John Singer Sargent: Figures and Landscapes, 1900-1907: The Complete Paintings, Volume VII (The Paul Mellon Centre for Studies in British Art)

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9780300177350: John Singer Sargent: Figures and Landscapes, 1900-1907: The Complete Paintings, Volume VII (The Paul Mellon Centre for Studies in British Art)
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Book by Ormond Richard Kilmurray Elaine

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"[S]tunningly beautiful ... [John Singer Sargent's] watercolors of Venice are so luminous, so brilliant, so breathtaking that one would never wish to put him or this gorgeous volume of Venetian Figures and Landscapes 1898-1913 on a back shelf."-Robert Kiely, Commonweal -- Robert Kiely Commonweal "Lusciously illustrated, carefully researched ... [a] beautiful volume."-Publishers Weekly Publishers Weekly

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From 1900 to 1907, John Singer Sargent (1856-1925) traveled considerably, visiting the Alps, Italy, Spain, Norway, and Palestine. In Palestine in 1905, he painted a significant group of oils and watercolors as well as a group of studies of the Bedouin. It was during this burst of artistic production that he painted The Mountains of Moab (Tate Gallery, London), which was the first pure landscape he ever exhibited (Royal Academy, 1906). In Italy and Spain, Sargent painted parks, gardens, fountains, and statues, subjects that reveal his taste for the high style of Renaissance and Mannerist art and for the romantic grandeur of deserted spaces. As evidenced by the works in this new volume, Sargent reinvented himself as a landscape painter during his travels. Expressing a finely developed sense of modernity, he selected quirky angles of vision and used a range of compositional strategies-compression, foreshortening, abrupt croppings, and receding perspectives-in a manner that is quasi-photographic. He exploited the material qualities of pigment, and the impasto is often so thickly applied that figure and landscape seem to dissolve together creating rich, near abstract surface patterns. The restless handling and dynamic compositional rhythms act in creative tension with the artist's more traditional subject matter, generating notions of instability and ambiguity that are distinctly modern in character.

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Descripción Yale University Press, United States, 2012. Hardback. Condición: New. New. Language: English . Brand New Book. From 1900 to 1907, John Singer Sargent (1856-1925) traveled considerably, visiting the Alps, Italy, Spain, Norway, and Palestine. In Palestine in 1905, he painted a significant group of oils and watercolors as well as a group of studies of the Bedouin. It was during this burst of artistic production that he painted The Mountains of Moab (Tate Gallery, London), which was the first pure landscape he ever exhibited (Royal Academy, 1906). In Italy and Spain, Sargent painted parks, gardens, fountains, and statues, subjects that reveal his taste for the high style of Renaissance and Mannerist art and for the romantic grandeur of deserted spaces. As evidenced by the works in this new volume, Sargent reinvented himself as a landscape painter during his travels. Expressing a finely developed sense of modernity, he selected quirky angles of vision and used a range of compositional strategies-compression, foreshortening, abrupt croppings, and receding perspectives-in a manner that is quasi-photographic. He exploited the material qualities of pigment, and the impasto is often so thickly applied that figure and landscape seem to dissolve together creating rich, near abstract surface patterns. The restless handling and dynamic compositional rhythms act in creative tension with the artist s more traditional subject matter, generating notions of instability and ambiguity that are distinctly modern in character. Nº de ref. del artículo: AAH9780300177350

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Descripción Yale University Press, United States, 2012. Hardback. Condición: New. New. Language: English . Brand New Book. From 1900 to 1907, John Singer Sargent (1856-1925) traveled considerably, visiting the Alps, Italy, Spain, Norway, and Palestine. In Palestine in 1905, he painted a significant group of oils and watercolors as well as a group of studies of the Bedouin. It was during this burst of artistic production that he painted The Mountains of Moab (Tate Gallery, London), which was the first pure landscape he ever exhibited (Royal Academy, 1906). In Italy and Spain, Sargent painted parks, gardens, fountains, and statues, subjects that reveal his taste for the high style of Renaissance and Mannerist art and for the romantic grandeur of deserted spaces. As evidenced by the works in this new volume, Sargent reinvented himself as a landscape painter during his travels. Expressing a finely developed sense of modernity, he selected quirky angles of vision and used a range of compositional strategies-compression, foreshortening, abrupt croppings, and receding perspectives-in a manner that is quasi-photographic. He exploited the material qualities of pigment, and the impasto is often so thickly applied that figure and landscape seem to dissolve together creating rich, near abstract surface patterns. The restless handling and dynamic compositional rhythms act in creative tension with the artist s more traditional subject matter, generating notions of instability and ambiguity that are distinctly modern in character. Nº de ref. del artículo: AAH9780300177350

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Descripción Yale University Press, United States, 2012. Hardback. Condición: New. New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. From 1900 to 1907, John Singer Sargent (1856-1925) traveled considerably, visiting the Alps, Italy, Spain, Norway, and Palestine. In Palestine in 1905, he painted a significant group of oils and watercolors as well as a group of studies of the Bedouin. It was during this burst of artistic production that he painted The Mountains of Moab (Tate Gallery, London), which was the first pure landscape he ever exhibited (Royal Academy, 1906). In Italy and Spain, Sargent painted parks, gardens, fountains, and statues, subjects that reveal his taste for the high style of Renaissance and Mannerist art and for the romantic grandeur of deserted spaces. As evidenced by the works in this new volume, Sargent reinvented himself as a landscape painter during his travels. Expressing a finely developed sense of modernity, he selected quirky angles of vision and used a range of compositional strategies-compression, foreshortening, abrupt croppings, and receding perspectives-in a manner that is quasi-photographic. He exploited the material qualities of pigment, and the impasto is often so thickly applied that figure and landscape seem to dissolve together creating rich, near abstract surface patterns. The restless handling and dynamic compositional rhythms act in creative tension with the artist s more traditional subject matter, generating notions of instability and ambiguity that are distinctly modern in character. Nº de ref. del artículo: BTE9780300177350

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