The Grotesque Dancer on the Eighteenth-Century Stage: Gennaro Magri and His World

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9780299203542: The Grotesque Dancer on the Eighteenth-Century Stage: Gennaro Magri and His World

    Italian ballet in the eighteenth century was dominated by dancers trained in the style known as "grotesque"—a virtuoso style that combined French ballet technique with a vigorous athleticism that made Italian dancers in demand all over Europe. Gennaro Magri’s Trattato teorico-prattico di ballo, the only work from the eighteenth century that explains the practices of midcentury Italian theatrical dancing, is a starting point for investigating this influential type of ballet and its connections to the operatic and theatrical genres of its day.
    The Grotesque Dancer on the Eighteenth-Century Stage examines the theatrical world of the ballerino grottesco, Magri’s own career as a dancer in Italy and Vienna, the genre of pantomime ballet as it was practiced by Magri and his colleagues across Europe, the relationships between dance and pantomime in this type of work, the music used to accompany pantomime ballets, and the movement vocabulary of the grotesque dancer.  Appendices contain scenarios from eighteenth-century pantomime ballets, including several of Magri’s own devising; an index to the step-vocabulary discussed in Magri’s book; and an index of dancers in Italy known to have performed as grotteschi.  Illustrations, music examples, and dance notations also supplement the text.

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About the Author:

Rebecca Harris-Warrick is professor of music at Cornell University.
Bruce Alan Brown is professor of music history at the University of Southern California.

Review:

"The essays contained in this volume are fresh, both in feel and in scholarly content . . . a ‘must have’ for anyone working in opera, theatre, and dance in the eighteenth century."—Michael Burden, New College, University of Oxford


"This book is exceptionally important for its description of the grotesque style of dance which is virtually never discussed in other contemporary dance manuals."—Elizabeth Aldrich, director of the Dance Heritage Coalition


"This is an excellent book that promises to be indispensable to the dance historian and practitioner of early dance, and also of great interest to musicologists and anyone interested in theater history."—Marian Smith, University of Oregon

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Rebecca Harris-Warrick; Bruce Alan Brown
Editorial: University of Wisconsin Press, United States (2005)
ISBN 10: 0299203549 ISBN 13: 9780299203542
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Descripción University of Wisconsin Press, United States, 2005. Paperback. Estado de conservación: New. New.. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Italian ballet in the eighteenth century was dominated by dancers trained in the virtuoso style that combined French ballet technique with a vigorous athleticism that made Italian dancers in demand all over Europe. Gennaro Magri s Trattato teorico-prattico di ballo, the only work from the eighteenth century that explains the practices of midcentury Italian theatrical dancing, is a starting point for this investigation of an influential type of ballet and its connections to the operatic and theatrical genres of its day. Illustrations, music examples, and dance notations supplement the text. Nº de ref. de la librería BTE9780299203542

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Rebecca Harris-Warrick; Bruce Alan Brown
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Descripción University of Wisconsin Press, United States, 2005. Paperback. Estado de conservación: New. New.. Language: English . Brand New Book. Italian ballet in the eighteenth century was dominated by dancers trained in the virtuoso style that combined French ballet technique with a vigorous athleticism that made Italian dancers in demand all over Europe. Gennaro Magri s Trattato teorico-prattico di ballo, the only work from the eighteenth century that explains the practices of midcentury Italian theatrical dancing, is a starting point for this investigation of an influential type of ballet and its connections to the operatic and theatrical genres of its day. Illustrations, music examples, and dance notations supplement the text. Nº de ref. de la librería AAN9780299203542

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Descripción University of Wisconsin Press, United States, 2005. Paperback. Estado de conservación: New. New.. Language: English . Brand New Book. Italian ballet in the eighteenth century was dominated by dancers trained in the virtuoso style that combined French ballet technique with a vigorous athleticism that made Italian dancers in demand all over Europe. Gennaro Magri s Trattato teorico-prattico di ballo, the only work from the eighteenth century that explains the practices of midcentury Italian theatrical dancing, is a starting point for this investigation of an influential type of ballet and its connections to the operatic and theatrical genres of its day. Illustrations, music examples, and dance notations supplement the text. Nº de ref. de la librería AAN9780299203542

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Descripción University of Wisconsin Press. Paperback. Estado de conservación: new. BRAND NEW, The Grotesque Dancer on the Eighteenth-Century Stage: Gennaro Magri and His World, Rebecca Harris-Warrick, Bruce Alan Brown, Lynn Garafola, Italian ballet in the eighteenth century was dominated by dancers trained in the virtuoso style that combined French ballet technique with a vigorous athleticism that made Italian dancers in demand all over Europe. Gennaro Magri's Trattato teorico-prattico di ballo, the only work from the eighteenth century that explains the practices of midcentury Italian theatrical dancing, is a starting point for this investigation of an influential type of ballet and its connections to the operatic and theatrical genres of its day. Illustrations, music examples, and dance notations supplement the text. Nº de ref. de la librería B9780299203542

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