Punk: Chaos to Couture

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9780300191851: Punk: Chaos to Couture

Since its origins in the 1970s, punk has had an explosive influence on fashion. With its eclectic mixing of stylistic references, punk effectively introduced the postmodern concept of bricolage to the elevated precincts of haute couture and directional ready-to-wear. As a style, punk is about chaos, anarchy, and rebellion. Drawing on provocative sexual and political imagery, punks made fashion overtly hostile and threatening. This aesthetic of violence – even of cruelty – was intrinsic to the clothes themselves, which were often customized with rips, tears, and slashes, as well as studs, spikes, zippers, D-Rings, safety pins, and razor blades, among other things.

This extraordinary publication examines the impact of punk’s aesthetic of brutality on high fashion, focusing on its do-it-yourself, rip-it-to-shreds ethos, the antithesis of couture’s made-to-measure exactitude. Indeed, punk’s democracy stands in opposition to fashion’s autocracy. Yet, as this book reveals, even haute couture has readily appropriated the visual and symbolic language of punk, replacing beads with studs, paillettes with safety pins, and feathers with razor blades in an attempt to capture the style’s rebellious energy. Focusing on high fashion’s embrace of punk’s aesthetic vocabulary, this book reveals how designers have looked to the quintessential anti-establishment style to originate new ideals of beauty and fashionability.

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From the Author:

Designers featured in the book include Haider Ackermann, Miguel Adrover, Azzedine Alaïa, Christopher Bailey (Burberry), Zowie Broach and Brian Kirkby (Boudicca), Thom Browne, Hussein Chalayan, Jean-Charles de Castelbajac, Christophe Decarnin (Balmain), Ann Demeulemeester, Domenico Dolce and Stefano Gabbana (Dolce & Gabbana), Shelley Fox, John Galliano, Jean Paul Gaultier, Nicolas Ghesquière (Balenciaga), Andrew Groves, Viktor Horsting and Rolf Snoeren (Viktor (&) Rolf), Marc Jacobs, Christopher Kane, Rei Kawakubo (Comme des Garçons), Karl Lagerfeld (Chanel), Helmut Lang, Martin Margiela, Alexander McQueen, Franco Moschino, Thierry Mugler, Kate and Laura Mulleavy (Rodarte), Rick Owens, Gareth Pugh, Zandra Rhodes, Russell Sage, Jeremy Scott, Stephen Sprouse, Anna Sui, Jun Takahashi (Undercover), Justin Thornton and Thea Bregazzi (Preen), Riccardo Tisci (Givenchy), An Vandevorst and Filip Arickx (A.F. Vandevorst), Gianni Versace, Alexander Wang, Junya Watanabe, Yohji Yamamoto, and Vivienne Westwood.

About the Author:

Andrew Bolton is Curator at The Costume Institute at The Metropolitan Museum of Art. Richard Hell was a founding member of Television in 1974, departing before the band recorded; the Heartbreakers in 1975, ditto; and Richard Hell and the Voidoids (1976-­84). Since abandoning music in 1984, he has published the novels Go Now (1996) and Godlike (2005) and the collection Hot and Cold (2001). His autobiography, I Dreamed I Was a Very Clean Tramp, was released in 2013. After fronting the Sex Pistols, John Lydon formed Public Image Ltd in 1978. Outside of PiL he has released several solo records and collaborations. He also brings quality TV to the masses. Jon Savage is a writer, broadcaster, and filmmaker who lives in North Wales. His books include England’s Dreaming and Teenage. His films include the award-winning documentary Joy Division and the forthcoming Teenage.

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Bolton, Andrew
Editorial: Yale University Press (2013)
ISBN 10: 0300191855 ISBN 13: 9780300191851
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Descripción Yale University Press, 2013. Hardcover. Estado de conservación: New. BRAND NEW ** SUPER FAST SHIPPING FROM UK WAREHOUSE ** 30 DAY MONEY BACK GUARANTEE. Nº de ref. de la librería mon0000879023

