Snapshot: Painters and Photography, Bonnard to Vuillard

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9780300172362: Snapshot: Painters and Photography, Bonnard to Vuillard

The advent of the Kodak camera in 1888 made photography accessible to amateurs as well as to professionals. Artists were not immune to its allure, and many began experimenting with the camera as a means of observing the world and capturing their own images of it. Snapshot investigates seven Post-Impressionist painters and printmakers: Pierre Bonnard, George Hendrik Breitner, Maurice Denis, Henri Evenepoel, Henri Rivière, Félix Vallotton, and Edouard Vuillard. Although celebrated for their works on canvas and paper, these artists also made many personal and informal snapshots. Depicting interiors, city streets, nudes, and portraits, these photographs were kept private and never exhibited. As a result, most have never been seen by the public.

Juxtaposing personal photographs with related paintings and prints by these Post-Impressionist artists, Snapshot offers a new perspective on early photography and on the synthesis of painting, printmaking, and photography at the end of the 19th century.

"Sinopsis" puede pertenecer a otra edición de este libro.

About the Author:

Elizabeth W. Easton is the cofounder and director of the Center for Curatorial Leadership. Clément Chéroux is a curator of the photographic collection at the Centre Pompidou in Paris. Michel Frizot is research director of the Centre National de la Recherche Scientifique. Todd Gustavson is curator of technology at the George Eastman House in Rochester, NY. Françoise Heilbrun was until April 2011 the founding curator of photography at the Musée d’Orsay. Ellen W. Lee is chief curator at the Indianapolis Museum of Art. Anne McCauley is David Hunter McAlpin Professor of the History of Photography and Modern Art at Princeton University. Saskia Ooms works at Netwerk, a center for contemporary Art in Belgium. Katia Poletti is curator at the Fondation Félix Vallotton, Lausanne. Eliza Rathbone is chief curator of the Phillips Collection in Washington, DC. Hans Rooseboom is curator of photography at the Rijksmuseum in Amsterdam.

Review:

Winner of the 2012 New York Book Show Award in the Special Trade Photography, as given by the New York Book Show. (New York Book Show Award in the Special Trade Photography category New York Book Show 2012-06-11)

Won an Honorable Mention for the 2011 New England Book Festival in the Photography/Art category. This award is given by the JM Northern Media family of festivals, and sponsored by the Larimar St. Croix Writers Colony, eDivvy, Shophanista and Westside Websites (Photgraphy/Art Honorable Mention New England Book Festival 2012-06-11)

Winner in the Photography/Art category at the 2011-2012 Los Angeles Book Festival. (Winner Photography/Art Los Angeles Book Festival 2012-06-11)

Won an Honorable Mention for the 2011 George Wittenborn Memorial Book Award, as given by the Art Libraries Society of North America. (George Wittenborn Memorial Book Award Honorable Mention Art Libraries Society of North America 2012-06-11)

"[A]n exemplary catalogue for its scholarship and content . . . Highly recommended."—P.C. Bunnell, Choice (P.C. Bunnell Choice)

Winner of the 2012 San Francisco Book Festival for the Photography/Art category, sponsored by the JM Northern Media LLC (Photography/Art Award San Francisco Book Festival 2012-06-11)

Won an award in the scholarly illustrated category in the AAUP 2012 Book, Jacket, and Journal Show (Award in the Scholarly Illustrated category at the Book, Jacket & Journal Show American Association of University Professors 2012-06-11)

"Sobre este título" puede pertenecer a otra edición de este libro.

