Choreographing Empathy: Kinesthesia in Performance

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9780415596565: Choreographing Empathy: Kinesthesia in Performance

"This is an urgently needed book – as the question of choreographing behavior enters into realms outside of the aesthetic domains of theatrical dance, Susan Foster writes a thoroughly compelling argument." – André Lepecki, New York University

"May well prove to be one of Susan Foster’s most important works." – Ramsay Burt, De Montford University, UK

What do we feel when we watch dancing? Do we "dance along" inwardly? Do we sense what the dancer’s body is feeling? Do we imagine what it might feel like to perform those same moves? If we do, how do these responses influence how we experience dancing and how we derive significance from it?

Choreographing Empathy challenges the idea of a direct psychophysical connection between the body of a dancer and that of their observer. In this groundbreaking investigation, Susan Foster argues that the connection is in fact highly mediated and influenced by ever-changing sociocultural mores.

Foster examines the relationships between three central components in the experience of watching a dance – the choreography, the kinesthetic sensations it puts forward, and the empathetic connection that it proposes to viewers. Tracing the changing definitions of choreography, kinesthesia, and empathy from the 1700s to the present day, she shows how the observation, study, and discussion of dance have changed over time. Understanding this development is key to understanding corporeality and its involvement in the body politic.

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About the Author:

Susan Leigh Foster is professor of choreography, history and theories of the body at UCLA. Her work has been supported by grants from the National Endowment of the Arts, the National Endowment of Humanities, and the Rockefeller and Jerome Foundations. Ph.D., History of Consciousness, University of California, Santa Cruz; M.A., Dance, University of California, Los Angeles; B.A. Anthropology, Swarthmore College. She has created several solo concerts which have toured the United States, Canada and Europe.

Review:

"May well prove to be one of Susan Foster’s most important works."

- Ramsay Burt, De Montford University, UK

 

"This extremely well-documented book is a marvelous addition to the literature on choreographic thought. Highly recommended."

- L. K. Rosenberg, Miami University, USA

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Susan Leigh Foster
Editorial: Taylor Francis Ltd, United Kingdom (2010)
ISBN 10: 0415596564 ISBN 13: 9780415596565
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Descripción Taylor Francis Ltd, United Kingdom, 2010. Paperback. Estado de conservación: New. Language: English . Brand New Book. This is an urgently needed book - as the question of choreographing behavior enters into realms outside of the aesthetic domains of theatrical dance, Susan Foster writes a thoroughly compelling argument. - Andre Lepecki, New York University May well prove to be one of Susan Foster s most important works. - Ramsay Burt, De Montford University, UK What do we feel when we watch dancing? Do we dance along inwardly? Do we sense what the dancer s body is feeling? Do we imagine what it might feel like to perform those same moves? If we do, how do these responses influence how we experience dancing and how we derive significance from it? Choreographing Empathy challenges the idea of a direct psychophysical connection between the body of a dancer and that of their observer. In this groundbreaking investigation, Susan Foster argues that the connection is in fact highly mediated and influenced by ever-changing sociocultural mores. Foster examines the relationships between three central components in the experience of watching a dance - the choreography, the kinesthetic sensations it puts forward, and the empathetic connection that it proposes to viewers. Tracing the changing definitions of choreography, kinesthesia, and empathy from the 1700s to the present day, she shows how the observation, study, and discussion of dance have changed over time. Understanding this development is key to understanding corporeality and its involvement in the body politic. Nº de ref. de la librería AAZ9780415596565

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Foster, Susan Leigh
Editorial: Routledge (2010)
ISBN 10: 0415596564 ISBN 13: 9780415596565
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Descripción Routledge, 2010. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería GB-9780415596565

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Susan Leigh Foster
Editorial: Taylor Francis Ltd, United Kingdom (2010)
ISBN 10: 0415596564 ISBN 13: 9780415596565
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Descripción Taylor Francis Ltd, United Kingdom, 2010. Paperback. Estado de conservación: New. Language: English . Brand New Book. This is an urgently needed book - as the question of choreographing behavior enters into realms outside of the aesthetic domains of theatrical dance, Susan Foster writes a thoroughly compelling argument. - Andre Lepecki, New York University May well prove to be one of Susan Foster s most important works. - Ramsay Burt, De Montford University, UK What do we feel when we watch dancing? Do we dance along inwardly? Do we sense what the dancer s body is feeling? Do we imagine what it might feel like to perform those same moves? If we do, how do these responses influence how we experience dancing and how we derive significance from it? Choreographing Empathy challenges the idea of a direct psychophysical connection between the body of a dancer and that of their observer. In this groundbreaking investigation, Susan Foster argues that the connection is in fact highly mediated and influenced by ever-changing sociocultural mores. Foster examines the relationships between three central components in the experience of watching a dance - the choreography, the kinesthetic sensations it puts forward, and the empathetic connection that it proposes to viewers. Tracing the changing definitions of choreography, kinesthesia, and empathy from the 1700s to the present day, she shows how the observation, study, and discussion of dance have changed over time. Understanding this development is key to understanding corporeality and its involvement in the body politic. Nº de ref. de la librería AAZ9780415596565

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Susan Leigh Foster
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Descripción Estado de conservación: New. Bookseller Inventory # ST0415596564. Nº de ref. de la librería ST0415596564

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Descripción Paperback. Estado de conservación: New. Not Signed; This is an urgently needed book - as the question of choreographing behavior enters into realms outside of the aesthetic domains of theatrical dance, Susan Foster writes a thoroughly compelling argument. - Andre Lepecki, New York University May well prove to be one of Susan Foster's most important. book. Nº de ref. de la librería ria9780415596565_rkm

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Descripción Routledge. Estado de conservación: BRAND NEW. BRAND NEW Softcover - 286pp - A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 1985361

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FOSTER, SUSAN
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Descripción Routledge, 2010. Paperback. Estado de conservación: NEW. 9780415596565 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Nº de ref. de la librería HTANDREE01360578

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Descripción Routledge, 2010. Paperback. Estado de conservación: Brand New. 1st edition. 296 pages. 8.46x5.55x0.63 inches. In Stock. Nº de ref. de la librería __0415596564

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Susan Leigh Foster
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Descripción Routledge, 2010. Estado de conservación: New. Nº de ref. de la librería GH9780415596565

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Descripción Routledge, 2010. Paperback. Estado de conservación: New. Nº de ref. de la librería DADAX0415596564

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