Tanizaki's masterpiece is the story of four sisters, and the declining fortunes of a traditional Japanese family. It is a loving and nostalgic recreation of the sumptuous, intricate upper-class life of Osaka immediately before World War Two. With surgical precision, Tanizaki lays bare the sinews of pride, and brings a vanished era to vibrant life.
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The four Makioka sisters lead very complicated, strenuous lives, although on the surface nothing much ever happens to them. Part of a fading Japanese aristocracy in the years leading up to World War II, they cannot escape the wide net of the family name--something always brings them back to the reality of "being a Makioka." Running out of money, living in falling-apart houses, growing older beneath the sunlight of the modern world, they do their best to preserve the rituals of the past. The two older sisters work diligently to arrange a marriage for the third sister, Yukiko. Desperate to find someone to take care of her, they keep lowering their standards. One night they find themselves out with a drunk, selfish crackpot who has no money, but who is supposed to be related to a man who works for an important utility company. The fact that he is even a candidate for their sister's hand is a sign of how far they have fallen.
There are other signs in this remarkable, utterly compelling Japanese epic. At one point, a flood overwhelms their small town of Osaka. The youngest sister, Taeko, is having tea at the impeccably decorated home where her sewing teacher, Mrs. Tamaki, lives with her son Hiroshi. When the rain first appears beneath the door,
the three were still rather enjoying themselves, shouting at each other in the best of spirits. They all had a good laugh when Hiroshi, reaching to grab the briefcase in which he had brought home his school books, bumped his head on the bobbing radio. But after perhaps a half hour, there came a moment when the three fell silent. Almost immediately, Taeko remembered afterwards, the water was above her waist. As she clutched at a curtain, a picture fell from over her head; the curtain had probably brushed against it. It was a picture Mrs. Tamaki was especially fond of.Junichiro Tanizaki wrestled throughout his career with the idea of a country where tribes of aristocrats live as relics, grasping at the past through gestures, manners, small and intricate private laws. The narrative suspense of The Makioka Sisters is rooted in this single-minded nostalgia, this strict attention to the details of domestic life as the outer world becomes more and more incomprehensible. Pages are devoted to musing about whether Yukiko should "risk" meeting a potential husband when there is a spot above her eye--maybe she should play it safe and go to the doctor about it; maybe the potential husband will interpret it as bad luck. Tanizaki manages to make the struggle over this small, dark spot wildly compelling. I could not sleep until I discovered its fate.
If epic literature is based in the dramatic and forward-moving narrative of a male hero's journey, The Makioka Sisters is a female epic of inaction--trying to figure out what to wear, crying for no reason at the same time every afternoon. With each perilous, pathetic step, the sisters are heroes setting out for the new world. They're like Odysseus, except without the ship and without the sea. --Emily WhiteAbout the Author:
Junichiro Tanizaki was born in 1886 in Tokyo, where his family owned printing establishment. He studied Japanese literature at Tokyo Imperial University, and his first published work, a one-act play, appeared in 1910 in a literary magazine he helped to found. Tanizaki lived in the cosmopolitan Tokyo area until the earthquake of 1923, when he moved to the gentler and more cultivated Kyoto-Osaka region, the scene of The Makioka Sisters. There he became absorbed in the Japanese past and all his most important works were written from this point, among them Some Prefer Nettles (1929), Arrowroot (1931), The Secret History of the Lord of Musashi (1935), several modern versions of The Tale of Genji (1941, 1954 and 1965), The Makioka Sisters (1943-48), Captain Shigemoto's Mother (1949), The Key (1956) and Diary of a Mad Old Man (1961). By 1930 he had gained such renown that an edition of his complete works was published and he was awarded an Imperial Award for Cultural Merit in 1949. In 1964 he was elected an honorary Member of the American Academy and the National Institute of Arts and Letters, the first Japanese citizen ever to recieve this honour. Tanizaki died in 1965.
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Descripción Perigee Trade, 1981. Paperback. Estado de conservación: New. Nº de ref. de la librería DADAX0399505202
Descripción Perigee Trade, 1981. Paperback. Estado de conservación: New. Nº de ref. de la librería P110399505202