“Set in 1920s India, this magical debut novel tells the story of beautiful Anuradha, whose songs are spellbinding, but whose fate is troubled.”
When the astonishingly lovely Anuradha moves to Bombay to marry Vardhmaan, a charming young doctor, their life together has all the makings of a fairy tale. But when their firstborn son dies in a terrible accident, tragedy transforms their marriage into a bleak landscape. As the pair starts fresh in a heartbroken old villa by the sea, they are joined by Nandini, a dazzling and devious artist with a trace of leopard blood in her veins. While Nandini flamboyantly takes on Bombay’s art scene, the couple attempts to mend their marriage, eventually discovering that real love, mercurial and many-hued, is given and received in silence. Sensuous and electric, achingly moving and wickedly funny, The Last Song of Dusk is a tale of fate that will haunt your heart like an old and beloved song.
“A cornucopia of life at full tilt and high color . . . Shanghvi–who’s been compared to Arundhati Roy, Zadie Smith, and Vikram Seth–combines ribald humor with prose poetry.”
“Few first novelists achieve such perfection, such control, in their performance.”
“A gorgeous novel . . . written with a youthful twinkling eye.”
–Los Angeles Times Book Review
“Lush, witty . . . sassy prose . . . moves like a carnival ride.”
–San Francisco Chronicle
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Excerpt. © Reprinted by permission. All rights reserved.:
Siddharth Dhanvant Shanghvi, a born and bred Bombaywallah, was educated in India, England, and America. A past contributor to the San Francisco Chronicle and Elle, he divides his time between the San Francisco Bay Area and Bombay.
On the day Anuradha Patwardhan was leaving Udaipur for Bombay to marry a man she had not even met in the twenty-one years of her existence, her mother clutched her lovely hand through the window of the black victoria and whispered: "In this life, my darling, there is no mercy." Anuradha nodded respectfully and ached to ask her what exactly she meant by that. But even before she could articulate her question, Mrs. Patwardhan's large, oval eyes, the hue of liquid soot, misted over and she shut them with gracious restraint. At that moment, young Anuradha decided that her mother had never looked lovelier: robed in a cobalt-blue sari with a gold-leaf border, she was a woman of altitude although not imposing, slim but with pertinent parts of her biology eye-catchingly endowed, and a certain gift of Song that was, to say the least, legend in Udaipur.
It was this same simple but inexplicably alluring beauty that her daughter had inherited. Indeed, Anuradha Patwardhan's looks were so fabled that more than a few young Romeos of the Udaipur Sonnets Society categorically claimed her as their Muse. Was it her hair, that dense, fierce swathe of it--a poem in itself? Was it Anuradha's red bow lips, as thin and stenciled as Urvashi's--the Seductress to the Gods? Or was it her presence itself: assured, controlled, and elegant, as though a hymn wrapped in a sari--which, this January morning, in the deep spleen of Rajasthan, was an easy pearl white. It duly complemented the pale yellow duranta flowers billeted in her thick chignon, flowers with such an aptitude for fragrance that several bees grew dizzy and promptly fainted in midair.
"Maa, . . . I will always cherish all that you have given . . . ," she blurted as the horseman belted the black stallions with a whip made of carefully twined camel's eyelashes.
"Never forget the songs," Mrs. Patwardhan counseled as the stylish victoria kick-started with a jolt.
In the carriage, Anuradha sat opposite her father, a man she loved but did not like. A tiny rotund creature with thinning gray hair and a nose curved like a macaw's beak (Anuradha frequently thanked the Lord Shreenathji that she had been spared her father's awkward lineaments), Mr. Patwardhan grinned at her with a politesse bereft of all warmth. In any case, she cared not two bits for the clumsy, hollow maneuvers of masculine sympathy and hurriedly turned to notch up the fading sight of her mother. Mrs. Patwardhan was standing on the last step of the marble portico, erect as an obelisk but with the grace of a swan, the silken pallo of her sari drawn over her head: a sigh of sartorial grace. As the carriage trotted down the snaking drive, the wind picked up pace and crumpled into dust the image Anuradha was taking in with the fervency of a cyclone on the rampage: snatching every detail into the center of her. She recorded the regality of the house, its scrollwork windows, the shaded long veranda as consoling as a paragraph from one's favorite novel. She recorded the glistening belly of Lake Pichola, which hemmed their estate, the pergola she used to sit under to watch the dazzling saffron strokes of the sunsets of winter. She recorded the texture of air, its depth of character, the songs that the women of her family had sung inside it.
A weep gathered in her chest like the white crest of a wave.
