Double Trouble: Bill Clinton and Elvis Presley in a Land of No Alternatives

3,3 valoración promedio
( 54 valoraciones por Goodreads )
 
9780312420413: Double Trouble: Bill Clinton and Elvis Presley in a Land of No Alternatives

In June of 1992, when all the polls showed that Bill Clinton didn't have a chance, he took his saxophone onto the Arsenio Hall show, put on dark glasses, and blew "Heartbreak Hotel." Greil Marcus, one of America's most imaginative and insightful popular culture critics, was the first to name this as the moment that turned Clinton's campaign around―and to make sense of why. Double Trouble draws on articles Marcus published from 1992 to 2000 to explore the remarkable and illuminating kinship between Bill Clinton and Elvis Presley―and, moreover, to explore how culture is made and shared in today's America and how, through culture, people remake themselves.

Double Trouble is a unique and essential book about the final years of the twentieth century. This edition also includes a new essay Marcus wrote just before the 2000 presidential election: an eerily prescient piece that looks forward to two very different futures for ex-President Bill Clinton.

"Sinopsis" puede pertenecer a otra edición de este libro.

About the Author:

Greil Marcus is the author of Dead Elvis; Lipstick Traces; The Old, Weird America; and Mystery Train. His pieces have appeared in a wide range of publications, including Artforum, Interview, The New Yorker, The New York Times, and Esquire. He lives in Berkeley, California.

Excerpt. © Reprinted by permission. All rights reserved.:

