Forbidden Music: The Jewish Composers Banned by the Nazis

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9780300205350: Forbidden Music: The Jewish Composers Banned by the Nazis

A groundbreaking study of the Jewish composers and musicians banned by the Third Reich—and the consequences for music worldwide


With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation.

Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment.


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Book Description:

This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century.

About the Author:

Michael Haas is director of research at the Jewish Music Institute’s Centre for Suppressed Music, based at Royal Holloway, University of London. He lives in London.

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Michael Haas
Editorial: Yale University Press, United States (2014)
ISBN 10: 030020535X ISBN 13: 9780300205350
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Descripción Yale University Press, United States, 2014. Paperback. Estado de conservación: New. Reprint. Language: English . Brand New Book. A groundbreaking study of the Jewish composers and musicians banned by the Third Reich-and the consequences for music worldwide With National Socialism s arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. Nº de ref. de la librería AAU9780300205350

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Michael Haas
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Descripción Yale University Press, United States, 2014. Paperback. Estado de conservación: New. Reprint. Language: English . Brand New Book. A groundbreaking study of the Jewish composers and musicians banned by the Third Reich-and the consequences for music worldwide With National Socialism s arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. Nº de ref. de la librería BZV9780300205350

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Descripción Yale University Press, United States, 2014. Paperback. Estado de conservación: New. Reprint. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. A groundbreaking study of the Jewish composers and musicians banned by the Third Reich-and the consequences for music worldwide With National Socialism s arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation.Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. Nº de ref. de la librería BZV9780300205350

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Descripción YALE University Press. Estado de conservación: New. Brand New. Nº de ref. de la librería 030020535X

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Haas, Mr. Michael
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Descripción Yale University Press, 2014. Estado de conservación: New. Looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position between then and 1939, at the forced emigration of composers and performers before and during the war, and at the emaciated post-war musical life of Germany and Austria. Num Pages: 376 pages. BIC Classification: 1DFG; 3JJG; 3JJH; AVGC6; JFSR1. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 141 x 217 x 30. Weight in Grams: 478. . 2014. Reprint. Paperback. . . . . . Nº de ref. de la librería V9780300205350

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Descripción Yale University Press. Estado de conservación: New. Looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position between then and 1939, at the forced emigration of composers and performers before and during the war, and at the emaciated post-war musical life of Germany and Austria. Num Pages: 376 pages. BIC Classification: 1DFG; 3JJG; 3JJH; AVGC6; JFSR1. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 141 x 217 x 30. Weight in Grams: 478. . 2014. Reprint. Paperback. . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780300205350

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Descripción Yale University Press. Paperback. Estado de conservación: New. New copy - Usually dispatched within 2 working days. Nº de ref. de la librería B9780300205350

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Descripción Yale University Press 2014-06-03, New Haven, 2014. paperback. Estado de conservación: New. Nº de ref. de la librería 9780300205350

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Descripción Yale University Press, 2014. Paperback. Estado de conservación: New. book. Nº de ref. de la librería M030020535X

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