The Music of Alban Berg (Composers of the Twentieth Century Series)

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9780300184129: The Music of Alban Berg (Composers of the Twentieth Century Series)

Austrian composer Alban Berg (1885-1935), along with his contemporaries Arnold Schoenberg and Anton von Webern, dramatically altered the musical landscape of the Western world. Dave Headlam offers a comprehensive analysis of Berg's music in this original book. He examines each of the composer's works—including the Piano Sonata, Opus 1, the operas Wozzeck and Lulu, and the Violin Concerto—and defines the main components of his musical language. Charting Berg's development as he progressed from late-romantic tonality to atonality and finally to his own distinctive dodecaphonic language, Headlam demonstrates with clarity and sophistication the compositional continuity that underlies all of Berg's music.

Headlam closely analyzes Berg's compositional technique and the use of symmetry and cycles throughout his oeuvre. He brings into the discussion Berg's own writings as well as those of composer and musicologist George Perle; the techniques of Schoenberg, Webern, and other serialists; and aspects of pitch-class set and twelve-tone theory. Headlam contends that in his treatment of all musical elements—pitch, rhythmic, formal, and even orchestrational techniques—Berg achieved a synthesis that transcends the surface distinctions of his tonal, atonal, and twelve-tone periods, and that the cyclic basis of these chronological periods differs in degree rather than in kind. Berg's achievement of this synthesis foreshadows later developments in the work of his many musical heirs.

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About the Author:

Dave Headlam is associate professor of music theory at The Eastman School of Music of the University of Rochester.

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Dave Headlam
Editorial: Yale University Press, United States (2011)
ISBN 10: 0300184123 ISBN 13: 9780300184129
Nuevos Paperback Cantidad: 1
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Descripción Yale University Press, United States, 2011. Paperback. Estado de conservación: New. Language: English . Brand New Book. Austrian composer Alban Berg (1885-1935), along with his contemporaries Arnold Schoenberg and Anton von Webern, dramatically altered the musical landscape of the Western world. Dave Headlam offers a comprehensive analysis of Berg s music in this original book. He examines each of the composer s works-including the Piano Sonata, Opus 1, the operas Wozzeck and Lulu, and the Violin Concerto-and defines the main components of his musical language. Charting Berg s development as he progressed from late-romantic tonality to atonality and finally to his own distinctive dodecaphonic language, Headlam demonstrates with clarity and sophistication the compositional continuity that underlies all of Berg s music. Headlam closely analyzes Berg s compositional technique and the use of symmetry and cycles throughout his oeuvre. He brings into the discussion Berg s own writings as well as those of composer and musicologist George Perle; the techniques of Schoenberg, Webern, and other serialists; and aspects of pitch-class set and twelve-tone theory. Headlam contends that in his treatment of all musical elements-pitch, rhythmic, formal, and even orchestrational techniques-Berg achieved a synthesis that transcends the surface distinctions of his tonal, atonal, and twelve-tone periods, and that the cyclic basis of these chronological periods differs in degree rather than in kind. Berg s achievement of this synthesis foreshadows later developments in the work of his many musical heirs. Nº de ref. de la librería AAB9780300184129

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Descripción Yale University Press, 2011. PAP. Estado de conservación: New. New Book.Shipped from US within 10 to 14 business days.THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IP-9780300184129

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Dave Headlam
Editorial: Yale University Press, United States (2011)
ISBN 10: 0300184123 ISBN 13: 9780300184129
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Descripción Yale University Press, United States, 2011. Paperback. Estado de conservación: New. Language: English . Brand New Book. Austrian composer Alban Berg (1885-1935), along with his contemporaries Arnold Schoenberg and Anton von Webern, dramatically altered the musical landscape of the Western world. Dave Headlam offers a comprehensive analysis of Berg s music in this original book. He examines each of the composer s works-including the Piano Sonata, Opus 1, the operas Wozzeck and Lulu, and the Violin Concerto-and defines the main components of his musical language. Charting Berg s development as he progressed from late-romantic tonality to atonality and finally to his own distinctive dodecaphonic language, Headlam demonstrates with clarity and sophistication the compositional continuity that underlies all of Berg s music. Headlam closely analyzes Berg s compositional technique and the use of symmetry and cycles throughout his oeuvre. He brings into the discussion Berg s own writings as well as those of composer and musicologist George Perle; the techniques of Schoenberg, Webern, and other serialists; and aspects of pitch-class set and twelve-tone theory. Headlam contends that in his treatment of all musical elements-pitch, rhythmic, formal, and even orchestrational techniques-Berg achieved a synthesis that transcends the surface distinctions of his tonal, atonal, and twelve-tone periods, and that the cyclic basis of these chronological periods differs in degree rather than in kind. Berg s achievement of this synthesis foreshadows later developments in the work of his many musical heirs. Nº de ref. de la librería AAB9780300184129

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Headlam, Dave
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Descripción Yale University Press, 2016. Paperback. Estado de conservación: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Nº de ref. de la librería ria9780300184129_lsuk

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Descripción Yale University Press, 2011. PAP. Estado de conservación: New. New Book. Delivered from our UK warehouse in 3 to 5 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería LQ-9780300184129

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Descripción Yale University Press. Paperback. Estado de conservación: New. Paperback. 472 pages. Dimensions: 9.0in. x 6.1in. x 1.2in.Austrian composer Alban Berg (1885-1935), along with his contemporaries Arnold Schoenberg and Anton von Webern, dramatically altered the musical landscape of the Western world. Dave Headlam offers a comprehensive analysis of Bergs music in this original book. He examines each of the composers worksincluding the Piano Sonata, Opus 1, the operas Wozzeck and Lulu, and the Violin Concertoand defines the main components of his musical language. Charting Bergs development as he progressed from late-romantic tonality to atonality and finally to his own distinctive dodecaphonic language, Headlam demonstrates with clarity and sophistication the compositional continuity that underlies all of Bergs music. Headlam closely analyzes Bergs compositional technique and the use of symmetry and cycles throughout his oeuvre. He brings into the discussion Bergs own writings as well as those of composer and musicologist George Perle; the techniques of Schoenberg, Webern, and other serialists; and aspects of pitch-class set and twelve-tone theory. Headlam contends that in his treatment of all musical elementspitch, rhythmic, formal, and even orchestrational techniquesBerg achieved a synthesis that transcends the surface distinctions of his tonal, atonal, and twelve-tone periods, and that the cyclic basis of these chronological periods differs in degree rather than in kind. Bergs achievement of this synthesis foreshadows later developments in the work of his many musical heirs. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Nº de ref. de la librería 9780300184129

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