DOUBLE TROUBLE
Part OneTHE ELVIS ELECTION 1992-1993 A Moral CrisisIn late February and early March I went from London to Dublin to Amsterdam to talk about a book on the culture that's grown up around Elvis Presley since he died--you can say promote, or flog, but most of the time that's not what it felt like. Newsbreaks included the National Enquirer's Dee Presley explosion: HIS OWN STEPMOM REVEALS SHOCKING TRUTH AT LAST--ELVIS AND HIS MOM WERE LOVERS. The U.S. Postal Service announced a primary-season vote to decide which of two artist's-rendering Elvis head shots (more or less '56 vs. '73, both looking fine) would be chosen for the long-awaited Elvis stamp. (With George Bush singing Presley's praises on a campaign stop in Memphis and Molly Ivins rating Paul Tsongas "minus-zero on the Elvis scale"--despite, or because of, his win over Bill Clinton in the New Hampshire Democratic primary--the timing of this election was sublime.) Meanwhile, an Irish high court judge refused to allow a fourteen-year-old girl who, her family told police, had been raped and impregnated by her best friend's father, to travel to England for an abortion.The theme I carried in my head was "That's Someone You Never Forget," a 1961 Elvis number I'd heard for the first time a week before, on the radio--a ghostly, passionate, infinitely more personal version of his 1955 "Blue Moon." The disc jockey announced theperformance as a previously unreleased take from the latest RCA grave robbery, a.k.a. a three-CD box called Collectors Gold (the budget apparently didn't allow for an apostrophe). The number wasn't there, but the set did include something just as far away: a moment of studio dialogue worth more than the rest of the music. It's 1968: "PAPA OO MAU MAU papa oo mau mau," Elvis announces to his assembled musicians. "Be talkin' in unknown tongues here in a minute." Before the band can stop him, he slides into a distant second of "I Got a Woman," and you can imagine he is going to take the song all the way home, all the way back to the glossolalia from which both he and the song came, to the primal swamp of deliverance and revelation. Well, of course not: there's work to do, they've got a typically throwaway ballad called "Going Home" to cut. But there is a reach for that deliverance in "That's Someone You Never Forget.""It's credited to Elvis and Red West--you know, one of his bodyguards," said Ger Rijff, former head of the Dutch Elvis Society, in Amsterdam. "Elvis came to Red West with the title and asked him to write a song from it. About his mother, it's said"--Gladys Presley, who died in 1958, at forty-six, after, if Dee Presley is right, years of bliss with Elvis in her bed, or she in his."It makes sense," said Adrian Sibley of the BBC's The Late Show. "America has brought Elvis up to date: now he needs therapy just like everybody else. Don't they have twelve-step programs for incest survivors?" "It makes sense," said Jip Golsteijn, pop critic for the Amsterdam Telegraaf. "It's what I heard again and again in Tupelo, years ago. Nobody meant it as a condemnation. Given the way Elvis and Gladys were about each other, it was simply the conclusion everyone drew."In Dublin, Joe Jackson of Hot Press looked over the Elvis stamp choices, noted that Elvis was still being shot from the waist up, and mentioned that among Irish intellectuals, it was only the revelation that Elvis, too, was a drug addict, like Charlie Parker or Chet Baker, that made him cool. The day before, Sinéad O'Connor hadtold a Dublin abortion-rights rally that as a mother she herself had had two abortions--and that if there were to be a new referendum on Ireland's nearly absolute ban on abortions, passed by a two-to-one vote of the populace in 1983, only women of childbearing age should be allowed to take part.Just as in Amsterdam it was strange to be in a great city without people sleeping in doorways or begging on every corner, in Dublin it was strange, after months of listening to presidential candidates evade the political crisis that is turning the U.S.A. into a nation of scapegoaters, to be in a city in the grip of a moral crisis, where it really made no sense to talk about anything else. People everywhere had their radios on for bulletins on the Irish Supreme Court's hearing on the fourteen-year-old's appeal; as the government spoke of possible exceptions for this "special case," one heard the story of another raped teenager, who had hidden her pregnancy from her family, and who died along with the baby, giving birth in a churchyard, alone.The papers read tensely. The Irish Times alternated hard news with a series of riveting editorials, superbly reasoned, carefully worded. The tabloid press played up accusations by anti-abortion leaders that the raped girl had almost certainly seduced whoever got her pregnant, while a Catholic priest claimed that abortion-rights groups had conspired with the girl to create a "test case" to overturn the abortion law. There were marches in the street, and biting satire on television. RAPED? read a cut-in on Nighthawks, an interview show filmed in a studio made over into a crowded Dublin pub: PREGNANT? DISTRESSED? IRISH? FORGET IT. With a cut back to the pub, a woman spoke into a pay phone: "Yeah, this is Sinéad O'Connor," she said, in a good imitation of O'Connor's thick snarl. "You tell the prime minister I'm hangin' on this line until he picks it up--I don't care if I stay here all week." O'Connor was taking a lot of heat in Dublin--for pop-star arrogance, for "divisiveness"--but people missed the point. Singing or talking, she stands up to saywhat she thinks, to piss people off. Like Madonna, she means to make everyone uncomfortable in their turn. She's a punk, not a politician.So was Elvis, in a different way--in the clothes he wore, the way he moved, not what he said. No, you can't imagine him in O'Connor's shoes, even if he helped put her in hers; that's why it remains so easy to write him off. "American history doesn't look the slightest bit different for the presence, or the art, of Elvis Presley," I read in the London Review of Books as I arrived in the U.K. "Presley is a distraction, a placebo," the writer went on--unlike, he said, the "feral" Howlin' Wolf. The pictures of Elvis in almost every London newspaper and magazine, marking a William Eggleston retrospective at the Barbican Art Gallery--"Colour Photographs Ancient and Modern"--were not an answer. Every publication used the same shot from Memphian Eggleston's Graceland portfolio: the only one that included a portrait of Elvis himself. But the reference was to nothing. In the service of publicity, this Elvis was less a recognizable symbol than a symbol of recognizability.So I tried to talk around such ciphers, and I was lucky to get back more than I gave. Ger Rijff had been at one of Elvis's winter 1976 concerts, and remembered it with horror: "I knew it couldn't go on." Jip Golsteijn had met Presley after being ushered up to his Las Vegas suite with presidents of various international fan clubs. "I got his ear somehow," Golsteijn said. "I said, 'Was this your ambition? Did you ever think you'd get so far?' He just looked at me. 'If I had any ambition,' he said, 'it was to be as good as Arthur Crudup'"--the bluesman who wrote "That's All Right," Elvis's first record. "'I wanted to be as good as Arthur Crudup when I saw him, back in '49. Arthur Crudup--you know that name?'"Yeah, he knew it. 
Interview, May 1992Copyright © 2000 by Greil Marcus. All rights reserved.. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. For information, address Picador USA, 175 Fifth Avenue, New York, N.Y. 10010.

