Ingres Then, and Now (Re Visions: Critical Studies in the History & Theory of Art)

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9780415066983: Ingres Then, and Now (Re Visions: Critical Studies in the History & Theory of Art)
Review:

"This is an unusually fine and intelligent study, which will prove compelling to anyone thinking about the nature of modern art and the situation of the modern artist in 19th and 20th century France. Rifkin offers the reader an array of brilliant and unexpected insights--at times focused on Ingres, at others opening out onto new ways of thinking about modernity and the fabric of modern artistic culture."-Alex Potts, University of Reading

From the Publisher:

Ingres Then, and Now is an innovative study of one of the best-known French artists of the nineteenth century, Jean Auguste Dominique Ingres. Adrian Rifkin re-evaluates Ingres' work in the context of a variety of literary, musical and visual cultures which are normally seen as alien to him. Re-viewing Ingres' paintings as a series of fragmentary symptoms of the commodity cultures of nineteenth-century Paris, Adrian Rifkin draws the artist away from his familiar association with the Academy and the Salon.
Rifkin sets out to show how, by thinking of the historical archive as a form of the unconscious, we can renew our understanding of nineteenth-century conservative or academic cultures by reading them against their 'other'. He situates Ingres in the world of the Parisian Arcades, as represented by Walter Benjamin, and examines the effect of this juxtaposition on how we think of Benjamin himself, following Ingres' image in popular cultures of the twentieth century. Rifkin then returns to the late eighteenth and early nineteenth centuries to find traces of the emergence of bizarre symptoms in Ingres' early work, symptoms which open him to a variety of conflicting readings and appropriations. It concludes by examining his importance for the great French art critic Jean Cassou on the one hand, and in making a bold, contemporary gay appropriation on the other.
Ingres Then, and Now transforms the popular image we have of Ingres. It argues that the figure of the artist is neither fixed in time or place - there is neither an essential man named Ingres, nor a singular body of his work - but is an effect of many, complex and overlapping historical effects.

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Rifkin, Adrian
Editorial: Taylor Francis Ltd, United Kingdom (2000)
ISBN 10: 0415066980 ISBN 13: 9780415066983
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Descripción Taylor Francis Ltd, United Kingdom, 2000. Paperback. Estado de conservación: New. 230 x 156 mm. Language: English . Brand New Book. Ingres Then, and Now is an innovative study of one of the best-known French artists of the nineteenth century, Jean Auguste Dominique Ingres. Adrian Rifkin re-evaluates Ingres work in the context of a variety of literary, musical and visual cultures which are normally seen as alien to him. Re-viewing Ingres paintings as a series of fragmentary symptoms of the commodity cultures of nineteenth-century Paris, Adrian Rifkin draws the artist away from his familiar association with the Academy and the Salon. Rifkin sets out to show how, by thinking of the historical archive as a form of the unconscious, we can renew our understanding of nineteenth-century conservative or academic cultures by reading them against their other . He situates Ingres in the world of the Parisian Arcades, as represented by Walter Benjamin, and examines the effect of this juxtaposition on how we think of Benjamin himself, following Ingres image in popular cultures of the twentieth century. Rifkin then returns to the late eighteenth and early nineteenth centuries to find traces of the emergence of bizarre symptoms in Ingres early work, symptoms which open him to a variety of conflicting readings and appropriations. It concludes by examining his importance for the great French art critic Jean Cassou on the one hand, and in making a bold, contemporary gay appropriation on the other. Ingres Then, and Now transforms the popular image we have of Ingres. It argues that the figure of the artist is neither fixed in time or place - there is neither an essential man named Ingres, nor a singular body of his work - but is an effect of many, complex and overlapping historical effects. Nº de ref. de la librería AA69780415066983

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Rifkin, Adrian
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Descripción Routledge, 1999. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería FT-9780415066983

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Descripción Taylor & Francis Ltd 1999-12-23, London, 1999. paperback. Estado de conservación: New. Nº de ref. de la librería 9780415066983

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Descripción Taylor Francis Ltd, United Kingdom, 2000. Paperback. Estado de conservación: New. 230 x 156 mm. Language: English . Brand New Book. Ingres Then, and Now is an innovative study of one of the best-known French artists of the nineteenth century, Jean Auguste Dominique Ingres. Adrian Rifkin re-evaluates Ingres work in the context of a variety of literary, musical and visual cultures which are normally seen as alien to him. Re-viewing Ingres paintings as a series of fragmentary symptoms of the commodity cultures of nineteenth-century Paris, Adrian Rifkin draws the artist away from his familiar association with the Academy and the Salon. Rifkin sets out to show how, by thinking of the historical archive as a form of the unconscious, we can renew our understanding of nineteenth-century conservative or academic cultures by reading them against their other . He situates Ingres in the world of the Parisian Arcades, as represented by Walter Benjamin, and examines the effect of this juxtaposition on how we think of Benjamin himself, following Ingres image in popular cultures of the twentieth century. Rifkin then returns to the late eighteenth and early nineteenth centuries to find traces of the emergence of bizarre symptoms in Ingres early work, symptoms which open him to a variety of conflicting readings and appropriations. It concludes by examining his importance for the great French art critic Jean Cassou on the one hand, and in making a bold, contemporary gay appropriation on the other. Ingres Then, and Now transforms the popular image we have of Ingres. It argues that the figure of the artist is neither fixed in time or place - there is neither an essential man named Ingres, nor a singular body of his work - but is an effect of many, complex and overlapping historical effects. Nº de ref. de la librería AA69780415066983

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Descripción Routledge, 1999. Paperback. Estado de conservación: NEW. 9780415066983 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Nº de ref. de la librería HTANDREE0199391

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Descripción Routledge, 2000. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0415066980

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Descripción Routledge, 2000. Paperback. Estado de conservación: Brand New. 1st edition. 176 pages. 9.50x6.50x0.50 inches. In Stock. Nº de ref. de la librería __0415066980

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Descripción Routledge, 1999. Paperback. Estado de conservación: New. 15.6 x 23.4 cm. Our orders are sent from our warehouse locally or directly from our international distributors to allow us to offer you the best possible price and delivery time. Book. Nº de ref. de la librería MM-60092215

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Descripción 2000. Paperback. Estado de conservación: New. 1st. 154mm x 9mm x 232mm. Paperback. Ingres Then, and Now is an innovative study of one of the best-known French artists of the nineteenth century, Jean Auguste Dominique Ingres. Adrian Rifkin re-evaluates Ingres' work in the.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 176 pages. 0.345. Nº de ref. de la librería 9780415066983

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Descripción Routledge, 2000. Paperback. Estado de conservación: New. 1. Nº de ref. de la librería DADAX0415066980

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