Now available in paperback
Irving Penn’s photographs have become iconic documents of an era from his fashion and commercial editorials to his series of nudes and portraits of artists, musicians, writers, celebrities, and tribesmen of New Guinea, Peru, and Morocco. Originally published in 1997 to accompany an exhibition celebrating the Irving Penn Collection and Archives at the Art Institute of Chicago, this book examines Penn’s remarkable and wide-ranging career and his uncompromising artistic vision. With nearly 200 captivating photographs that span the entire scope of his artistic production including poetic portraits of Cecil Beaton, Marcel Duchamp, Arshile Gorky, Elsa Schiaparelli, Georgia O’Keeffe, and Truman Capote the book features essays by distinguished scholars and reflections by individuals who have known him well or collaborated with him. They also discuss Penn's particular genius for demonstrating how a profound and humane art can be created at the center of a society increasingly dominated by and enthralled with mass media.
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Colin Westerbeck, former curator of photography at the Art Institute of Chicago, is a freelance writer and curator living in California. He is the author of many books, including Yasuhiro Ishimoto: A Tale of Two Cities (Yale).From Booklist:
The occasion that inspired this retrospective of one of the century's most captivating and stylish photographers is Penn's donation of his professional archives and a hand-picked collection of his work to the Art Institute of Chicago. This is cause for celebration, and Westerbeck, the museum's curator of photography, and his contributors, including former Vogue editor Rosamond Bernier and anthropologist Edmund Carpenter, who represent the two extremes of Penn's photographic universe, explain why in their essays. In his fashion photographs, Penn combines glamour and wit; in his portraits of artists and writers (the series of such notables as Martha Graham, Marcel Duchamp, and Georgia O'Keeffe wedged into a cleverly constructed corner set are especially compelling), Penn reveals both the drama and the danger of the creative life; in his nudes, he discovers the body's eternal mystery; in his portraits of New Guinea tribesmen, he further explores the body as sculpture, attire as art. Even when Penn casts his eyes on something as classic as a tulip, or as commercial as cosmetics, he makes magic. Donna Seaman
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Descripción Art Institute of Chicago, 2007. Paperback. Estado de conservación: New. Never used!. Nº de ref. de la librería P110300122365
Descripción Art Institute of Chicago, 2007. Paperback. Estado de conservación: New. book. Nº de ref. de la librería M0300122365