Chandigarh's Le Corbusier: The Struggle for Modernity in Postcolonial India (Studies in Modernity and National Identity)

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9780295982076: Chandigarh's Le Corbusier: The Struggle for Modernity in Postcolonial India (Studies in Modernity and National Identity)

When India emerged from colonial rule in 1947, the division of Punjab left its historic capital, Lahore, in newly created Pakistan. Indian Prime Minister Jawaharlal Nehru insisted that Punjab's new capital, Chandigarh, should be a symbol of the nation’s faith in the future, unfettered by the traditions of the past. Its design and construction galvanized national attention, and Le Corbusier, the icon of European architectural modernism, was invited to help remake India’s national ideal.

Le Corbusier arrived in 1950, in the twilight of his career. He set to work alternately wooing and clashing with Nehru and with the Indian planners and builders, prevailing ultimately only in the design of the Capitol Complex and a few buildings in the Museum Complex, as well as in his enduring symbol of peace and nonalignment, the Open Hand.

Vikramaditya Prakash tells the fascinating story that lies behind the planning and architecture of Chandigarh. Drawing on his intimate knowledge of the city, where he grew up as the son of one of the nine Indian architects who assisted in designing Chandigarh, Prakash brings to light stories of town planners, bureaucrats, and architects vying over the colonial past and the symbolic future of India. Different conceptions of the modern and the role of Indian civilization clashed and coalesced in a process that highlights the mutual interdependence of "East" and "West," and the fact that architecture and aesthetics cannot be separated from ideological claims and political implications.

Prakash skillfully unfolds the intricate layers of the Capitol’s symbolism, tracing the cultural preconceptions and influences that produced Le Corbusier's understanding of India and animated his obsessions, desires, and aspirations. Chandigarh's Le Corbusier is the story of the making of an Indian modern architecture as both an aspect and an engine of post-colonial culture.

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Book Description:

Describes the creation of the new capital of Punjab in 1947

About the Author:

Vikramaditya Prakash is Chair of the Department of Architecture, University of Washington.

"Sobre este título" puede pertenecer a otra edición de este libro.

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Prakash
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Prakash, Vikramaditya
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Descripción University of Washington Press, United States, 2002. Hardback. Estado de conservación: New. Pbk W/Rev.. Language: English . Brand New Book. When India emerged from colonial rule in 1947, the division of Punjab left its historic capital, Lahore, in newly created Pakistan. Indian Prime Minister Jawaharlal Nehru insisted that Punjab s new capital, Chandigarh, should be a symbol of the nation s faith in the future, unfettered by the traditions of the past. Its design and construction galvanized national attention, and Le Corbusier, the icon of European architectural modernism, was invited to help remake India s national ideal.Le Corbusier arrived in 1950, in the twilight of his career. He set to work alternately wooing and clashing with Nehru and with the Indian planners and builders, prevailing ultimately only in the design of the Capitol Complex and a few buildings in the Museum Complex, as well as in his enduring symbol of peace and nonalignment, the Open Hand.Vikramaditya Prakash tells the fascinating story that lies behind the planning and architecture of Chandigarh. Drawing on his intimate knowledge of the city, where he grew up as the son of one of the nine Indian architects who assisted in designing Chandigarh, Prakash brings to light stories of town planners, bureaucrats, and architects vying over the colonial past and the symbolic future of India. Different conceptions of the modern and the role of Indian civilization clashed and coalesced in a process that highlights the mutual interdependence of East and West, and the fact that architecture and aesthetics cannot be separated from ideological claims and political implications.Prakash skillfully unfolds the intricate layers of the Capitol s symbolism, tracing the cultural preconceptions and influences that produced Le Corbusier s understanding of India and animated his obsessions, desires, and aspirations. Chandigarh s Le Corbusier is the story of the making of an Indian modern architecture as both an aspect and an engine of post-colonial culture. Nº de ref. de la librería AAJ9780295982076

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Descripción University of Washington Press, United States, 2002. Hardback. Estado de conservación: New. Pbk W/Rev.. Language: English . Brand New Book. When India emerged from colonial rule in 1947, the division of Punjab left its historic capital, Lahore, in newly created Pakistan. Indian Prime Minister Jawaharlal Nehru insisted that Punjab s new capital, Chandigarh, should be a symbol of the nation s faith in the future, unfettered by the traditions of the past. Its design and construction galvanized national attention, and Le Corbusier, the icon of European architectural modernism, was invited to help remake India s national ideal.Le Corbusier arrived in 1950, in the twilight of his career. He set to work alternately wooing and clashing with Nehru and with the Indian planners and builders, prevailing ultimately only in the design of the Capitol Complex and a few buildings in the Museum Complex, as well as in his enduring symbol of peace and nonalignment, the Open Hand.Vikramaditya Prakash tells the fascinating story that lies behind the planning and architecture of Chandigarh. Drawing on his intimate knowledge of the city, where he grew up as the son of one of the nine Indian architects who assisted in designing Chandigarh, Prakash brings to light stories of town planners, bureaucrats, and architects vying over the colonial past and the symbolic future of India. Different conceptions of the modern and the role of Indian civilization clashed and coalesced in a process that highlights the mutual interdependence of East and West, and the fact that architecture and aesthetics cannot be separated from ideological claims and political implications.Prakash skillfully unfolds the intricate layers of the Capitol s symbolism, tracing the cultural preconceptions and influences that produced Le Corbusier s understanding of India and animated his obsessions, desires, and aspirations. Chandigarh s Le Corbusier is the story of the making of an Indian modern architecture as both an aspect and an engine of post-colonial culture. Nº de ref. de la librería AAJ9780295982076

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Descripción University of Washington Press. Hardcover. Estado de conservación: New. New copy - Usually dispatched within 2 working days. Nº de ref. de la librería B9780295982076

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Descripción University of Washington Press 2002-07-01, 2002. Estado de conservación: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-MAR-00047158

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Descripción Univ of Washington Pr, 2002. Hardcover. Estado de conservación: New. Nº de ref. de la librería DADAX0295982071

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