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Andrew Bolton
Editorial: Yale University Press, United States (2013)
ISBN 10: 0300191855 ISBN 13: 9780300191851
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Descripción Yale University Press, United States, 2013. Hardback. Estado de conservación: New. Language: English . Brand New Book. Since its origins in the 1970s, punk has had an incendiary influence on fashion. With its eclectic mixing of stylistic references, punk effectively introduced the postmodern concept of bricolage not only into directional ready-to-wear but also into the elevated precincts of the haute couture. As a style, punk was about chaos, anarchy, and rebellion. Drawing upon a corpus of sexual and political imagery that was deliberately intended to shock, provoke, and confront, punks made fashion overtly hostile and threatening. This aesthetic of violence - even of cruelty - was intrinsic to the clothes themselves, which were often customized with rips, tears, and slashes and such savage and sadistic hardware as studs, spikes, chains, buckles, zippers, D-Rings, padlocks, safety pins, and razor blades. `PUNK: Chaos to Couture` examines the impact of punk s aesthetic of brutality on high fashion, focusing especially on its do-it-yourself, rip-it-to-shreds ethos, the antithesis of couture s made-to-measure exactitude. Indeed, punk s democracy stands in direct opposition to fashion s autocracy in which trends are driven by the artistic expression of the designer rather than by the dictates of the wearer. Yet as this book reveals, even the haute couture has readily appropriated the visual and symbolic language of punk, replacing beads with studs, paillettes with safety pins, and feathers with razor blades in its attempt to capture and reflect the style s youthful rebelliousness and aggressive forcefulness. Focusing on high fashion s embrace of punk s aesthetic vocabulary, this extraordinarily designed and produced book reveals how the quintessential anti-establishment style has been co-opted, exploited, and transformed by designers in their search for new ideals of beauty and new definitions of fashionability. Nº de ref. de la librería POW9780300191851

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Andrew Bolton
Editorial: Yale University Press (2013)
ISBN 10: 0300191855 ISBN 13: 9780300191851
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Descripción Yale University Press, 2013. Gebundene Ausgabe. Estado de conservación: Neu. Gebraucht - Wie neu verlagsfrische Restauflage, minimale Lagerspuren, ungelesen, sehr guter Zustand - Examines the impact of punk's aesthetic of brutality on high street fashion, focusing especially on its DIY, rip-it-to-shreds ethos, the antithesis of couture's exactitude. 239 pp. Englisch. Nº de ref. de la librería INF1100301368

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Andrew Bolton
Editorial: Yale University Press, United States (2013)
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Descripción Yale University Press, United States, 2013. Hardback. Estado de conservación: New. Language: English . Brand New Book. Since its origins in the 1970s, punk has had an incendiary influence on fashion. With its eclectic mixing of stylistic references, punk effectively introduced the postmodern concept of bricolage not only into directional ready-to-wear but also into the elevated precincts of the haute couture. As a style, punk was about chaos, anarchy, and rebellion. Drawing upon a corpus of sexual and political imagery that was deliberately intended to shock, provoke, and confront, punks made fashion overtly hostile and threatening. This aesthetic of violence - even of cruelty - was intrinsic to the clothes themselves, which were often customized with rips, tears, and slashes and such savage and sadistic hardware as studs, spikes, chains, buckles, zippers, D-Rings, padlocks, safety pins, and razor blades. `PUNK: Chaos to Couture` examines the impact of punk s aesthetic of brutality on high fashion, focusing especially on its do-it-yourself, rip-it-to-shreds ethos, the antithesis of couture s made-to-measure exactitude. Indeed, punk s democracy stands in direct opposition to fashion s autocracy in which trends are driven by the artistic expression of the designer rather than by the dictates of the wearer. Yet as this book reveals, even the haute couture has readily appropriated the visual and symbolic language of punk, replacing beads with studs, paillettes with safety pins, and feathers with razor blades in its attempt to capture and reflect the style s youthful rebelliousness and aggressive forcefulness. Focusing on high fashion s embrace of punk s aesthetic vocabulary, this extraordinarily designed and produced book reveals how the quintessential anti-establishment style has been co-opted, exploited, and transformed by designers in their search for new ideals of beauty and new definitions of fashionability. Nº de ref. de la librería POW9780300191851

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Andrew Bolton
Editorial: Yale University Press 2013-04-26 (2013)
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Descripción Yale University Press 2013-04-26, 2013. Hardcover. Estado de conservación: New. Nº de ref. de la librería NU-GRD-04987122

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Andrew Bolton
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Descripción Metropolitan Museum of Art/Yale. Estado de conservación: New. Fine. Hardcover with pictorial boards. 2013. Originally published at $35. Nº de ref. de la librería W87206b

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Andrew Bolton
Editorial: Yale University Press (2013)
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Descripción Yale University Press, 2013. Estado de conservación: Neuf. ref 406. Nº de ref. de la librería 6C-FSDR-BG4K

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Andrew Bolton
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Descripción Yale University Press, 2013. HRD. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería GB-9780300191851

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Andrew Bolton (author), Jon Savage (contributions), John Lydon (contributions), Richard Hell (author)
Editorial: Yale University Press 2013-04-26, New York (2013)
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Andrew Bolton; Richard Hell
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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97803001918510000000

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