Walt Whitman Selected Poems - Tapa dura

"Finally, an edition of Whitman that doesn't overwhelm with too much material or starve with too little. Perfect for the classroom...presenting the best poems in their original form, when they were still closest to Whitman's inspiration."-- "Ed Folsom," Whitman scholar and editor of the "Walt Whitman Quarterly" "It's as if the silk cloth has dropped from the monument-- here at last in all its rugged, gleaming grandeur. Gary Schmidgall's thrilling new edition of Whitman restores the poet's true voice-- at once radical and intimate, tender and triumphant. This book vividly reminds us that Whitman's poems are the soul's-cry and heart's-blood of the American imagination."-- J. D. McClatchy, critic and poet "A valuable new collection...present[ing] all the poems in their first published form."-- "The New York Times Book Review"

A fully unexpurgated collection that restores the sexual vitality and subversive flair suppressed by Whitman himself in later editions of" Leaves of Grass." A century after his death, Whitman is still celebrated as America's greatest poet. In this startling new edition of his work, Whitman biographer Gary Schmidgall presents over 200 poems in their original pristine form, in the chronological order in which they were written, with Whitman's original line breaks and punctuation. Included in this volume are facsimiles of Whitman's original manuscripts, contemporary - and generally blistering - reviews of Whitman's poetry (not surprisingly Henry James hated it), and early pre-"Leaves of Grass" poems that return us to the physical Whitman, rejoicing - sometimes graphically - in homoerotic love. Unlike the many other available editions, all drawn from the final authorized or "deathbed" "Leaves of Grass," this collection focuses on the exuberant poems Whitman wrote during the creative and sexual prime of his life, roughly between l853 and l860. These poems are faithfully presented as Whitman first gave them to the world - fearless, explicit and uncompromised - before he transformed himself into America's respectable, mainstream Good Gray Poet through 30 years of revision, self-censorship and suppression. Whitman admitted that his later poetry lacked the "ecstasy of statement" of his early verse. Revealing that ecstasy for the first time, this edition makes possible a major reappraisal of our nation first great poet.