Exposed: Voyeurism, Surveillance, and the Camera Since 1870

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9780300163438: Exposed: Voyeurism, Surveillance, and the Camera Since 1870
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An exceptional copy; fine in the original color printed boards. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap.; 256 pages; Physical description; 256 p. : ill. (some col.) ; 31 cm. Published on the occasion of an exhibition organised by Tate Modern and San Francisco Museum of Modern Art. Also held at Tate Modern, London 28 May - 3 Oct. 2010; and at Walker Art Center, Minneapolis, 21 May - 11 Sept. 2011. Colls. Catalogue of an exhibition held at San Francisco Museum of Modern Art (San Francisco), 30 Oct. 2010 - 17 Apr. 2011. Includes bibliographical references. Subjects; Photography, Modern - 19th/20th/21st centuries - 1870s-2000s. Photography, Documentary. Voyeurism in art. Privacy in art.

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Críticas:

"A profound collection of images we have all seen but prefer not to discuss. . . . The images presented here are not for the faint of heart. This is a fascinating and disturbing volume. . . . The book provides a captivating jumping-off point for intellectual debate."--Amanda Quintenz-Fiedler, Photographer's Forum--Amanda Quintenz-Fiedler "Photographer's Forum "

Reseña del editor:

Since the rise of the photographic medium in the late 19th century, people have been fascinated by the camera’s ability to record striking moments both public and private. From Mathew Brady’s haunting images of the Civil War to the present day paparazzi’s brand of voyeurism-for-hire, photography has long served to capture not only the posed portrait but also the personal, the intimate, the unexpected, and the taboo. This fascinating book examines the ways in which acts of voyeurism and surveillance have inspired, challenged, and expanded the medium of photography throughout its evolution.

Featuring photography by Sophie Calle, Henri Cartier-Bresson, Walker Evans, Harun Farocki, Nan Goldin, Robert Mapplethorpe, Helmut Newton, Andy Warhol, and Weegee, among others,Exposed chronicles the artistic, political, and even moral dilemmas that underlie some of these artists’ best known works. Through insightful essays and commentary by Sandra Phillips, one of the foremost authorities on the history of 20th-century photography, Exposed examines some of the most invasive and unsettling aspects of photography, including the use of the hidden camera, the production of erotic pictures and pornography, and the intersection of photography with both celebrity and violence.

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Sandra S. Phillips, Simon Baker, Richard B. Woodward, Philip Brookman (Contributor), Marta Gili (Contributor), Carol Squiers (Contributor)
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Sandra S. Phillips; Simon Baker
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Richard B. Woodward
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Descripción Yale University Press, United States, 2010. Hardback. Condición: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Since the rise of the photographic medium in the late 19th century, people have been fascinated by the camera s ability to record striking moments both public and private. From Mathew Brady s haunting images of the Civil War to the present day paparazzi s brand of voyeurism-for-hire, photography has long served to capture not only the posed portrait but also the personal, the intimate, the unexpected, and the taboo. This fascinating book examines the ways in which acts of voyeurism and surveillance have inspired, challenged, and expanded the medium of photography throughout its evolution. Featuring photography by Sophie Calle, Henri Cartier-Bresson, Walker Evans, Harun Farocki, Nan Goldin, Robert Mapplethorpe, Helmut Newton, Andy Warhol, and Weegee, among others, Exposed chronicles the artistic, political, and even moral dilemmas that underlie some of these artists best known works. Through insightful essays and commentary by Sandra Phillips, one of the foremost authorities on the history of 20th-century photography, Exposed examines some of the most invasive and unsettling aspects of photography, including the use of the hidden camera, the production of erotic pictures and pornography, and the intersection of photography with both celebrity and violence. Nº de ref. del artículo: BTE9780300163438

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Publicado por Yale University Press, United States (2010)
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Descripción Yale University Press, United States, 2010. Hardback. Condición: New. Language: English . Brand New Book. Since the rise of the photographic medium in the late 19th century, people have been fascinated by the camera s ability to record striking moments both public and private. From Mathew Brady s haunting images of the Civil War to the present day paparazzi s brand of voyeurism-for-hire, photography has long served to capture not only the posed portrait but also the personal, the intimate, the unexpected, and the taboo. This fascinating book examines the ways in which acts of voyeurism and surveillance have inspired, challenged, and expanded the medium of photography throughout its evolution. Featuring photography by Sophie Calle, Henri Cartier-Bresson, Walker Evans, Harun Farocki, Nan Goldin, Robert Mapplethorpe, Helmut Newton, Andy Warhol, and Weegee, among others, Exposed chronicles the artistic, political, and even moral dilemmas that underlie some of these artists best known works. Through insightful essays and commentary by Sandra Phillips, one of the foremost authorities on the history of 20th-century photography, Exposed examines some of the most invasive and unsettling aspects of photography, including the use of the hidden camera, the production of erotic pictures and pornography, and the intersection of photography with both celebrity and violence. Nº de ref. del artículo: BZV9780300163438

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