Julia Kristeva and Literary Theory (Transitions)

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9780333781944: Julia Kristeva and Literary Theory (Transitions)

Engaged debate among feminist, political, and psychoanalytic thinkers has secured Julia Kristeva's status as one of the most formidable figures in twentieth-century critical theory. Nevertheless, her precise relevance to the study of literature - the extent to which her theory is specifically a literary theory - can be hard for new readers to fathom.

This approachable volume explores Kristeva's definition of literature, her methods for analyzing it, and the theoretical ground on which those endeavors are based. Megan Becker-Leckrone argues that Kristeva's signature concepts, such as abjection and intertextuality, lose much of their force when readers extract them from the specific, complex theoretical context in which Kristeva produces them. Early chapters situate her theory in a broader conversation with Roland Barthes, Sigmund Freud, Jacques Lacan and others around the issues of reading, textuality, and subjectivity. Subsequent chapters look at Kristeva's actual engagements with literary texts, specifically her challenging, highly performative reading of French novelist Louis-Ferdinand Céline in Powers of Horror: An Essay on Abjection and her career-long preoccupation with James Joyce. A final chapter of the book looks at the way contemporary literary critics have marshaled her ideas in re-reading the poetry of William Wordsworth, while a helpful glossary identifies Kristeva's most pertinently "literary" theoretical concepts, by way of synopses of the texts in which she presents them.

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About the Author:

MEGAN BECKER-LECKRONE is Assistant Professor of English at the University of Nevada, Las Vegas, USA, where she teaches literary theory and nineteenth- and twentieth-century British literature.

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Megan Becker-Leckrone
Editorial: Palgrave MacMillan, United Kingdom (2005)
ISBN 10: 0333781945 ISBN 13: 9780333781944
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Descripción Palgrave MacMillan, United Kingdom, 2005. Paperback. Estado de conservación: New. 2005 ed.. Language: English . Brand New Book. Engaged debate among feminist, political, and psychoanalytic thinkers has secured Julia Kristeva s status as one of the most formidable figures in twentieth-century critical theory. Nevertheless, her precise relevance to the study of literature - the extent to which her theory is specifically a literary theory - can be hard for new readers to fathom. This approachable volume explores Kristeva s definition of literature, her methods for analyzing it, and the theoretical ground on which those endeavors are based. Megan Becker-Leckrone argues that Kristeva s signature concepts, such as abjection and intertextuality, lose much of their force when readers extract them from the specific, complex theoretical context in which Kristeva produces them. Early chapters situate her theory in a broader conversation with Roland Barthes, Sigmund Freud, Jacques Lacan and others around the issues of reading, textuality, and subjectivity. Subsequent chapters look at Kristeva s actual engagements with literary texts, specifically her challenging, highly performative reading of French novelist Louis-Ferdinand Celine in Powers of Horror: An Essay on Abjection and her career-long preoccupation with James Joyce. A final chapter of the book looks at the way contemporary literary critics have marshaled her ideas in re-reading the poetry of William Wordsworth, while a helpful glossary identifies Kristeva s most pertinently literary theoretical concepts, by way of synopses of the texts in which she presents them. Nº de ref. de la librería SPR9780333781944

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Megan Becker-Leckrone
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Descripción Palgrave MacMillan, United Kingdom, 2005. Paperback. Estado de conservación: New. 2005 ed.. Language: English . Brand New Book. Engaged debate among feminist, political, and psychoanalytic thinkers has secured Julia Kristeva s status as one of the most formidable figures in twentieth-century critical theory. Nevertheless, her precise relevance to the study of literature - the extent to which her theory is specifically a literary theory - can be hard for new readers to fathom. This approachable volume explores Kristeva s definition of literature, her methods for analyzing it, and the theoretical ground on which those endeavors are based. Megan Becker-Leckrone argues that Kristeva s signature concepts, such as abjection and intertextuality, lose much of their force when readers extract them from the specific, complex theoretical context in which Kristeva produces them. Early chapters situate her theory in a broader conversation with Roland Barthes, Sigmund Freud, Jacques Lacan and others around the issues of reading, textuality, and subjectivity. Subsequent chapters look at Kristeva s actual engagements with literary texts, specifically her challenging, highly performative reading of French novelist Louis-Ferdinand Celine in Powers of Horror: An Essay on Abjection and her career-long preoccupation with James Joyce. A final chapter of the book looks at the way contemporary literary critics have marshaled her ideas in re-reading the poetry of William Wordsworth, while a helpful glossary identifies Kristeva s most pertinently literary theoretical concepts, by way of synopses of the texts in which she presents them. Nº de ref. de la librería SPR9780333781944

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Megan Becker-Leckrone
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Descripción Palgrave MacMillan, United Kingdom, 2005. Paperback. Estado de conservación: New. 2005 ed.. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Engaged debate among feminist, political, and psychoanalytic thinkers has secured Julia Kristeva s status as one of the most formidable figures in twentieth-century critical theory. Nevertheless, her precise relevance to the study of literature - the extent to which her theory is specifically a literary theory - can be hard for new readers to fathom. This approachable volume explores Kristeva s definition of literature, her methods for analyzing it, and the theoretical ground on which those endeavors are based. Megan Becker-Leckrone argues that Kristeva s signature concepts, such as abjection and intertextuality, lose much of their force when readers extract them from the specific, complex theoretical context in which Kristeva produces them. Early chapters situate her theory in a broader conversation with Roland Barthes, Sigmund Freud, Jacques Lacan and others around the issues of reading, textuality, and subjectivity. Subsequent chapters look at Kristeva s actual engagements with literary texts, specifically her challenging, highly performative reading of French novelist Louis-Ferdinand Celine in Powers of Horror: An Essay on Abjection and her career-long preoccupation with James Joyce. A final chapter of the book looks at the way contemporary literary critics have marshaled her ideas in re-reading the poetry of William Wordsworth, while a helpful glossary identifies Kristeva s most pertinently literary theoretical concepts, by way of synopses of the texts in which she presents them. Nº de ref. de la librería LIE9780333781944

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