The grand old Marwar Express, painted black with gold accoutrements, would bring them to Bombay inside two days. The platform itself was narrow, long, and littered with an assortment of corpselike beggars and lifeless Britishers. Several travelers stopped in their tracks to nail glances at Anuradha, at the animal fluidity of her movements, her noble stride, the carriage of her lovely head, all various aspects of one mesmerizing concerto. Her neat leather luggage stood by her side; her father had fallen into conversation with an acquaintance. She crossed her arms and thought about how her mother had promised to come to Bombay as soon as she had conducted the delivery of her youngest daughter-in-law--her due date and Anuradha's leaving had crossed like the tributaries of two rivers: unknowingly, ferociously. Mrs. Patwardhan had assured her that no matter what ('I shall grow wings and fly, if need be'), she would be in Bombay if Anuradha's marriage was decided, which, of course, seemed most likely: only a monumental fool would ever turn down someone like her. The irony, of course, was that Anuradha had scant idea of her own charms: she was under the impression that all women inspired sonnets; all women had received marriage proposals since they were four years and thirty-nine days old. As a result, modesty trailed her as the most dignified of chaperones in her candlelit tryst with Destiny, and it was this unassuming humility, an ingenuous unpretentiousness, which elevated her from merely being attractive to being--yes, let us bow our heads and admit it--downright irresistible.
A little ahead of her, she noticed someone feed coal into the throat of the train, and a minute later, a swaggering cockade of smoke billowed over its haughty metal head. Behind the iron paling of the station was a cluster of resilient acacia trees, hammered by the sun, bitten by wandering camels. Now, just after she and her father had boarded the train, and as they were arranging their luggage under the seat, everyone on the platform started whispering and pointing toward the clutch of trees: naturally, even Anuradha rose to see what the hullabaloo was all about. Her eyes fell again on the acacias behind the station, where peacocks had gathered--and not one or two, mind you, but dozens of them. An ostentation of peacocks that, just as the Marwar Express snorted its way out of Udaipur, unleashed their rain-beckoning cries of Megh-awuu, Megh-awuu, Meghawuu . . . bit by bit, sounds of the train, its metal rancor and romantic whistle, the awed gasps of passengers, the sweet traces of the roving flute caller--in fact, all sounds--were doused by peacocks unfurling a melody one would not normally associate with such pavonine braggarts.
Anuradha's father looked at her with slanted eyes; his daughter had fed these birds from the high balcony of her bedroom for the last sixteen years.
"I suppose they have come to say their farewell?" he said before opening the Times of India.
"Actually," she clarified, her hand on her breastbone, "I called them."
It was much later, after a horrendous twist in Anuradha Patwardhan's kismet, when she would return to Udaipur with a splintered heart and sullen despair, that the peacocks would seek her audience again. But then, as if to honor the anguish she had tripped into like an animal walking into the metal fangs of a poacher's trap, they were unsettlingly silent in her presence.
It was rumored that Vardhmaan Gandharva was so highly thought of as a doctor that more than a few nubile lassies of Dwarika--the quaint, plush arm of north Bombay he had been born in twenty-seven years ago--feigned fevers and simulated stomachaches only so he might measure their excited pulse or even--praise the Lord Shiva!--glide his stethoscope over places no man had ever touched before. Dr. Vardhmaan Gandharva, the only son of the Gandharva clan, was, in all honesty, irritated by such juvenile attention: he was of the firm conviction that his time could be better spent than in reassuring the child of some loaded cotton trader that her bellyache was only gas caused by chewing on far too many boiled peanuts. Eventually, after one annoying "patient" requested his attentions for the eleventh time in two weeks, his fortitude snapped and he leaned forward and whispered into the maiden's ear, "I'm afraid, my dear, you are pregnant." Almost instantly, her fever vanished and her stomach pains never returned for as long as she lived. Thrilled with the success of his new technique, he began using it on all his female patients--with very good results. Never again did one of the Dwarika virgin lassies pester him with that pathetic request uttered in a throaty, breathless tone, Put the metal thing all over me, will you, Doctor?
Dr. Vardhmaan Gandharva had heard about Anuradha Patwardhan from the frighteningly corpulent Ghor-bapa--Bombay's most eminent matchmaker. Dubbed "Mr. Thunder Thighs" in good humor, he was said to have broken a chair or two in every household he had graced, which he claimed was a good omen--the devastating harbinger of a wedding--although one glance at him and you knew it was only because of his epochal ass.
"I have heard," Ghor-bapa had whispered into the ear of the young Vardhmaan, "that when Anuradha sings, even the moon listens."
That was all it took for Dr. Gandharva to tender a formal proposal to the Patwardhan family in Udaipur. Anuradha's father was ecstatic, for he had heard tomes about Vardhmaan Gandharva and his family: how they had originally made their fortune in rare-stone trading, the propriety of Vardhmaan's character, the valued prudence of his medical opinion. Other bits of scuttlebutt recovered informed them that Vardhmaan's mother had passed away when he was a boy of six, and a few years on, his father had married a younger woman, his stepmother, Divi-bai, of whom disconcertingly unsavory things were said (but the Patwardhans ignored this crucial splinter of data since they presumed that all stepmothers, from time immemorial, were a tainted lot). Vardhmaan's father had died a few years ago, and the Gandharva household, consisting of a motley of relatives, was a pyramid--and the ice queen located at the very top was the legendary Divi-bai.
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