Dialogues with Marcel Duchamp

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9780306803031: Dialogues with Marcel Duchamp
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"Marcel Duchamp, one of this century's pioneer artists, moved his work through the retinal boundaries which had been established with impressionism into t field with impressionism into t field where language, thought and vision act upon one another, There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art...In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. 'You don't mean to do it,' he said.The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cage--'a Hilarious Picture.' Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. 'In the end you lose interest, so I didn't feel the necessity to finish it.' He declared that he wanted to kill art ('for myself') but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, 'a new thought for that object.'The art community feels Duchamp's presence and his absence. He has changed the condition of being here."--Jasper Johns, from Marcel Duchamp: An Appreciation

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Pierre Cabanne
Editorial: The Perseus Books Group (1987)
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Descripción The Perseus Books Group, 1987. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IQ-9780306803031

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Pierre Cabanne
Editorial: The Perseus Books Group, United States (1988)
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Descripción The Perseus Books Group, United States, 1988. Paperback. Estado de conservación: New. Revised ed.. 204 x 150 mm. Language: English . Brand New Book. Marcel Duchamp, one of this century s pioneer artists, moved his work through the retinal boundaries which had been established with impressionism into t field with impressionism into t field where language, thought and vision act upon one another, There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art.In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. You don t mean to do it, he said.The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cage-- a Hilarious Picture. Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. In the end you lose interest, so I didn t feel the necessity to finish it. He declared that he wanted to kill art ( for myself ) but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, a new thought for that object. The art community feels Duchamp s presence and his absence. He has changed the condition of being here. --Jasper Johns, from Marcel Duchamp: An Appreciation. Nº de ref. de la librería AAS9780306803031

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Pierre Cabanne
Editorial: The Perseus Books Group, United States (1988)
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Descripción The Perseus Books Group, United States, 1988. Paperback. Estado de conservación: New. Revised ed.. 204 x 150 mm. Language: English . Brand New Book. Marcel Duchamp, one of this century s pioneer artists, moved his work through the retinal boundaries which had been established with impressionism into t field with impressionism into t field where language, thought and vision act upon one another, There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art.In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. You don t mean to do it, he said.The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cage-- a Hilarious Picture. Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. In the end you lose interest, so I didn t feel the necessity to finish it. He declared that he wanted to kill art ( for myself ) but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, a new thought for that object. The art community feels Duchamp s presence and his absence. He has changed the condition of being here. --Jasper Johns, from Marcel Duchamp: An Appreciation. Nº de ref. de la librería AAS9780306803031

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Descripción Paperback. Estado de conservación: New. This item is printed on demand. Item doesn't include CD/DVD. Nº de ref. de la librería 1727153

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Descripción Da Capo Press. PAPERBACK. Estado de conservación: New. 0306803038 Brand New Book. Ships from the United States. 30 Day Satisfaction Guarantee!. Nº de ref. de la librería 4712831

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Descripción Da Capo Press, 2017. Paperback. Estado de conservación: New. This item is printed on demand. Nº de ref. de la librería 0306803038

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Descripción Da Capo Press. Paperback. Estado de conservación: New. This item is printed on demand. Paperback. 152 pages. Marcel Duchamp, one of this centurys pioneer artists, moved his work through the retinal boundaries which had been established with impressionism into t field with impressionism into t field where language, thought and vision act upon one another, There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art. . . In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. You dont mean to do it, he said. The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cagea Hilarious Picture. Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. In the end you lose interest, so I didnt feel the necessity to finish it. He declared that he wanted to kill art (for myself) but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, a new thought for that object. The art community feels Duchamps presence and his absence. He has changed the condition of being here. --Jasper Johns, from Marcel Duchamp: An Appreciation This item ships from La Vergne,TN. Paperback. Nº de ref. de la librería 9780306803031

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Cabanne, Pierre
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Descripción Da Capo Press, 1987. Paperback. Estado de conservación: New. Nº de ref. de la librería BKTY9780306803031

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Cabanne, Pierre
Editorial: Da Capo Press (1987)
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Descripción Da Capo Press, 1987. Paperback. Estado de conservación: New. Nº de ref. de la librería INGM9780306803031

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Pierre Cabanne
Editorial: The Perseus Books Group 1987-08-01, Cambridge, MA (1987)
ISBN 10: 0306803038 ISBN 13: 9780306803031
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Descripción The Perseus Books Group 1987-08-01, Cambridge, MA, 1987. paperback. Estado de conservación: New. Nº de ref. de la librería 9780306803031

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