Embodied Acting: What Neuroscience Tells Us About Performance

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9780415507882: Embodied Acting: What Neuroscience Tells Us About Performance

‘A focus on the body, its actions, and its cognitive mechanisms identifies ... foundational principles of activity that link the three elements of theatre; Story, Space, and Time. The three meet in, are defined by, and expressed through the actor’s body.’ – from the Introduction

Embodied Acting is an essential, pragmatic intervention in the study of how recent discoveries within cognitive science can – and should – be applied to performance. For too long, a conceptual separation of mind and body has dominated actor training in the West. Cognitive science has shown this binary to be illusory, shattering the traditional boundaries between mind and body, reason and emotion, knowledge and imagination. This revolutionary new volume explores the impact that a more holistic approach to the "bodymind" can have on the acting process.

Drawing on his experience as an actor, director and scholar, Rick Kemp interrogates the key cognitive activities involved in performance, including:

  • non-verbal communication
  • the relationship between thought, speech, and gesture
  • the relationship between self and character
  • empathy, imagination, and emotion.

New perspectives on the work of Stanislavski, Michael Chekhov, and Jacques Lecoq – as well as contemporary practitioners including Daniel Day-Lewis and Katie Mitchell – are explored through practical exercises and accessible explanations. Blending theory, practice, and cutting-edge neuroscience, Kemp presents a radical re-examination of the unconscious activities engaged in creating, and presenting, a role.

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About the Author:

Rick Kemp (aka Rick Zoltowski) has worked as an actor and director with companies such as the Almeida, Complicite, Commotion, Quantum, and Squonk Opera. He holds an MA from Oxford University, an MFA and a PhD from the University of Pittsburgh, and teaches at Indiana University of Pennsylvania, USA.

Review:

'This is a very interesting book for actors, directors and - as I think - also for psychologists and philosophers. It can be seen as a pioneering work, opening doors to new fields of research: actors can be considered experts of the mind/body- interaction and it might make sense to think about a “psychology of acting” that approaches the body/mind-controversy through the study of actors and acting.' – Gunter Lösel, Theaterforschung

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Rick Kemp
Editorial: Taylor Francis Ltd, United Kingdom (2012)
ISBN 10: 041550788X ISBN 13: 9780415507882
Nuevos Paperback Cantidad: 10
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(London, Reino Unido)
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Descripción Taylor Francis Ltd, United Kingdom, 2012. Paperback. Estado de conservación: New. Language: English . Brand New Book. A focus on the body, its actions, and its cognitive mechanisms identifies .foundational principles of activity that link the three elements of theatre; Story, Space, and Time. The three meet in, are defined by, and expressed through the actor s body. - from the Introduction Embodied Acting is an essential, pragmatic intervention in the study of how recent discoveries within cognitive science can - and should - be applied to performance. For too long, a conceptual separation of mind and body has dominated actor training in the West. Cognitive science has shown this binary to be illusory, shattering the traditional boundaries between mind and body, reason and emotion, knowledge and imagination. This revolutionary new volume explores the impact that a more holistic approach to the bodymind can have on the acting process. Drawing on his experience as an actor, director and scholar, Rick Kemp interrogates the key cognitive activities involved in performance, including: * non-verbal communication * the relationship between thought, speech, and gesture * the relationship between self and character * empathy, imagination, and emotion.New perspectives on the work of Stanislavski, Michael Chekhov, and Jacques Lecoq - as well as contemporary practitioners including Daniel Day-Lewis and Katie Mitchell - are explored through practical exercises and accessible explanations. Blending theory, practice, and cutting-edge neuroscience, Kemp presents a radical re-examination of the unconscious activities engaged in creating, and presenting, a role. Nº de ref. de la librería AA69780415507882

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Rick Kemp
Editorial: Taylor and Francis 2012-08-21, London (2012)
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Descripción Taylor and Francis 2012-08-21, London, 2012. paperback. Estado de conservación: New. Nº de ref. de la librería 9780415507882

