A shockingly original first novel about one of the most passionate and unusual love stories of the 20th century
Inspired by the true story of Danish painter Einar Wegener and his California-born wife, this tender portrait of a marriage asks "What do you do when someone you love wants to change?"
Set against the glitz and decadence of 1920s Copenhagen, Dresden, and Paris, The Danish Girl eloquently portrays the intimacy that defines a marriage and the nearly forgotten story of the love between a man who discovers that he is, in fact, a woman and the woman who would sacrifice anything for him. Uniting fact and fiction into a unique romantic vision, The Danish Girl explores the very heart of what connects men and women--and what separates them. But this book, like Arthur Golden's Memoirs of a Geisha, transcends the confines of sex and gender and historical place. Ultimately, The Danish Girl's lush prose and generous emotional insight make it, after the last page is turned, a love story that no reader will soon forget. With The Danish Girl, David Ebershoff will make one of the year's dazzling literary debuts.
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Though the title character of David Ebershoff's debut novel is a transsexual, the book is less concerned with transgender issues than the mysterious and ineffable nature of love. Loosely based on the life of Danish painter Einar Wegener who, in 1931, became the first man to undergo a sex-change operation, The Danish Girl borrows the bare bones of his story as a jumping-off point for an exploration of how Wegener's decisions affected the people around him. Chief among these is his Californian wife, Greta, also a painter, who unwittingly sets her husband's feet on the path to transformation. While trying to finish a portrait of an opera singer who has cancelled a sitting, she asks Einar to stand in for her subject, putting on her dress, stockings, and shoes. The moment silk touches his skin, he is shaken:
Einar could concentrate only on the silk dressing his skin, as if it were a bandage. Yes, that was how it felt the first time: the silk was so fine and airy that it felt like a gauze--a balm-soaked gauze lying delicately on healing skin. Even the embarrassment of standing before his wife began to no longer matter, for she was busy painting with a foreign intensity in her face. Einar was beginning to enter a shadowy world of dreams where Anna's dress could belong to anyone, even to him.Greta soon recognizes her husband's affinity for feminine attire, and encourages him not only to dress like a woman, but to take on a woman's persona, as well. "Why don't we call you Lili?" she suggests. What starts out as a harmless game soon evolves into something deeper, and potentially threatening to their marriage. Yet Greta's love proves to be enduring if not immutable. As Einar inexorably transforms, he steps beyond "that small dark space between two people where a marriage exists" and Greta lets him go.
Ebershoff does a remarkable job of historical prestidigitation, creating the sights and sounds and smells of 1930s Denmark and making it seem easy. Even more remarkable is his treatment of Greta: he gets inside her head and heart, and renders her in such loving detail that her reactions make perfect sense. Einar is more of a cipher, and ultimately less interesting than his wife. But in the end, this is Greta's book and David Ebershoff has done her proud. The Danish Girl marks a promising fictional debut. --Sheila BrightAbout the Author:
David Ebershoff is the publishing director of the Modern Library, a division of Random House. Originally from Pasadena, California, he now lives in New York City.
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Descripción Viking, 2000. Hardcover. Estado de conservación: New. book. Nº de ref. de la librería M029764579X