Popular Cinema of the Third Reich

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9780292734586: Popular Cinema of the Third Reich
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"This is an immaculately researched, sophisticatedly argued investigation into the richly varied aspects of popular cinema during the Third Reich... The result is an impressive, highly informative, and insightful book." Alice Kuzniar, Professor of German and Comparative Literature, University of North Carolina at Chapel Hill

Reseña del editor:

An overview of Third Reich cinema through the lens of national cinema studies.

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1.

Sabine Hake
Editorial: University of Texas Press, United States (2002)
ISBN 10: 0292734581 ISBN 13: 9780292734586
Nuevos Paperback Cantidad: 1
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The Book Depository
(London, Reino Unido)
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Descripción University of Texas Press, United States, 2002. Paperback. Estado de conservación: New. New.. 224 x 150 mm. Language: English . Brand New Book. Too often dismissed as escapist entertainment or vilified as mass manipulation, popular cinema in the Third Reich was in fact sustained by well-established generic conventions, cultural traditions, aesthetic sensibilities, social practices, and a highly developed star system-not unlike its Hollywood counterpart in the 1930s. This pathfinding study contributes to the ongoing reassessment of Third Reich cinema by examining it as a social, cultural, economic, and political practice that often conflicted with, contradicted, and compromised the intentions of the Propaganda Ministry. Nevertheless, by providing the illusion of a public sphere presumably free of politics, popular cinema helped to sustain the Nazi regime, especially during the war years. Rather than examining Third Reich cinema through overdetermined categories such as propaganda, ideology, or fascist aesthetics, Sabine Hake concentrates on the constituent elements shared by most popular cinemas: famous stars, directors, and studios; movie audiences and exhibition practices; popular genres and new trends in set design; the reception of foreign films; the role of film criticism; and the representation of women. She pays special attention to the forced coordination of the industry in 1933, the changing demands on cinema during the war years, and the various ways of coming to terms with these filmic legacies after the war. Throughout, Hake s findings underscore the continuities among Weimar, Third Reich, and post-1945 West German cinema. They also emphasize the codevelopment of German and other national cinemas, especially the dominant Hollywood model. Nº de ref. de la librería AAJ9780292734586

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2.

Sabine Hake
Editorial: University of Texas Press, United States (2002)
ISBN 10: 0292734581 ISBN 13: 9780292734586
Nuevos Paperback Cantidad: 1
Librería
The Book Depository US
(London, Reino Unido)
Valoración
[?]

Descripción University of Texas Press, United States, 2002. Paperback. Estado de conservación: New. New.. 224 x 150 mm. Language: English . Brand New Book. Too often dismissed as escapist entertainment or vilified as mass manipulation, popular cinema in the Third Reich was in fact sustained by well-established generic conventions, cultural traditions, aesthetic sensibilities, social practices, and a highly developed star system-not unlike its Hollywood counterpart in the 1930s. This pathfinding study contributes to the ongoing reassessment of Third Reich cinema by examining it as a social, cultural, economic, and political practice that often conflicted with, contradicted, and compromised the intentions of the Propaganda Ministry. Nevertheless, by providing the illusion of a public sphere presumably free of politics, popular cinema helped to sustain the Nazi regime, especially during the war years. Rather than examining Third Reich cinema through overdetermined categories such as propaganda, ideology, or fascist aesthetics, Sabine Hake concentrates on the constituent elements shared by most popular cinemas: famous stars, directors, and studios; movie audiences and exhibition practices; popular genres and new trends in set design; the reception of foreign films; the role of film criticism; and the representation of women. She pays special attention to the forced coordination of the industry in 1933, the changing demands on cinema during the war years, and the various ways of coming to terms with these filmic legacies after the war. Throughout, Hake s findings underscore the continuities among Weimar, Third Reich, and post-1945 West German cinema. They also emphasize the codevelopment of German and other national cinemas, especially the dominant Hollywood model. Nº de ref. de la librería AAJ9780292734586

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Hake, Sabine
ISBN 10: 0292734581 ISBN 13: 9780292734586
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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97802927345860000000

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Hake, Sabine
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Descripción Univ Texas Press. Estado de conservación: BRAND NEW. BRAND NEW Softcover - This title is now printed on demand - please allow added time for shipment! A Brand New Quality Book from a Full-Time Bookshop in business since 1992!. Nº de ref. de la librería 2115172

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Sabine Hake
Editorial: University of Texas Press (2002)
ISBN 10: 0292734581 ISBN 13: 9780292734586
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Descripción University of Texas Press, 2002. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería CA-9780292734586

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Sabine Hake
ISBN 10: 0292734581 ISBN 13: 9780292734586
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Descripción 2002. Paperback. Estado de conservación: New. 152mm x 18mm x 227mm. Paperback. Too often dismissed as escapist entertainment or vilified as mass manipulation, popular cinema in the Third Reich was in fact sustained by well-established generic conventions, cultural tr.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 288 pages. 0.463. Nº de ref. de la librería 9780292734586

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Sabine Hake
Editorial: University of Texas Press 2002-01-15, Austin, TX (2002)
ISBN 10: 0292734581 ISBN 13: 9780292734586
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Descripción University of Texas Press 2002-01-15, Austin, TX, 2002. paperback. Estado de conservación: New. Nº de ref. de la librería 9780292734586

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Sabine Hake
Editorial: University of Texas Press (2002)
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Descripción University of Texas Press, 2002. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IQ-9780292734586

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Sabine Hake
Editorial: University of Texas Press
ISBN 10: 0292734581 ISBN 13: 9780292734586
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Descripción University of Texas Press. Paperback. Estado de conservación: new. BRAND NEW PRINT ON DEMAND., Popular Cinema of the Third Reich, Sabine Hake, Too often dismissed as escapist entertainment or vilified as mass manipulation, popular cinema in the Third Reich was in fact sustained by well-established generic conventions, cultural traditions, aesthetic sensibilities, social practices, and a highly developed star system - not unlike its Hollywood counterpart in the 1930s. This path-finding study contributes to the ongoing reassessment of Third Reich cinema by examining it as a social, cultural, economic, and political practice that often conflicted with, contradicted, and compromised the intentions of the Propaganda Ministry. Nevertheless, by providing the illusion of a public sphere presumably free of politics, popular cinema helped to sustain the Nazi regime, especially during the war years. Rather than examining Third Reich cinema through over-determined categories such as propaganda, ideology, or fascist aesthetics, Sabine Hake concentrates on the constituent elements shared by most popular cinemas: famous stars, directors, and studios; movie audiences and exhibition practices; popular genres and new trends in set design; the reception of foreign films; the role of film criticism; and the representation of women. She pays special attention to the forced co-ordination of the industry in 1933, the changing demands on cinema during the war years, and the various ways of coming to terms with these filmic legacies after the war. Throughout, Hake's findings underscore the continuities among Weimar, Third Reich, and post-1945 West German cinema. They also emphasise the co-development of German and other national cinemas, especially the dominant Hollywood model. Sabine Hake is Professor of German at the University of Pittsburgh. Nº de ref. de la librería B9780292734586

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Hake, Sabine
Editorial: University of Texas Press (2002)
ISBN 10: 0292734581 ISBN 13: 9780292734586
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Descripción University of Texas Press, 2002. Paperback. Estado de conservación: New. Nº de ref. de la librería INGM9780292734586

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