"Sobre este título" puede pertenecer a otra edición de este libro.

Los mejores resultados en AbeBooks

1.

Marcus, Greil
Editorial: PICADOR (2001)
ISBN 10: 0312420412 ISBN 13: 9780312420413
Nuevos Cantidad: > 20
Impresión bajo demanda
Librería
Pbshop
(Wood Dale, IL, Estados Unidos de America)
Valoración
[?]

Descripción PICADOR, 2001. PAP. Estado de conservación: New. New Book.Shipped from US within 10 to 14 business days.THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IP-9780312420413

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 10,75
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 3,39
A Estados Unidos de America
Destinos, gastos y plazos de envío

2.

Contributor Greil Marcus
Editorial: St. Martins Press-3pl, United States (2001)
ISBN 10: 0312420412 ISBN 13: 9780312420413
Nuevos Paperback Cantidad: 10
Librería
Book Depository hard to find
(London, Reino Unido)
Valoración
[?]

Descripción St. Martins Press-3pl, United States, 2001. Paperback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. In June of 1992, when all the polls showed that Bill Clinton didn t have a chance, he took his saxophone onto the Arsenio Hall show, put on dark glasses, and blew Heartbreak Hotel. Greil Marcus, one of America s most imaginative and insightful popular culture critics, was the first to name this as the moment that turned Clinton s campaign around--and to make sense of why. Double Trouble draws on articles Marcus published from 1992 to 2000 to explore the remarkable and illuminating kinship between Bill Clinton and Elvis Presley--and, moreover, to explore how culture is made and shared in today s America and how, through culture, people remake themselves. Double Trouble is a unique and essential book about the final years of the twentieth century. This edition also includes a new essay Marcus wrote just before the 2000 presidential election: an eerily prescient piece that looks forward to two very different futures for ex-President Bill Clinton. Nº de ref. de la librería BZE9780312420413

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 14,85
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

3.

Contributor Greil Marcus
Editorial: St. Martins Press-3pl, United States (2001)
ISBN 10: 0312420412 ISBN 13: 9780312420413
Nuevos Paperback Cantidad: 10
Impresión bajo demanda
Librería
The Book Depository
(London, Reino Unido)
Valoración
[?]

Descripción St. Martins Press-3pl, United States, 2001. Paperback. Estado de conservación: New. Language: English . Brand New Book ***** Print on Demand *****.In June of 1992, when all the polls showed that Bill Clinton didn t have a chance, he took his saxophone onto the Arsenio Hall show, put on dark glasses, and blew Heartbreak Hotel. Greil Marcus, one of America s most imaginative and insightful popular culture critics, was the first to name this as the moment that turned Clinton s campaign around--and to make sense of why. Double Trouble draws on articles Marcus published from 1992 to 2000 to explore the remarkable and illuminating kinship between Bill Clinton and Elvis Presley--and, moreover, to explore how culture is made and shared in today s America and how, through culture, people remake themselves. Double Trouble is a unique and essential book about the final years of the twentieth century. This edition also includes a new essay Marcus wrote just before the 2000 presidential election: an eerily prescient piece that looks forward to two very different futures for ex-President Bill Clinton. Nº de ref. de la librería APC9780312420413

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 15,01
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

4.

Marcus, Greil
Editorial: St. Martins Press-3pl 9/22/2001 (2001)
ISBN 10: 0312420412 ISBN 13: 9780312420413
Nuevos Paperback or Softback Cantidad: 10
Librería
BargainBookStores
(Grand Rapids, MI, Estados Unidos de America)
Valoración
[?]

Descripción St. Martins Press-3pl 9/22/2001, 2001. Paperback or Softback. Estado de conservación: New. Double Trouble: Bill Clinton and Elvis Presley in a Land of No Alternatives. Book. Nº de ref. de la librería BBS-9780312420413

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 15,16
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío

5.

