Street Art, Public City: Law, Crime and the Urban Imagination

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9780415538695: Street Art, Public City: Law, Crime and the Urban Imagination
Review:

‘My favourite criminologist in the world’

- Banksy

‘Street art is an elusive, complex subject, subject to misinformation and much prejudice. Alison Young offers readers a brilliant rigorous analysis, giving a comprehensive account of street art as a global phenomenon, and the tensions it frequently engenders in the control of public and private space, and the licit and illicit behaviour of artists who choose to stay away from the over-managed space of the museum or gallery.’

- Sandy Nairne, Director, National Portrait Gallery, London

‘From graffiti to "guerrilla knitting", political "pieces" to place-making "paste-ups", the various homologies and diverse characteristics of contemporary street art can seem bewildering, even to the most hard-bitten of urbanites. This sharp, stylish book provides a reliable and theoretically informed route map that, not only demystifies the genre, but also poses some important questions about street art’s democratic and political potential. Alison Young proves to be a most thoughtful and engaging tour guide as she takes us on a fascinating excursion across the contours of the international urban art scene and deep into the subterranean and ever-evolving world of today’s street artists. Whatever your feelings about graffiti, tagging, and other forms of urban mark-making, this book, just like the very best examples of street art, will challenge your preconceptions and make you think more deeply about the affects and effects of the twenty-first century’s most controversial art form.’

- Keith Hayward, Professor of Criminology, University of Kent, UK

‘Alison Young's Street Art, Public City is an indispensable sociology of street art, guiding the reader through the streets of many of the world's major cities. Brilliantly intertwining the disciplines of aesthetics, urbanism and legal theory, it paints a rich and compelling picture of the contemporary urban landscape, subtly bringing into focus a vital dimension of public culture.’- Professor Jill Bennett, University of New South Wales, Australia

'One of the most notable achievements of Street Art, Public City is the lucidity that comes from having been written by someone with a background in law. As easily narrative and descriptive as the book sometimes becomes (and there are a lot of street art stories in it), it never loses a sharpness of argument and a powerful sense of direction.'

Sabina Andron, Bartlett School of Architecture, UCL

 

From the Publisher:

What is street art? Who is the street artist? Why is street art a crime?

Since the late 1990s, a distinctive cultural practice has emerged in many cities: street art, involving the placement of uncommissioned artworks in public places. Sometimes regarded as a variant of graffiti, sometimes called a new art movement, its practitioners engage in illicit activities while at the same time the resulting artworks can command high prices at auction and have become collectable aesthetic commodities. Such paradoxical responses show that street art challenges conventional understandings of culture, law, crime and art.

Street Art, Public City: Law, Crime and the Urban Imagination engages with those paradoxes in order to understand how street art reveals new modes of citizenship in the contemporary city. It examines the histories of street art and the motivations of street artists, and the experiences both of making street art and looking at street art in public space. It considers the ways in which street art has become an integral part of the identity of cities such as London, New York, Berlin, and Melbourne, at the same time as street art has become increasingly criminalised. It investigates the implications of street art for conceptions of property and authority, and suggests that street art and the urban imagination can point us towards a different kind of city: the public city.

Street Art, Public City will be of interest to readers concerned with art, culture, law, cities and urban space, and also to readers in the fields of legal studies, cultural criminology, urban geography, cultural studies and art more generally.

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Young, Alison
Editorial: Taylor Francis Ltd, United Kingdom (2014)
ISBN 10: 0415538696 ISBN 13: 9780415538695
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Descripción Taylor Francis Ltd, United Kingdom, 2014. Hardback. Estado de conservación: New. 236 x 156 mm. Language: English . Brand New Book. What is street art? Who is the street artist? Why is street art a crime? Since the late 1990s, a distinctive cultural practice has emerged in many cities: street art, involving the placement of uncommissioned artworks in public places. Sometimes regarded as a variant of graffiti, sometimes called a new art movement, its practitioners engage in illicit activities while at the same time the resulting artworks can command high prices at auction and have become collectable aesthetic commodities. Such paradoxical responses show that street art challenges conventional understandings of culture, law, crime and art. Street Art, Public City: Law, Crime and the Urban Imagination engages with those paradoxes in order to understand how street art reveals new modes of citizenship in the contemporary city. It examines the histories of street art and the motivations of street artists, and the experiences both of making street art and looking at street art in public space. It considers the ways in which street art has become an integral part of the identity of cities such as London, New York, Berlin, and Melbourne, at the same time as street art has become increasingly criminalised. It investigates the implications of street art for conceptions of property and authority, and suggests that street art and the urban imagination can point us towards a different kind of city: the public city. Street Art, Public City will be of interest to readers concerned with art, culture, law, cities and urban space, and also to readers in the fields of legal studies, cultural criminology, urban geography, cultural studies and art more generally. Nº de ref. de la librería AAZ9780415538695

