Theory has become increasingly significant in the field of the visual, giving rise to a whole discipline of ’visual culture’ situated within the disciplines of media/communication/cultural studies and also within history of art. This book aims to offer a clear exposition of their ideas and how they have been used in visual cultural studies.
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Patrick Fuery is Professor at Chapman University, USA. His research interests include psychoanalysis, semiotics, literary and cultural theory, gender studies, film and visual studies, medicine and the arts. Fuery is the author of 8 books, including Madness and Cinema (2004), New Developments in Film Theory (2000), and The Theory of Absence (1995).
Patrick Fuery is Director of the ArtsHealth Research Centre and Professor of Media and Cultural Studies at the University of Newcastle, Australia.Kelli Fuery is Lecturer in Film, Media and Cultural Studies at the University of Newcastle, Australia.
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Hardcover. Condición: new. Hardcover. Theory has become increasingly significant in the field of the visual, giving rise to a whole discipline of 'visual culture' situated within the disciplines of media/communication/cultural studies and also within history of art. This book aims to offer a clear exposition of their ideas and how they have been used in visual cultural studies. Taking up a range of themes such as spectatorship, pleasure, power, doubles, hallucination and the frame, the book explains them within the context of these theoretical developments. The major theorists are all covered as the authors look at the significance of the visual in their work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780340807477
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Hardcover. Condición: new. Hardcover. Theory has become increasingly significant in the field of the visual, giving rise to a whole discipline of 'visual culture' situated within the disciplines of media/communication/cultural studies and also within history of art. This book aims to offer a clear exposition of their ideas and how they have been used in visual cultural studies. Taking up a range of themes such as spectatorship, pleasure, power, doubles, hallucination and the frame, the book explains them within the context of these theoretical developments. The major theorists are all covered as the authors look at the significance of the visual in their work. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9780340807477
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