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Rick Kemp
Editorial: Taylor Francis Ltd, United Kingdom (2012)
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Descripción Taylor Francis Ltd, United Kingdom, 2012. Paperback. Estado de conservación: New. Language: English . Brand New Book. A focus on the body, its actions, and its cognitive mechanisms identifies .foundational principles of activity that link the three elements of theatre; Story, Space, and Time. The three meet in, are defined by, and expressed through the actor s body. - from the Introduction Embodied Acting is an essential, pragmatic intervention in the study of how recent discoveries within cognitive science can - and should - be applied to performance. For too long, a conceptual separation of mind and body has dominated actor training in the West. Cognitive science has shown this binary to be illusory, shattering the traditional boundaries between mind and body, reason and emotion, knowledge and imagination. This revolutionary new volume explores the impact that a more holistic approach to the bodymind can have on the acting process. Drawing on his experience as an actor, director and scholar, Rick Kemp interrogates the key cognitive activities involved in performance, including: * non-verbal communication * the relationship between thought, speech, and gesture * the relationship between self and character * empathy, imagination, and emotion. New perspectives on the work of Stanislavski, Michael Chekhov, and Jacques Lecoq - as well as contemporary practitioners including Daniel Day-Lewis and Katie Mitchell - are explored through practical exercises and accessible explanations. Blending theory, practice, and cutting-edge neuroscience, Kemp presents a radical re-examination of the unconscious activities engaged in creating, and presenting, a role. Nº de ref. de la librería AA69780415507882

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Rick Kemp
Editorial: Routledge 2012-08-21 (2012)
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Descripción Routledge 2012-08-21, 2012. Estado de conservación: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-GRD-04891386

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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97804155078820000000

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Descripción Estado de conservación: New. Bookseller Inventory # ST041550788X. Nº de ref. de la librería ST041550788X

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Descripción 2012. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería VT-9780415507882

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Rick Kemp
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Descripción Taylor Francis Ltd, United Kingdom, 2012. Paperback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. A focus on the body, its actions, and its cognitive mechanisms identifies .foundational principles of activity that link the three elements of theatre; Story, Space, and Time. The three meet in, are defined by, and expressed through the actor s body. - from the Introduction Embodied Acting is an essential, pragmatic intervention in the study of how recent discoveries within cognitive science can - and should - be applied to performance. For too long, a conceptual separation of mind and body has dominated actor training in the West. Cognitive science has shown this binary to be illusory, shattering the traditional boundaries between mind and body, reason and emotion, knowledge and imagination. This revolutionary new volume explores the impact that a more holistic approach to the bodymind can have on the acting process. Drawing on his experience as an actor, director and scholar, Rick Kemp interrogates the key cognitive activities involved in performance, including: * non-verbal communication * the relationship between thought, speech, and gesture * the relationship between self and character * empathy, imagination, and emotion. New perspectives on the work of Stanislavski, Michael Chekhov, and Jacques Lecoq - as well as contemporary practitioners including Daniel Day-Lewis and Katie Mitchell - are explored through practical exercises and accessible explanations. Blending theory, practice, and cutting-edge neuroscience, Kemp presents a radical re-examination of the unconscious activities engaged in creating, and presenting, a role. Nº de ref. de la librería BTE9780415507882

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Kemp, Rick
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Descripción Taylor & Francis Ltd, 2012. Estado de conservación: New. 2012. 1st Edition. Paperback. 'Embodied Acting' is a pragmatic intervention in the study of how recent discoveries within cognitive science can, and should, be applied to performance. For too long, a conceptual separation of mind and body has dominated actor training in the west. Num Pages: 256 pages, 16 black & white illustrations, 7 black & white tables. BIC Classification: ANC; JMR. Category: (P) Professional & Vocational. Dimension: 156 x 214 x 15. Weight in Grams: 326. . . . . . . Nº de ref. de la librería V9780415507882

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Editorial: Routledge
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Descripción Routledge. Estado de conservación: BRAND NEW. BRAND NEW Softcover - 232pp - A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 1980803

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