The Glass Books of the Dream Eaters

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9780385340359: The Glass Books of the Dream Eaters

With translation rights sold in twenty-five countries, Gordon Dahlquist’s spectacular and extraordinary debut novel was one of the most-talked-about acquisitions of 2005. Now this monumental Victorian thriller is destined to be the publishing sensation of 2006.

It began with a simple note: a letter of rejection from Miss Temple’s fiancé, written on crisp Ministry paper and delivered on her maid’s silver tray. But for Miss Temple, Roger Bascombe’s cruel rejection will ignite a harrowing quest for answers, plunging her into a mystery as dizzying as a hall of mirrors—and a remote estate where danger abounds and all inhibitions are stripped bare....Thus begins Gordon Dahlquist’s debut novel of Victorian suspense—at once a dazzling feast for the senses and a beguiling, erotic literary adventure.

Nothing could have prepared Miss Temple for where her pursuit of Roger Bascombe would take her—or for the shocking things she would find behind the closed doors of forbidding Harschmort Manor: men and women in provocative disguise, acts of licentiousness and violence, heroism and awakening. But she will also find two allies: Cardinal Chang, a brutal assassin with the heart of a poet, and a royal doctor named Svenson, at once fumbling and heroic—both of whom, like her, lost someone at Harschmort Manor. As the unlikely trio search for answers—hurtling them from elegant brothels to gaslit alleyways to shocking moments of self-discovery-- they are confronted by puzzles within puzzles. And the closer they get to the truth, the more their lives are in danger. For the conspiracy they face—an astonishing alchemy of science, perverted religion, and lust for power—is so terrifying as to be beyond belief.

In a novel that shatters conventions and seethes with danger and eroticism, Gordon Dahlquist has made a spectacular literary debut. And in Miss Temple he has created an unforgettable guide through a disturbing, seductive, and all-too-real world. By turns brutal and tender, shocking and deliciously romantic, The Glass Books of The Dream Eaters is a novel for the ages, a bold and brilliant work of the imagination

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Review:

Gordon Dahlquist's debut novel is a big, juicy, epic that will appeal to Diana Gabaldon fans (see her quote below) and lovers of literary fantasy, like Keith Donohue's The Stolen Child. The Glass Books of the Dream Eaters begins with a "Dear Jane" letter in which Celeste Temple learns of the end of her engagement. Curiosity leads her to follow her fiancé to London where she uncovers a secret. Find out more about the origins of this suspenseful literary romance, in Dahlquist's note to readers, below. A Note from the Author

In the winter of 2004 I was selected for jury duty (at the very same time Martha Stewart went to trial in the next building over--we all had to walk past the fifteen media vans to get to our courthouse). Since the courts in Manhattan are near Chinatown, I like jury duty, as it means a few days of excellent lunches. Instead, New York was hit with a ferocious, sub-zero ice storm that went on for days, where it was impossible to wander in the way I had hoped, and so, with the grind of the trial itself, we jurors were marooned for close to 4 hours each day in the jury room. The second night of the trial, however, I had a strange dream where a friend of mine appeared in the exact garb of one of The Glass Books' three main characters, Doctor Svenson, and together we faced a mystery in a strange, dark, Victorian building involving prisoners in a creepy upstairs room without a door. While I very rarely remember my dreams, the next morning I found this one percolating in my head quite vividly. But then, for no reason I can recall, I took out a notebook, and began--instead of the Doctor, who I would get to almost off-handedly in another 100 pages or so--writing about a willful young woman from the West Indies whose fiancée has abandoned her without explanation, making it up as I went along. By the end of the trial I had the first chapter. I am by trade a playwright, and had not written prose fiction of any kind for nearly 20 years, but I found myself hooked on the story and the characters--perhaps out of my own desire to know what happened next--and so persisted, putting aside most everything else, writing for the most part in coffee shops and on the subway, until I finished the book almost exactly one year later. --Gordon Dahlquist



About the Author:

Gordon Dahlquist is a native of the Pacific Northwest, where he worked for several years writing and directing plays. Since 1988 he has lived in New York. He has been a member of New Dramatists, is a New York Theatre Workshop Usual Suspect, and a founding member of the CiNE. His works include Messalina (Evidence Room, Los Angeles: SPF, New York), text for Babylon Is Everywhere: A Court Masque (CiNE, Schaeberle Theatre; Theatre Magazine), Delirium Palace (Evidence Room, Los Angeles; published in Breaking Ground), The Secret Machine (Twilight Theatre Company at Solo Rep), Vortex du Plaisir (Ice Factory ’99 Festival at the Ohio Theatre, WKCR’S Manhattan Theatre of the Air), Island of Dogs (4th Street Theatre), Severity’s Mistress (Soho Rep Theatre, New York University; winner of Primary stages’ Bug &Bub award), Mission Byzantium! (American Globe Theatre, NYTW’s Just Add Water Festival), and Reitcence (Horace Mann Theatre).

He has written and directed several experimental films, that have been selected for the San Francisco International Film Festival, the Seattle International Film Festival, and the Northwest Film and Video Film Festival. He is a graduate of Reed College and Columbia University’s School of the Arts. He has received two Garland Playwriting Awards for Messalina and Delirium Palace.

The Glass Books of the Dream Eaters is his first novel.

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Dahlquist, Gordon
Editorial: NY: Random House Inc. (2006)
ISBN 10: 0385340354 ISBN 13: 9780385340359
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