Women Playing Men: Yue Opera and Social Change in Twentieth-Century Shanghai

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9780295988443: Women Playing Men: Yue Opera and Social Change in Twentieth-Century Shanghai

This ground-breaking volume documents women's influence on popular culture in twentieth-century China by examining Yue opera. A subgenre of Chinese opera, it migrated from the countryside to urban Shanghai and morphed from its traditional all-male form into an all-female one, with women cross-dressing as male characters for a largely female audience.

Yue opera originated in the Zhejiang countryside as a form of story-singing, which rural immigrants brought with them to the metropolis of Shanghai. There, in the 1930s, its content and style transformed from rural to urban, and its cast changed gender. By evolving in response to sociopolitical and commercial conditions and actress-initiated reforms, Yue opera emerged as Shanghai's most popular opera from the 1930s through the 1980s and illustrates the historical rise of women in Chinese public culture.

Jiang examines the origins of the genre in the context of the local operas that preceded it and situates its development amid the political, cultural, and social movements that swept both Shanghai and China in the twentieth century. She details the contributions of opera stars and related professionals and examines the relationships among actresses, patrons, and fans. As Yue opera actresses initiated reforms to purge their theater of bawdy eroticism in favor of the modern love drama, they elevated their social image, captured the public imagination, and sought independence from the patriarchal opera system by establishing their own companies. Throughout the story of Yue opera, Jiang looks at Chinese women's struggle to control their lives, careers, and public images and to claim ownership of their history and artistic representations.

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From the Publisher:

"Women Playing Men shows how an obscure rural genre became one of the most popular forms of local drama in the nation and how largely illiterate peasant women established themselves in the city and helped shape modern cosmopolitanism. It has broad implications of central concern to the fields of Chinese popular culture, women's history, and urban history." - Hanchao Lu, author of Beyond the Neon Lights

About the Author:

Jin Jiang is professor of history and director of the Center for Gender and Cultural Studies at East China Normal University, Shanghai. She is a contributor to Some of Us: Chinese Women Growing Up in the Mao Era.

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Jin Jiang
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Jin Jiang
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Descripción University of Washington Press, United States, 2009. Paperback. Estado de conservación: New. Language: English . Brand New Book. This ground-breaking volume documents women s influence on popular culture in twentieth-century China by examining Yue opera. A subgenre of Chinese opera, it migrated from the countryside to urban Shanghai and morphed from its traditional all-male form into an all-female one, with women cross-dressing as male characters for a largely female audience. Yue opera originated in the Zhejiang countryside as a form of story-singing, which rural immigrants brought with them to the metropolis of Shanghai. There, in the 1930s, its content and style transformed from rural to urban, and its cast changed gender. By evolving in response to sociopolitical and commercial conditions and actress-initiated reforms, Yue opera emerged as Shanghai s most popular opera from the 1930s through the 1980s and illustrates the historical rise of women in Chinese public culture. Jiang examines the origins of the genre in the context of the local operas that preceded it and situates its development amid the political, cultural, and social movements that swept both Shanghai and China in the twentieth century.She details the contributions of opera stars and related professionals and examines the relationships among actresses, patrons, and fans. As Yue opera actresses initiated reforms to purge their theater of bawdy eroticism in favor of the modern love drama, they elevated their social image, captured the public imagination, and sought independence from the patriarchal opera system by establishing their own companies. Throughout the story of Yue opera, Jiang looks at Chinese women s struggle to control their lives, careers, and public images and to claim ownership of their history and artistic representations. Nº de ref. de la librería AAJ9780295988443

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Jin Jiang
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ISBN 10: 0295988444 ISBN 13: 9780295988443
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Descripción University of Washington Press, United States, 2009. Paperback. Estado de conservación: New. Language: English . Brand New Book. This ground-breaking volume documents women s influence on popular culture in twentieth-century China by examining Yue opera. A subgenre of Chinese opera, it migrated from the countryside to urban Shanghai and morphed from its traditional all-male form into an all-female one, with women cross-dressing as male characters for a largely female audience.Yue opera originated in the Zhejiang countryside as a form of story-singing, which rural immigrants brought with them to the metropolis of Shanghai. There, in the 1930s, its content and style transformed from rural to urban, and its cast changed gender. By evolving in response to sociopolitical and commercial conditions and actress-initiated reforms, Yue opera emerged as Shanghai s most popular opera from the 1930s through the 1980s and illustrates the historical rise of women in Chinese public culture.Jiang examines the origins of the genre in the context of the local operas that preceded it and situates its development amid the political, cultural, and social movements that swept both Shanghai and China in the twentieth century. She details the contributions of opera stars and related professionals and examines the relationships among actresses, patrons, and fans. As Yue opera actresses initiated reforms to purge their theater of bawdy eroticism in favor of the modern love drama, they elevated their social image, captured the public imagination, and sought independence from the patriarchal opera system by establishing their own companies. Throughout the story of Yue opera, Jiang looks at Chinese women s struggle to control their lives, careers, and public images and to claim ownership of their history and artistic representations. Nº de ref. de la librería AAJ9780295988443

