A study of Waiting for Godot and Happy Days as texts for performance, with detailed accounts of four performances: Waiting for Godot at the national Theatre, London, in 1987, and at the Royal Exchange Theatre, Manchester; Happy Days with peggy Ashcroft, in 1976, and Billie Whitelaw in 1979. There is discussion of structure and setting, rhythm, language and style, and characterisation. Textual revisions made by Beckett himself in the course of directing the plays are noted in relation to the National Theatre production which incorporated some of them.
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Descripción Palgrave Macmillan, 1990. Estado de conservación: Fair. N/A. Ships from the UK. Former Library book. Shows definite wear, and perhaps considerable marking on inside. Nº de ref. de la librería GRP65990125
Descripción 1990-02-06., 1990. Estado de conservación: Fair. Palgrave Macmillan. 1st. Paperback. Book: ACCEPTABLE. 107pp. . Nº de ref. de la librería NF-1710735
Descripción MacMillan, London, England, 1990. Soft Cover. Estado de conservación: Very Good. 5 1/2" x 8 1/2". Signed by Ms. Worth, with note, on title page. Text clean & bright; binding tight; minor wear to covers. 107 pages. Signed by Author. Nº de ref. de la librería S119-018674