Event-Cities 3: Concept vs. Context vs. Content (MIT Press) (No. 3)

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9780262701105: Event-Cities 3: Concept vs. Context vs. Content (MIT Press) (No. 3)

How concept, context, and content interact in architecture; provocative examples from recent projects by Bernard Tschumi.

In Event-Cities 3, Bernard Tschumi explores the complex and productive triangulation of architectural concept, context, and content. There is no architecture without a concept, an overriding idea that gives coherence and identity to a building. But there is also no architecture without context -- historical, geographical, cultural -- or content (what happens inside). Concept, context, and content may be in unison or purposely discordant. Against the contextualist movement of the 1980s and 1990s, which called for architecture to blend in with its surroundings, Tschumi argues that buildings may or may not conform to their settings -- but that the decision should always be strategic.

Through documentation of recent projects -- including the new Acropolis Museum in Athens, a campus athletic center in Cincinnati, museums in Sao Paolo, New York, and Antwerp, concert halls in France, and a speculative urban project in Beijing -- Tschumi examines different ways that concept, context, and content relate to each other in his work. In the new Acropolis Museum, for example, Tschumi looks at the interaction of the concept -- a simple and precise museum with the clarity of ancient Greek buildings -- with the context (its location at the base of the Acropolis, 800 feet from the Parthenon) and the content, which incorporates archaeological excavations on the building site into the fabric of the museum. Through provocative examples, Tschumi demonstrates that the relationship of concept, context, and content may be one of indifference, reciprocity, or conflict -- all of which, he argues, are valid architectural approaches. Above all, he suggests that the activity of architecture is less about the making of forms than the investigation and materialization of concepts.

"Sinopsis" puede pertenecer a otra edición de este libro.

About the Author:

Bernard Tschumi is Principal of Bernard Tschumi Architects, New York and Paris. He was dean of the Columbia Graduate School of Architecture from 1988 to 2003.

Review:

not only eye-popping, but stimulating too.

(The Architect's Newspaper)

"Sobre este título" puede pertenecer a otra edición de este libro.

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Descripción MIT Press Ltd, United States, 2005. Paperback. Estado de conservación: New. Language: English . Brand New Book. In Event-Cities 3, Bernard Tschumi explores the complex and productive triangulation of architectural concept, context, and content. There is no architecture without a concept, an overriding idea that gives coherence and identity to a building. But there is also no architecture without context -- historical, geographical, cultural -- or content (what happens inside). Concept, context, and content may be in unison or purposely discordant. Against the contextualist movement of the 1980s and 1990s, which called for architecture to blend in with its surroundings, Tschumi argues that buildings may or may not conform to their settings -- but that the decision should always be strategic.Through documentation of recent projects -- including the new Acropolis Museum in Athens, a campus athletic center in Cincinnati, museums in Sao Paolo, New York, and Antwerp, concert halls in France, and a speculative urban project in Beijing -- Tschumi examines different ways that concept, context, and content relate to each other in his work. In the new Acropolis Museum, for example, Tschumi looks at the interaction of the concept -- a simple and precise museum with the clarity of ancient Greek buildings -- with the context (its location at the base of the Acropolis, 800 feet from the Parthenon) and the content, which incorporates archaeological excavations on the building site into the fabric of the museum. Through provocative examples, Tschumi demonstrates that the relationship of concept, context, and content may be one of indifference, reciprocity, or conflict -- all of which, he argues, are valid architectural approaches. Above all, he suggests that the activity of architecture is less about the making of forms than the investigation and materialization of concepts. Nº de ref. de la librería AAU9780262701105

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Descripción MIT Press Ltd, 2005. Estado de conservación: New. 2005. Paperback. How concept, context, and content interact in architecture; provocative examples from recent projects by Bernard Tschumi. Num Pages: 640 pages, 530 b/w illustrations & 103 colour. BIC Classification: AMA. Category: (P) Professional & Vocational. Dimension: 226 x 173 x 50. Weight in Grams: 1502. . . . . . . Nº de ref. de la librería V9780262701105

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Descripción MIT Press Ltd, United States, 2005. Paperback. Estado de conservación: New. Language: English . Brand New Book. How concept, context, and content interact in architecture; provocative examples from recent projects by Bernard Tschumi.In Event-Cities 3, Bernard Tschumi explores the complex and productive triangulation of architectural concept, context, and content. There is no architecture without a concept, an overriding idea that gives coherence and identity to a building. But there is also no architecture without context -- historical, geographical, cultural -- or content (what happens inside). Concept, context, and content may be in unison or purposely discordant. Against the contextualist movement of the 1980s and 1990s, which called for architecture to blend in with its surroundings, Tschumi argues that buildings may or may not conform to their settings -- but that the decision should always be strategic.Through documentation of recent projects -- including the new Acropolis Museum in Athens, a campus athletic center in Cincinnati, museums in Sao Paolo, New York, and Antwerp, concert halls in France, and a speculative urban project in Beijing -- Tschumi examines different ways that concept, context, and content relate to each other in his work. In the new Acropolis Museum, for example, Tschumi looks at the interaction of the concept -- a simple and precise museum with the clarity of ancient Greek buildings -- with the context (its location at the base of the Acropolis, 800 feet from the Parthenon) and the content, which incorporates archaeological excavations on the building site into the fabric of the museum. Through provocative examples, Tschumi demonstrates that the relationship of concept, context, and content may be one of indifference, reciprocity, or conflict -- all of which, he argues, are valid architectural approaches. Above all, he suggests that the activity of architecture is less about the making of forms than the investigation and materialization of concepts. Nº de ref. de la librería AAU9780262701105

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Descripción MIT Press Ltd. Estado de conservación: New. 2005. Paperback. How concept, context, and content interact in architecture; provocative examples from recent projects by Bernard Tschumi. Num Pages: 640 pages, 530 b/w illustrations & 103 colour. BIC Classification: AMA. Category: (P) Professional & Vocational. Dimension: 226 x 173 x 50. Weight in Grams: 1502. . . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780262701105

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Descripción MIT Press (MA) April 2005, 2005. Trade Paperback. Estado de conservación: New. In Event-Cities 3, Bernard Tschumi explores the complex and productivetriangulation of architectural concept, context, and content. There is noarchitecture without a concept, an overriding idea that gives coherence and identityto a building. But there is also no architecture without context -- historical, geographical, cultural -- or content (what happens inside). Concept, context, andcontent may be in unison or purposely discordant. Against the contextualist movementof the 1980s and 1990s, which called for architecture to blend in with itssurroundings, Tschumi argues that buildings may or may not conform to their settings-- but that the decision should always be strategic.Through documentation of recentprojects -- including the new Acropolis Museum in Athens, a campus athletic centerin Cincinnati, museums in Sao Paolo, New York, and Antwerp, concert halls in France, and a speculative urban project in Beijing -- Tschumi examines different ways thatconcept, context, and content relate to each other in his work. In the new AcropolisMuseum, for example, Tschumi looks at the interaction of the concept -- a simple andprecise museum with the clarity of ancient Greek buildings -- with the context (itslocation at the base of the Acropolis, 800 feet from the Parthenon) and the content, which incorporates archaeological excavations on the building site into the fabricof the museum. Through provocative examples, Tschumi demonstrates that therelationship of concept, context, and content may be one of indifference, reciprocity, or conflict -- all of which, he argues, are valid architecturalapproaches. Above all, he suggests that the activity of architecture is less aboutthe making of forms than the investigation and materialization ofconcepts. How concept, context, and content interact in architecture; provocative examples from recent projects by Bernard Tschumi. Nº de ref. de la librería 109107

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