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Easton, Elizabeth
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ISBN 10: 0300172362 ISBN 13: 9780300172362
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Easton, Elizabeth W. (Editor)
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Descripción Yale University Press/Indianapolis Museum of Art, New Haven, 2011. Hardcover. Estado de conservación: New. Estado de la sobrecubierta: New. 1st Edition. This is a New and Unread coy of the first edition (1st printing). The casebound edition of the Museum exhibition. A new perspective on early photography and of the synthesis of painting, printmaking and photography at the end of the 19th Century. Illustrated throughout. Includes index, bibliography. Nº de ref. de la librería 045461

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Descripción Yale University Press November 2011, 2011. Hardcover. Estado de conservación: New. The advent of the Kodak camera in 1888 made photography accessible to amateurs as well as to professionals. Artists were not immune to its allure, and many began experimenting with the camera as a means of observing the world and capturing their own images of it. 'Snapshot' investigates seven Post-Impressionist painters and printmakers: Pierre Bonnard, George Hendrik Breitner, Maurice Denis, Henri Evenepoel, Henri Riviere, Felix Vallotton, and Edouard Vuillard. Although celebrated for their works on canvas and paper, these artists also made many personal and informal snapshots. Depicting interiors, city streets, nudes, and portraits, these photographs were kept private and never exhibited. As a result, most have never been seen by the public. Juxtaposing personal photographs with related paintings and prints by these Post-Impressionist artists, 'Snapshot' offers a new perspective on early photography and on the synthesis of painting, printmaking, and photography at the end of the 19th century. A fascinating look at how snapshots by seven Post-Impressionist artists influenced their work and the history of photography. Nº de ref. de la librería 81614

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Descripción Yale University Press 2011-10-25, New Haven, [Conn.] |London, 2011. hardback. Estado de conservación: New. Nº de ref. de la librería 9780300172362

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Elizabeth W. Easton
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Descripción Yale University Press, United States, 2011. Hardback. Estado de conservación: New. Language: English . Brand New Book. The advent of the Kodak camera in 1888 made photography accessible to amateurs as well as to professionals. Artists were not immune to its allure, and many began experimenting with the camera as a means of observing the world and capturing their own images of it. Snapshot investigates seven Post-Impressionist painters and printmakers: Pierre Bonnard, George Hendrik Breitner, Maurice Denis, Henri Evenepoel, Henri Riviere, Felix Vallotton, and Edouard Vuillard. Although celebrated for their works on canvas and paper, these artists also made many personal and informal snapshots. Depicting interiors, city streets, nudes, and portraits, these photographs were kept private and never exhibited. As a result, most have never been seen by the public. Juxtaposing personal photographs with related paintings and prints by these Post-Impressionist artists, Snapshot offers a new perspective on early photography and on the synthesis of painting, printmaking, and photography at the end of the 19th century. Nº de ref. de la librería AAH9780300172362

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Elizabeth W. Easton
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Descripción Yale University Press, United States, 2011. Hardback. Estado de conservación: New. Language: English . Brand New Book. The advent of the Kodak camera in 1888 made photography accessible to amateurs as well as to professionals. Artists were not immune to its allure, and many began experimenting with the camera as a means of observing the world and capturing their own images of it. Snapshot investigates seven Post-Impressionist painters and printmakers: Pierre Bonnard, George Hendrik Breitner, Maurice Denis, Henri Evenepoel, Henri Riviere, Felix Vallotton, and Edouard Vuillard. Although celebrated for their works on canvas and paper, these artists also made many personal and informal snapshots. Depicting interiors, city streets, nudes, and portraits, these photographs were kept private and never exhibited. As a result, most have never been seen by the public. Juxtaposing personal photographs with related paintings and prints by these Post-Impressionist artists, Snapshot offers a new perspective on early photography and on the synthesis of painting, printmaking, and photography at the end of the 19th century. Nº de ref. de la librería AAH9780300172362

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Elizabeth W. Easton
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Descripción Yale University Press. Hardcover. Estado de conservación: New. New copy - Usually dispatched within 2 working days. Nº de ref. de la librería B9780300172362

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Easton, Elizabeth
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Descripción Yale University Press, 2011. Estado de conservación: New. A fascinating look at how snapshots by seven Post-Impressionist artists influenced their work and the history of photography Series: Phillips Collection. Num Pages: 248 pages, 285 colour illustrations. BIC Classification: 3JH; ACVT; AJC. Category: (G) General (US: Trade). Dimension: 297 x 252 x 32. Weight in Grams: 1602. . 2011. 1st ed. Hardcover. . . . . . Nº de ref. de la librería V9780300172362

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