Performance in the Texts of Mallarmé: The Passage from Art to Ritual

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9780271026695: Performance in the Texts of Mallarmé: The Passage from Art to Ritual

Performance in the Texts of Mallarmé offers a new theory of performance in the poetic and critical texts of Stephane Mallarmé, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's sake.

Following an analytical presentation of the concepts of ritual and performance generally applied, Mary Shaw shows that Mallarmé perceived music, dance, and theater as ideal languages of the body and therefore as ideal forms of ritual through which to supplement and celebrate poetic texts. She focuses on previously unexplored references to supplementary, extratextual performances in four of Mallarmé's major poetic texts—Herodiade, L'après-midi d'un faune, Igitur, and Un coup de des—revealing the consistent formal expression of his original conception of literature's relationship to the performing arts.

Shaw then discusses Mallarmé's monumental project, Le Livre, a metaphysical book designed to be performed in a series of ritual celebrations. She analyzes and describes the intrinsic structure and contents of this unfinished work as the fullest realization of the text-performance relationship elaborated throughout Mallarmé's corpus. Shaw offers Le Livre as a prototype of avant-garde performance, drawing important parallels between Mallarmé's literary experimentation and crucial developments in twentieth-century arts.

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About the Author:

Mary Lewis Shaw is Assistant Professor of French at Rutgers University.

Review:

“A highly original contribution to Mallarmé studies. With an impressive command of primary and secondary sources, Mary Shaw demonstrates how musical and theatrical aims underpinned Mallarmé’s poetic endeavor throughout his career, and how these aims were central to the conception of his last, unfinished work, Le Livre.”

—Louis Marvick, University of Nevada



“Shaw’s study goes a long way toward a balanced and reasoned understanding of what this monumental poet was trying to do: namely, redefine literature’s function—a social project whose consequences are still reverberating in the art forms of today.”

—Steven Winspur, University of Wisconsin

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Descripción Pennsylvania State University Press 1989-03, 1989. PF. Estado de conservación: New. Nº de ref. de la librería NU-LSI-06903994

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Descripción Pennsylvania State University Press, United States, 2005. Paperback. Estado de conservación: New. Language: English . Brand New Book ***** Print on Demand *****.Performance in the Texts of Mallarme offers a new theory of performance in the poetic and critical texts of Stephane Mallarme, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art s sake. Following an analytical presentation of the concepts of ritual and performance generally applied, Mary Shaw shows that Mallarme perceived music, dance, and theater as ideal languages of the body and therefore as ideal forms of ritual through which to supplement and celebrate poetic texts. She focuses on previously unexplored references to supplementary, extratextual performances in four of Mallarme s major poetic texts--Herodiade, L apres-midi d un faune, Igitur, and Un coup de des--revealing the consistent formal expression of his original conception of literature s relationship to the performing arts. Shaw then discusses Mallarme s monumental project, Le Livre, a metaphysical book designed to be performed in a series of ritual celebrations. She analyzes and describes the intrinsic structure and contents of this unfinished work as the fullest realization of the text-performance relationship elaborated throughout Mallarme s corpus. Shaw offers Le Livre as a prototype of avant-garde performance, drawing important parallels between Mallarme s literary experimentation and crucial developments in twentieth-century arts. Nº de ref. de la librería AAV9780271026695

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Descripción Pennsylvania State University Press, United States, 2005. Paperback. Estado de conservación: New. Language: English . Brand New Book ***** Print on Demand *****. Performance in the Texts of Mallarme offers a new theory of performance in the poetic and critical texts of Stephane Mallarme, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art s sake. Following an analytical presentation of the concepts of ritual and performance generally applied, Mary Shaw shows that Mallarme perceived music, dance, and theater as ideal languages of the body and therefore as ideal forms of ritual through which to supplement and celebrate poetic texts. She focuses on previously unexplored references to supplementary, extratextual performances in four of Mallarme s major poetic texts--Herodiade, L apres-midi d un faune, Igitur, and Un coup de des--revealing the consistent formal expression of his original conception of literature s relationship to the performing arts. Shaw then discusses Mallarme s monumental project, Le Livre, a metaphysical book designed to be performed in a series of ritual celebrations. She analyzes and describes the intrinsic structure and contents of this unfinished work as the fullest realization of the text-performance relationship elaborated throughout Mallarme s corpus. Shaw offers Le Livre as a prototype of avant-garde performance, drawing important parallels between Mallarme s literary experimentation and crucial developments in twentieth-century arts. Nº de ref. de la librería AAV9780271026695

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Descripción Pennsylvania State University Press, 1989. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Nº de ref. de la librería IQ-9780271026695

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Descripción Penn State University Press. Paperback. Estado de conservación: New. Paperback. 288 pages. Dimensions: 8.8in. x 6.0in. x 0.8in.Performance in the Texts of Mallarm offers a new theory of performance in the poetic and critical texts of Stephane Mallarm, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for arts sake. Following an analytical presentation of the concepts of ritual and performance generally applied, Mary Shaw shows that Mallarm perceived music, dance, and theater as ideal languages of the body and therefore as ideal forms of ritual through which to supplement and celebrate poetic texts. She focuses on previously unexplored references to supplementary, extratextual performances in four of Mallarms major poetic textsHerodiade, Laprs-midi dun faune, Igitur, and Un coup de desrevealing the consistent formal expression of his original conception of literatures relationship to the performing arts. Shaw then discusses Mallarms monumental project, Le Livre, a metaphysical book designed to be performed in a series of ritual celebrations. She analyzes and describes the intrinsic structure and contents of this unfinished work as the fullest realization of the text-performance relationship elaborated throughout Mallarms corpus. Shaw offers Le Livre as a prototype of avant-garde performance, drawing important parallels between Mallarms literary experimentation and crucial developments in twentieth-century arts. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Nº de ref. de la librería 9780271026695

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