Forbidden Music: The Jewish Composers Banned by the Nazis

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9780300205350: Forbidden Music: The Jewish Composers Banned by the Nazis
Review:

"'A meticulously documented study of this 'lost generation' of composers, ranging historically over almost two centuries.' (Mark Pappenheim, BBC Music Magazine) 'Compelling... rich in unexpected facts and quotes... Its greatest virtue is the unearthing of composers, critics, conductors and musicians destined for obscurity. Haas makes a pleasingly detailed argument for honouring a treasure trove to which the development of Western music owes a considerable debt.' (Rebecca K. Morrison, Independent) 'Forbidden Music... offers an essential supplement to standard histories of music in thrall to big names and vested interests. The trajectory is tortuous and tragic, the future still uncertain.' (David Gutman, International Record Review)"

From the Publisher:

When National Socialism arrived in Germany in 1933, Jews were dominating music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. The party's policy on music brought about a cultural holocaust, with far-reaching consequences for the history and development of music during the twentieth century. The conventional view is that the Third Reich's rejection of atonality was an act of anti-semitism. Yet although Jewish musicians and composers were responsible for countless original ideas applied to both the popular and serious music of the day, as well as becoming the experimenters who would represent the starting point of the century's most daring avant-garde, they were also by 1933 almost uniquely the principal conveyors of Germany's historic traditions and the ideals of German culture. The isolation, exile and persecution of Austro-German Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position between then and 1939, at the forced emigration of composers and performers before and during the war, and at the emaciated post-war musical life of Germany and Austria, while many of the exiled composers and musicians flourished in Britian, the United States, and elsewhere.

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Haas, Michael
Editorial: Yale University Press, United States (2014)
ISBN 10: 030020535X ISBN 13: 9780300205350
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Descripción Yale University Press, United States, 2014. Paperback. Estado de conservación: New. Reprint. 214 x 138 mm. Language: English . Brand New Book. When National Socialism arrived in Germany in 1933, Jews were dominating music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. The party s policy on music brought about a cultural holocaust, with far-reaching consequences for the history and development of music during the twentieth century. The conventional view is that the Third Reich s rejection of atonality was an act of anti-semitism. Yet although Jewish musicians and composers were responsible for countless original ideas applied to both the popular and serious music of the day, as well as becoming the experimenters who would represent the starting point of the century s most daring avant-garde, they were also by 1933 almost uniquely the principal conveyors of Germany s historic traditions and the ideals of German culture. The isolation, exile and persecution of Austro-German Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position between then and 1939, at the forced emigration of composers and performers before and during the war, and at the emaciated post-war musical life of Germany and Austria, while many of the exiled composers and musicians flourished in Britian, the United States, and elsewhere. Nº de ref. de la librería AAH9780300205350

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Haas, Michael
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Haas, Michael
Editorial: Yale University Press, United States (2014)
ISBN 10: 030020535X ISBN 13: 9780300205350
Nuevos Paperback Cantidad: 10
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Descripción Yale University Press, United States, 2014. Paperback. Estado de conservación: New. Reprint. 214 x 138 mm. Language: English . Brand New Book. When National Socialism arrived in Germany in 1933, Jews were dominating music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. The party s policy on music brought about a cultural holocaust, with far-reaching consequences for the history and development of music during the twentieth century. The conventional view is that the Third Reich s rejection of atonality was an act of anti-semitism. Yet although Jewish musicians and composers were responsible for countless original ideas applied to both the popular and serious music of the day, as well as becoming the experimenters who would represent the starting point of the century s most daring avant-garde, they were also by 1933 almost uniquely the principal conveyors of Germany s historic traditions and the ideals of German culture. The isolation, exile and persecution of Austro-German Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position between then and 1939, at the forced emigration of composers and performers before and during the war, and at the emaciated post-war musical life of Germany and Austria, while many of the exiled composers and musicians flourished in Britian, the United States, and elsewhere. Nº de ref. de la librería AAH9780300205350

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Haas, Michael
Editorial: Yale University Press 2014-06-03|NU-GRD-05111735 (2014)
ISBN 10: 030020535X ISBN 13: 9780300205350
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Descripción Yale University Press 2014-06-03|NU-GRD-05111735, 2014. Paperback. Estado de conservación: New. 9780300205350. Nº de ref. de la librería NU-GRD-05111735

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Haas, Michael
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Descripción Yale University Press, 2014. Estado de conservación: New. Looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position between then and 1939, at the forced emigration of composers and performers before and during the war, and at the emaciated post-war musical life of Germany and Austria. Num Pages: 376 pages. BIC Classification: 1DFG; 3JJG; 3JJH; AVGC6; JFSR1. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 141 x 217 x 30. Weight in Grams: 478. . 2014. Reprint. Paperback. . . . . . Nº de ref. de la librería V9780300205350

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Haas, Michael
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Descripción Paperback. Estado de conservación: New. Not Signed; When National Socialism arrived in Germany in 1933, Jews were dominating music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. The party's policy on music brought about a cultural holocaust, with far-reaching consequences for t. book. Nº de ref. de la librería ria9780300205350_rkm

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Haas, Michael
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Descripción 2014. Paperback. Estado de conservación: New. 141mm x 217mm x. Paperback. When National Socialism arrived in Germany in 1933, Jews were dominating music more than virtually any other sector, making it the most important cultural front in the Nazi fight for Germa.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 376 pages. 0.472. Nº de ref. de la librería 9780300205350

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Haas, Michael
Editorial: Yale University Press (2014)
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Descripción Yale University Press, 2014. Paperback. Estado de conservación: New. Brand New Book. Shipping: Once your order has been confirmed and payment received, your order will then be processed. The book will be located by our staff, packaged and despatched to you as quickly as possible. From time to time, items get mislaid en route. If your item fails to arrive, please contact us first. We will endeavour to trace the item for you and where necessary, replace or refund the item. Please do not leave negative feedback without contacting us first. All orders will be dispatched within two working days. If you have any quesions please contact us. Nº de ref. de la librería V9780300205350

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Haas, Michael
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Descripción Yale University Press 2014-06-03, New Haven, 2014. paperback. Estado de conservación: New. Nº de ref. de la librería 9780300205350

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Haas, Michael
Editorial: Yale University Press
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Descripción Yale University Press. Estado de conservación: New. Looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position between then and 1939, at the forced emigration of composers and performers before and during the war, and at the emaciated post-war musical life of Germany and Austria. Num Pages: 376 pages. BIC Classification: 1DFG; 3JJG; 3JJH; AVGC6; JFSR1. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 141 x 217 x 30. Weight in Grams: 478. . 2014. Reprint. Paperback. . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780300205350

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