Richard Serra Drawing: A Retrospective (Menil Collection)

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9780300169379: Richard Serra Drawing: A Retrospective (Menil Collection)
Reseña del editor:

As the focal point of numerous high-profile exhibitions, the sculpture of Richard Serra (b. 1939) has drawn international acclaim. Yet even those who have marvelled at Serra's intellectually rigorous and large works of sculpture may not be familiar with his equally intriguing drawings. This handsome book brings together for the first time Serra's drawn work, considering the artist's investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings underwent significant shifts in concept, materials, and scale and became fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper.

Biografía del autor:

Lizzie Borden is a filmmaker and writer based in Los Angeles. Magdalena Dabrowski is a Special Consultant for Modern and Contemporary Art at The Metropolitan Museum of Art in New York. Gary Garrels is the Elise S. Haas Senior Curator of Painting and Sculpture at the San Francisco Museum of Modern Art. Bernice Rose is the Chief Curator of the Menil Drawing Institute and Study Center. Richard Shiff is the Effie Marie Cain Regents Chair in Art and directs the Center for the Study of Modernism at the University of Texas at Austin. Michelle White is Associate Curator at the Menil Collection.

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White, Michelle
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Serra, Richard
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Descripción The Menil Collection. Hardcover. Estado de conservación: New. 030016937X Brand New Book. Ships from the United States. 30 Day Satisfaction Guarantee!. Nº de ref. de la librería 13825594

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Serra, Richard
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Descripción Yale University Press, United States, 2011. Hardback. Estado de conservación: New. 305 x 249 mm. Language: English . Brand New Book. As the focal point of numerous high-profile exhibitions, the sculpture of Richard Serra (b. 1939) has drawn international acclaim. Yet even those who have marveled at Serra s intellectually rigorous and large works of sculpture may not be familiar with his equally intriguing drawings. This handsome book brings together for the first time Serra s drawn work, considering the artist s investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings underwent significant shifts in concept, materials, and scale and became fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper. Nº de ref. de la librería AAH9780300169379

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Serra, Richard
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Descripción Yale University Press, United States, 2011. Hardback. Estado de conservación: New. 305 x 249 mm. Language: English . Brand New Book. As the focal point of numerous high-profile exhibitions, the sculpture of Richard Serra (b. 1939) has drawn international acclaim. Yet even those who have marveled at Serra s intellectually rigorous and large works of sculpture may not be familiar with his equally intriguing drawings. This handsome book brings together for the first time Serra s drawn work, considering the artist s investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings underwent significant shifts in concept, materials, and scale and became fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper. Nº de ref. de la librería AAH9780300169379

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Gary Garrels
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Serra, Richard
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Rose, Bernice/ White, Michelle/ Garrels, Gary/ Borden, Lizzie (CON)/ Dabrowski, Magdalena (CON)
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Richard Serra
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Descripción Hardcover. Estado de conservación: New. 229mm x 305mm x 31mm. Hardcover. As the focal point of numerous high-profile exhibitions, the sculpture of Richard Serra (b. 1939) has drawn international acclaim. Yet even those who have marveled at Serra's intellectuall.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 176 pages. 1.728. Nº de ref. de la librería 9780300169379

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Artist) Richard Serra, Michelle White
Editorial: The Menil Collection (2011)
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Descripción The Menil Collection, 2011. Oversized Hardcover. Estado de conservación: New. This volume brings together for the first time Richard Serra’s drawn work, considering the artist’s investigation of medium as an activity both independent from and linked to his pioneering sculptural practice. First working in ink, charcoal, and lithographic crayon on paper, Serra originally used drawing as a means to explore form and perceptual relations between his sculpture and the viewer. Over time, his drawings have undergone significant shifts in concept, materials, and scale and become fully realized and autonomous works of art. The grand, bold forms he created with black paintstick in his monumental Installation Drawings were designed to disrupt and complement existent spaces and eventually began to occupy entire rooms. In the late 1980s, Serra explored the tension of weight and gravity through layering, and his most recent work experiments with surface effects, using mesh screens as intermediaries between the gesture and the transfer of pigment to paper. Published in conjunction with the exhibition @The Metropolitan Museum of Art, 4/11.2011-8/28/2011. 160 tritone illustrations. 170p. Nº de ref. de la librería 1914015

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