Strunk's Source Readings in Music History: The Twentieth Century: The Twentieth Century v. 7 (Source Readings Vol. 7)

 
9780393967005: Strunk's Source Readings in Music History: The Twentieth Century: The Twentieth Century v. 7 (Source Readings Vol. 7)
From the Publisher:

Twentieth-century music has been described as complex, vital, diverse, uncertain, experimental, self-conscious, innovative-the list is long and growing. Composers have been both credited with and accused of always searching for something "new," writing works that are mechanistic but romantic, meaningful but unskilled, beautiful but ugly! In The Twentieth Century, Robert P. Morgan helps us grasp the flavor of the era by presenting forty-five readings from the period, nearly all written by active participants in the musical developments of the time. Thus we tune in to the voices of some thirty composers-from Busoni to Babbitt, Ives to Xenakis, Satie to Stravinsky-and learn from performers Anderson and Landowska, philosopher-critics Adorno, Dahlhaus, and Meyer, and writers Cocteau, Barthes, and Eco.

From the Publisher:

This book began as an attempt to carry out a suggestion made in 1929 by Carl Engel in his Views and Reviews-to fulfill his wish for a living record of musical personalities, events, conditions, tastes ...a history of music faithfully and entirely carved from contemporary accounts.

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Descripción WW Norton Co, United States, 1998. Paperback. Estado de conservación: New. 2nd Revised edition. 230 x 154 mm. Language: English . Brand New Book. Twentieth-century music has been described as complex, vital, diverse, uncertain, experimental, self-conscious, innovative-the list is long and growing. Composers have been both credited with and accused of always searching for something new, writing works that are mechanistic but romantic, meaningful but unskilled, beautiful but ugly! In The Twentieth Century, Robert P. Morgan helps us grasp the flavor of the era by presenting forty-five readings from the period, nearly all written by active participants in the musical developments of the time. Thus we tune in to the voices of some thirty composers-from Busoni to Babbitt, Ives to Xenakis, Satie to Stravinsky-and learn from performers Anderson and Landowska, philosopher-critics Adorno, Dahlhaus, and Meyer, and writers Cocteau, Barthes, and Eco. Nº de ref. de la librería AAC9780393967005

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Morgan, Robert; WW
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Descripción WW Norton Co, United States, 1998. Paperback. Estado de conservación: New. 2nd Revised edition. 230 x 154 mm. Language: English . Brand New Book. Twentieth-century music has been described as complex, vital, diverse, uncertain, experimental, self-conscious, innovative-the list is long and growing. Composers have been both credited with and accused of always searching for something new, writing works that are mechanistic but romantic, meaningful but unskilled, beautiful but ugly! In The Twentieth Century, Robert P. Morgan helps us grasp the flavor of the era by presenting forty-five readings from the period, nearly all written by active participants in the musical developments of the time. Thus we tune in to the voices of some thirty composers-from Busoni to Babbitt, Ives to Xenakis, Satie to Stravinsky-and learn from performers Anderson and Landowska, philosopher-critics Adorno, Dahlhaus, and Meyer, and writers Cocteau, Barthes, and Eco. Nº de ref. de la librería AAC9780393967005

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Descripción WW Norton & Co. Paperback. Estado de conservación: new. BRAND NEW, Strunk's Source Readings in Music History: The Twentieth Century (2nd Revised edition), Leo Treitler, Robert P. Morgan, W. Oliver Strunk, Twentieth-century music has been described as complex, vital, diverse, uncertain, experimental, self-conscious, innovative-the list is long and growing. Composers have been both credited with and accused of always searching for something "new," writing works that are mechanistic but romantic, meaningful but unskilled, beautiful but ugly! In The Twentieth Century, Robert P. Morgan helps us grasp the flavor of the era by presenting forty-five readings from the period, nearly all written by active participants in the musical developments of the time. Thus we tune in to the voices of some thirty composers-from Busoni to Babbitt, Ives to Xenakis, Satie to Stravinsky-and learn from performers Anderson and Landowska, philosopher-critics Adorno, Dahlhaus, and Meyer, and writers Cocteau, Barthes, and Eco. Nº de ref. de la librería B9780393967005

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Descripción W. W. Norton & Company, 1997. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: This book began as an attempt to carry out a suggestion made in 1929 by Carl Engel in his "Views and Reviews"-to fulfill his wish for " a living record of musical personalities, events, conditions, tastes .a history of music faithfully and entirely carved from contemporary accounts. Nº de ref. de la librería ABE_book_new_039396700X

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Descripción Paperback. Estado de conservación: New. 2nd. 155mm x 17mm x 233mm. Paperback. This book began as an attempt to carry out a suggestion made in 1929 by Carl Engel in his Views and Reviews-to fulfill his wish for a living record of musical personalities, events, cond.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 264 pages. 0.376. Nº de ref. de la librería 9780393967005

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Descripción W. W. Norton & Company, 1997. Paperback. Estado de conservación: New. Revised Edition. Nº de ref. de la librería DADAX039396700X

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Descripción W W Norton & Co Inc, 1997. Paperback. Estado de conservación: Brand New. revised edition. 264 pages. 9.25x6.00x0.50 inches. In Stock. Nº de ref. de la librería x-039396700X

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