Contributor Greil Marcus
Editorial: St. Martins Press-3pl, United States (2001)
ISBN 10: 0312420412 ISBN 13: 9780312420413
Nuevos Paperback Cantidad: 10
Impresión bajo demanda
Librería
The Book Depository US
(London, Reino Unido)
Valoración
[?]

Descripción St. Martins Press-3pl, United States, 2001. Paperback. Estado de conservación: New. Language: English . Brand New Book ***** Print on Demand *****. In June of 1992, when all the polls showed that Bill Clinton didn t have a chance, he took his saxophone onto the Arsenio Hall show, put on dark glasses, and blew Heartbreak Hotel. Greil Marcus, one of America s most imaginative and insightful popular culture critics, was the first to name this as the moment that turned Clinton s campaign around--and to make sense of why. Double Trouble draws on articles Marcus published from 1992 to 2000 to explore the remarkable and illuminating kinship between Bill Clinton and Elvis Presley--and, moreover, to explore how culture is made and shared in today s America and how, through culture, people remake themselves. Double Trouble is a unique and essential book about the final years of the twentieth century. This edition also includes a new essay Marcus wrote just before the 2000 presidential election: an eerily prescient piece that looks forward to two very different futures for ex-President Bill Clinton. Nº de ref. de la librería APC9780312420413

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 15,70
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

6.

Marcus, Greil
Editorial: Picador
ISBN 10: 0312420412 ISBN 13: 9780312420413
Nuevos PAPERBACK Cantidad: 10
Librería
Lakeside Books
(Benton Harbor, MI, Estados Unidos de America)
Valoración
[?]

Descripción Picador. PAPERBACK. Estado de conservación: New. 0312420412 BRAND NEW, GIFT QUALITY! NOT OVERSTOCKS OR MARKED UP REMAINDERS! DIRECT FROM THE PUBLISHER!|0.59. Nº de ref. de la librería OTF-Y-9780312420413

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 13,32
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 3,39
A Estados Unidos de America
Destinos, gastos y plazos de envío

7.

Greil Marcus
ISBN 10: 0312420412 ISBN 13: 9780312420413
Nuevos Cantidad: 5
Librería
ReadWhiz
(Portland, OR, Estados Unidos de America)
Valoración
[?]

Descripción Estado de conservación: New. Nº de ref. de la librería ria9780312420413_ing

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 17,05
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío

8.

Greil Marcus
Editorial: Picador (2001)
ISBN 10: 0312420412 ISBN 13: 9780312420413
Nuevos Paperback Primera edición Cantidad: 1
Librería
Irish Booksellers
(Rumford, ME, Estados Unidos de America)
Valoración
[?]

Descripción Picador, 2001. Paperback. Estado de conservación: New. book. Nº de ref. de la librería M0312420412

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 17,67
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío

9.

Greil Marcus
Editorial: Picador
ISBN 10: 0312420412 ISBN 13: 9780312420413
Nuevos Paperback Cantidad: > 20
Librería
BuySomeBooks
(Las Vegas, NV, Estados Unidos de America)
Valoración
[?]

Descripción Picador. Paperback. Estado de conservación: New. Paperback. 272 pages. Dimensions: 8.0in. x 5.4in. x 0.7in.From the great cultural and music critic Greil Marcus a collection of pieces in which he explores the remarkable and illuminating kinship between two Southern outsiders, Bill Clinton and Elvis Presley. Focusing as well on Hilary Clinton, Nirvana, Sinead This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Nº de ref. de la librería 9780312420413

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 19,20
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío

10.

Marcus, Greil
Editorial: PICADOR (2001)
ISBN 10: 0312420412 ISBN 13: 9780312420413
Nuevos Cantidad: > 20
Impresión bajo demanda
Librería
Books2Anywhere
(Fairford, GLOS, Reino Unido)
Valoración
[?]

Descripción PICADOR, 2001. PAP. Estado de conservación: New. New Book. Delivered from our US warehouse in 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND.Established seller since 2000. Nº de ref. de la librería IP-9780312420413

Más información sobre esta librería | Hacer una pregunta a la librería

Comprar nuevo
EUR 11,21
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 10,08
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

Existen otras copia(s) de este libro

Ver todos los resultados de su búsqueda