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Young, Alison
Editorial: Taylor Francis Ltd, United Kingdom (2014)
ISBN 10: 0415538696 ISBN 13: 9780415538695
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Descripción Taylor Francis Ltd, United Kingdom, 2014. Hardback. Estado de conservación: New. 236 x 156 mm. Language: English . Brand New Book. What is street art? Who is the street artist? Why is street art a crime? Since the late 1990s, a distinctive cultural practice has emerged in many cities: street art, involving the placement of uncommissioned artworks in public places. Sometimes regarded as a variant of graffiti, sometimes called a new art movement, its practitioners engage in illicit activities while at the same time the resulting artworks can command high prices at auction and have become collectable aesthetic commodities. Such paradoxical responses show that street art challenges conventional understandings of culture, law, crime and art. Street Art, Public City: Law, Crime and the Urban Imagination engages with those paradoxes in order to understand how street art reveals new modes of citizenship in the contemporary city. It examines the histories of street art and the motivations of street artists, and the experiences both of making street art and looking at street art in public space. It considers the ways in which street art has become an integral part of the identity of cities such as London, New York, Berlin, and Melbourne, at the same time as street art has become increasingly criminalised. It investigates the implications of street art for conceptions of property and authority, and suggests that street art and the urban imagination can point us towards a different kind of city: the public city. Street Art, Public City will be of interest to readers concerned with art, culture, law, cities and urban space, and also to readers in the fields of legal studies, cultural criminology, urban geography, cultural studies and art more generally. Nº de ref. de la librería AAZ9780415538695

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Descripción Taylor & Francis Ltd, 2014. Estado de conservación: New. Num Pages: 192 pages, 20 black & white illustrations, 16 colour illustrations. BIC Classification: AFJG; JFCA; JHB; JKV. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 234 x 162 x 16. Weight in Grams: 452. . 2014. 1st Edition. Hardcover. . . . . . Nº de ref. de la librería V9780415538695

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Young, Alison
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Descripción Taylor & Francis Ltd. Hardback. Estado de conservación: new. BRAND NEW, Street Art, Public City: Law, Crime and the Urban Imagination, Alison Young, What is street art? Who is the street artist? Why is street art a crime? Since the late 1990s, a distinctive cultural practice has emerged in many cities: street art, involving the placement of uncommissioned artworks in public places. Sometimes regarded as a variant of graffiti, sometimes called a new art movement, its practitioners engage in illicit activities while at the same time the resulting artworks can command high prices at auction and have become collectable aesthetic commodities. Such paradoxical responses show that street art challenges conventional understandings of culture, law, crime and art. Street Art, Public City: Law, Crime and the Urban Imagination engages with those paradoxes in order to understand how street art reveals new modes of citizenship in the contemporary city. It examines the histories of street art and the motivations of street artists, and the experiences both of making street art and looking at street art in public space. It considers the ways in which street art has become an integral part of the identity of cities such as London, New York, Berlin, and Melbourne, at the same time as street art has become increasingly criminalised. It investigates the implications of street art for conceptions of property and authority, and suggests that street art and the urban imagination can point us towards a different kind of city: the public city. Street Art, Public City will be of interest to readers concerned with art, culture, law, cities and urban space, and also to readers in the fields of legal studies, cultural criminology, urban geography, cultural studies and art more generally. Nº de ref. de la librería B9780415538695

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Young, Alison
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Descripción Routledge, 2014. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: "This book investigates street art and graffiti as cultural practices at the borders of legality and illegality. Cities are engaged in a continual process of cultural production through which their self-image is developed and refined; a process that is sometimes legal -- as with architecture, statuary, signage, advertising, and public art -- and sometimes not -- with practices such as billposting, graffiti and street art. Alternately (and sometimes simultaneously) considered criminal, gentrifying, or commercial, street art exists and operates on the boundaries between the legal and illegal, and between art, crime, and culture. Given its capacity to generate discussion and polarise opinion, street art is a cultural practice that can inform us about the nature of urban life and the limits of public space. Street Art, Public City: Crime and the Urban Imagination draws upon fifteen years of research to examines the ways in which street art has become as integral part of cities' cultural identities. It will be of interest to readers in the fields of street art and graffiti specifically, but also to those interested in issues relating to cities and urban space, legal geography, cultural criminology as well as cultural studies and art more generally. "--. Nº de ref. de la librería ABE_book_new_0415538696

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