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Descripción 2009. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería TU-9780295988443

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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97802959884430000000

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Descripción University of Washington Press, United States, 2009. Paperback. Estado de conservación: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. This ground-breaking volume documents women s influence on popular culture in twentieth-century China by examining Yue opera. A subgenre of Chinese opera, it migrated from the countryside to urban Shanghai and morphed from its traditional all-male form into an all-female one, with women cross-dressing as male characters for a largely female audience.Yue opera originated in the Zhejiang countryside as a form of story-singing, which rural immigrants brought with them to the metropolis of Shanghai. There, in the 1930s, its content and style transformed from rural to urban, and its cast changed gender. By evolving in response to sociopolitical and commercial conditions and actress-initiated reforms, Yue opera emerged as Shanghai s most popular opera from the 1930s through the 1980s and illustrates the historical rise of women in Chinese public culture.Jiang examines the origins of the genre in the context of the local operas that preceded it and situates its development amid the political, cultural, and social movements that swept both Shanghai and China in the twentieth century. She details the contributions of opera stars and related professionals and examines the relationships among actresses, patrons, and fans. As Yue opera actresses initiated reforms to purge their theater of bawdy eroticism in favor of the modern love drama, they elevated their social image, captured the public imagination, and sought independence from the patriarchal opera system by establishing their own companies. Throughout the story of Yue opera, Jiang looks at Chinese women s struggle to control their lives, careers, and public images and to claim ownership of their history and artistic representations. Nº de ref. de la librería BTE9780295988443

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Jin Jiang
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Descripción University of Washington Press, 2009. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería CA-9780295988443

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Descripción University of Washington Press. Paperback. Estado de conservación: new. BRAND NEW, Women Playing Men: Yue Opera and Social Change in Twentieth-Century Shanghai, Jin Jiang, This ground-breaking volume documents women's influence on popular culture in twentieth-century China by examining Yue opera. A subgenre of Chinese opera, it migrated from the countryside to urban Shanghai and morphed from its traditional all-male form into an all-female one, with women cross-dressing as male characters for a largely female audience. Jin Jiang documents and analyzes the origins and development of the genre and its unique role in modern Chinese culture. In "Women Playing Men", we are introduced to all-male opera's lesser known, but just as intriguing, female reflection.Yue opera originated in the Zhejiang countryside as a form of story-singing, which rural immigrants brought with them to the metropolis of Shanghai. There, in the 1930s, its content and style transformed from rural to urban, and its cast changed gender. By evolving in response to socio-political and commercial conditions and actress-initiated reforms, Yue opera emerged as Shanghai's most popular opera from the 1930s through the 980s and illustrates the historical rise of women in Chinese public culture. Jiang examines the origins of the genre in the context of the local operas that preceded it and situates its development amid the political, cultural, and social movements that swept both Shanghai and China in the twentieth century. She details the contributions of opera stars and related professionals and examines the relationships among actresses, patrons, and fans.As Yue opera actresses initiated reforms to purge their theatre of bawdy eroticism in favour of the modern love drama, they elevated their social image, captured the public imagination, and sought independence from the patriarchal opera system by establishing their own companies. Throughout the story of Yue opera, Jiang looks at Chinese women's struggle to control their lives, careers, and public images and to claim ownership of their history and artistic representations. Jin Jiang is professor of history and director of the Center for Gender and Cultural Studies at East China Normal University, Shanghai. She is a contributor to "Some of Us: Chinese Women Growing Up in the Mao Era". Nº de ref. de la librería B9780295988443

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Jin Jiang
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Descripción Univ of Washington Pr, 2009. Paperback. Estado de conservación: New. Nº de ref. de la librería DADAX0295988444

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Descripción University of Washington Press, 2009. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 0295988444

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