Forbidden Music: The Jewish Composers Banned by the Nazis

4,15 valoración promedio
( 20 valoraciones por Goodreads )
 
9780300205350: Forbidden Music: The Jewish Composers Banned by the Nazis
Críticas:

"'A meticulously documented study of this 'lost generation' of composers, ranging historically over almost two centuries.' (Mark Pappenheim, BBC Music Magazine) 'Compelling... rich in unexpected facts and quotes... Its greatest virtue is the unearthing of composers, critics, conductors and musicians destined for obscurity. Haas makes a pleasingly detailed argument for honouring a treasure trove to which the development of Western music owes a considerable debt.' (Rebecca K. Morrison, Independent) 'Forbidden Music... offers an essential supplement to standard histories of music in thrall to big names and vested interests. The trajectory is tortuous and tragic, the future still uncertain.' (David Gutman, International Record Review)"

Reseña del editor:

When National Socialism arrived in Germany in 1933, Jews were dominating music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. The party's policy on music brought about a cultural holocaust, with far-reaching consequences for the history and development of music during the twentieth century. The conventional view is that the Third Reich's rejection of atonality was an act of anti-semitism. Yet although Jewish musicians and composers were responsible for countless original ideas applied to both the popular and serious music of the day, as well as becoming the experimenters who would represent the starting point of the century's most daring avant-garde, they were also by 1933 almost uniquely the principal conveyors of Germany's historic traditions and the ideals of German culture. The isolation, exile and persecution of Austro-German Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position between then and 1939, at the forced emigration of composers and performers before and during the war, and at the emaciated post-war musical life of Germany and Austria, while many of the exiled composers and musicians flourished in Britian, the United States, and elsewhere.

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Michael Haas
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Descripción Yale University Press, United States, 2014. Paperback. Estado de conservación: New. Reprint. 214 x 138 mm. Language: English . Brand New Book. A groundbreaking study of the Jewish composers and musicians banned by the Third Reich-and the consequences for music worldwide With National Socialism s arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. Nº de ref. de la librería AAH9780300205350

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Michael Haas
Editorial: Yale University Press, United States (2014)
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Descripción Yale University Press, United States, 2014. Paperback. Estado de conservación: New. Reprint. 214 x 138 mm. Language: English . Brand New Book. A groundbreaking study of the Jewish composers and musicians banned by the Third Reich-and the consequences for music worldwide With National Socialism s arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. Nº de ref. de la librería AAH9780300205350

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Descripción Yale University Press 2014-06-03, 2014. Estado de conservación: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-GRD-05111735

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Descripción Yale University Press. Paperback. Estado de conservación: new. BRAND NEW, Forbidden Music: The Jewish Composers Banned by the Nazis, Michael Haas, When National Socialism arrived in Germany in 1933, Jews were dominating music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. The party's policy on music brought about a cultural holocaust, with far-reaching consequences for the history and development of music during the twentieth century. The conventional view is that the Third Reich's rejection of atonality was an act of anti-semitism. Yet although Jewish musicians and composers were responsible for countless original ideas applied to both the popular and serious music of the day, as well as becoming the experimenters who would represent the starting point of the century's most daring avant-garde, they were also by 1933 almost uniquely the principal conveyors of Germany's historic traditions and the ideals of German culture. The isolation, exile and persecution of Austro-German Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position between then and 1939, at the forced emigration of composers and performers before and during the war, and at the emaciated post-war musical life of Germany and Austria, while many of the exiled composers and musicians flourished in Britian, the United States, and elsewhere. Nº de ref. de la librería B9780300205350

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Editorial: Yale University Press (2014)
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Descripción Yale University Press, 2014. Estado de conservación: New. Looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position between then and 1939, at the forced emigration of composers and performers before and during the war, and at the emaciated post-war musical life of Germany and Austria. Num Pages: 376 pages. BIC Classification: 1DFG; 3JJG; 3JJH; AVGC6; JFSR1. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 141 x 217 x 30. Weight in Grams: 478. . 2014. Reprint. Paperback. . . . . . Nº de ref. de la librería V9780300205350

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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97803002053500000000

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Descripción Yale University Press. Estado de conservación: New. Looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position between then and 1939, at the forced emigration of composers and performers before and during the war, and at the emaciated post-war musical life of Germany and Austria. Num Pages: 376 pages. BIC Classification: 1DFG; 3JJG; 3JJH; AVGC6; JFSR1. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 141 x 217 x 30. Weight in Grams: 478. . 2014. Reprint. Paperback. . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780300205350

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Michael Haas
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Descripción Yale University Press 2014-06-03, New Haven, 2014. paperback. Estado de conservación: New. Nº de ref. de la librería 9780300205350

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