiece Cat's Cradle, whose tiny chapters resemble short stories. Young Vonnegut is derivative, mostly of Saki and O. Henry, partly because he couldn't think of endings, and their switcheroos offered a handy model. But from the start, Vonnegut's idiosyncratic voice is unmistakable. --Tim Appelo

From the Back Cover:

From the acclaimed author of Slaughterhouse-Five, Cat's Cradle, Breakfast of Champions, and Timequake comes this new compilation of short fiction, twenty-three previously uncollected stories. These vignettes of American life draw on Kurt Vonnegut's World War Two experiences and the resolute optimism of the country after the war. Together, they present a poignant and humorous portrayal of an America peopled with overzealous high school band directors and their students ("Ambitious Sophomore"), rebellious housewives ("Custom-Made Bride") and boasting salesmen ("Bagombo Snuff Box"), soldiers misplaced during the war ("Der Arme Dolmetscher") and people lost in their own gadget-filled homes ("The Package").

In an era before television, Kurt Vonnegut found a ready and willing audience in the readers of such magazines as Collier's, The Saturday Evening Post, Cosmopolitan, Argosy, and Redbook. These rare, rediscovered tales give us a glimpse into a more innocent America -- and into the developing genius of one of the greatest writers of our time.

"Sobre este título" puede pertenecer a otra edición de este libro.

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Descripción Penguin Putnam Inc, United States, 2000. Paperback. Estado de conservación: New. Reissue. Language: English . Brand New Book. Never-before-collected, vintage Vonnegut. Vonnegut said that his last book, Timequake (1997), would be his last, but no one as imaginative and in love with language and story can resist the lure of the page, and it s obvious that he had a grand time working on this collection of his vintage stories. Bagombo Snuff Box resurrects Vonnegut s earliest efforts, stories written during the fifties and sixties for such popular venues as The Saturday Evening Post and Collier s. In his engagingly autobiographical introduction, Vonnegut describes his stints as a Chicago journalist and PR man for General Electric in Schenectady, New York; his decision to supplement his income by writing; and his rapid success and evolution into a full-time writer. So, here are his literary roots, a set of stories that reflects their era s eagerness to turn the horrors of war into anecdote and to equate technology with progress. Unabashedly fablelike, they can be either sly or sweet, sentimental or vaudevillian, but all are quietly subversive. . . . Rich in low-key humor and good old-fashioned morality, Vonnegut s stories are both wily and tender. --Booklist You trust this voice . . . the pretentious are all brought to earth with his wit . . . These stories . . . speak only of simple truths. --Chicago Sun-Times. Nº de ref. de la librería AAS9780425174463

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Kurt Vonnegut
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Descripción Penguin Putnam Inc, United States, 2000. Paperback. Estado de conservación: New. Reissue. Language: English . Brand New Book. Never-before-collected, vintage Vonnegut. Vonnegut said that his last book, Timequake (1997), would be his last, but no one as imaginative and in love with language and story can resist the lure of the page, and it s obvious that he had a grand time working on this collection of his vintage stories. Bagombo Snuff Box resurrects Vonnegut s earliest efforts, stories written during the fifties and sixties for such popular venues as The Saturday Evening Post and Collier s. In his engagingly autobiographical introduction, Vonnegut describes his stints as a Chicago journalist and PR man for General Electric in Schenectady, New York; his decision to supplement his income by writing; and his rapid success and evolution into a full-time writer. So, here are his literary roots, a set of stories that reflects their era s eagerness to turn the horrors of war into anecdote and to equate technology with progress. Unabashedly fablelike, they can be either sly or sweet, sentimental or vaudevillian, but all are quietly subversive. . . . Rich in low-key humor and good old-fashioned morality, Vonnegut s stories are both wily and tender. --Booklist You trust this voice . . . the pretentious are all brought to earth with his wit . . . These stories . . . speak only of simple truths. --Chicago Sun-Times. Nº de ref. de la librería AAS9780425174463

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Descripción Penguin Putnam Inc, United States, 2000. Paperback. Estado de conservación: New. Reissue. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Never-before-collected, vintage Vonnegut. Vonnegut said that his last book, Timequake (1997), would be his last, but no one as imaginative and in love with language and story can resist the lure of the page, and it s obvious that he had a grand time working on this collection of his vintage stories. Bagombo Snuff Box resurrects Vonnegut s earliest efforts, stories written during the fifties and sixties for such popular venues as The Saturday Evening Post and Collier s. In his engagingly autobiographical introduction, Vonnegut describes his stints as a Chicago journalist and PR man for General Electric in Schenectady, New York; his decision to supplement his income by writing; and his rapid success and evolution into a full-time writer. So, here are his literary roots, a set of stories that reflects their era s eagerness to turn the horrors of war into anecdote and to equate technology with progress. Unabashedly fablelike, they can be either sly or sweet, sentimental or vaudevillian, but all are quietly subversive. . . . Rich in low-key humor and good old-fashioned morality, Vonnegut s stories are both wily and tender. --Booklist You trust this voice . . . the pretentious are all brought to earth with his wit . . . These stories . . . speak only of simple truths. --Chicago Sun-Times. Nº de ref. de la librería BTE9780425174463

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