The Cognition of Basic Musical Structures

4,2 valoración promedio
( 5 valoraciones por Goodreads )
 
9780262701051: The Cognition of Basic Musical Structures
Ver todas las copias de esta edición ISBN.
 
 

Book by Temperley David

"Sinopsis" puede pertenecer a otra edición de este libro.

Críticas:

"Temperley's book is timely and will be a major contribution to the field of music cognition. The scholarship is sound and the research original. It is gratifying to see such first-rate work."--David Huron, Professor of Music, Ohio State University, and author of *Sweet Anticipation: Music and the Psychology of Expectation* "This book makes substantial progress in the computer modeling of basic aspects of musical cognition. The author's presentation of complex subject matter is as direct and straightforward as one could wish. His writing is natural, clear, and unfailingly logical." Fred Lerdahl , Fritz Reiner Professor of Music, Columbia University "This book definitively transforms music theory from a discipline yielding interesting and sophisticated, but mostly abstract, theories of music into a science that develops precise and testable models of music perception, thus providing genuine insights into the structures and mechanisms involved in the processing of music. In addition to its own substantial contribution to the field, this work sets the stage for future developments in both music theory and music psychology."--Dirk-Jan Povel, Nijmegen Institute for Cognition and Information (NICI) "Temperley's book is an interesting computational application of forward-looking ideas current in music cognition with regards to conventional, tonal music. Offering a diverse, wide-reaching discussion of 'common practice' music, it gives a strong nod towards the formality induced by necessity from computational models, and is very welcome in so doing."--Larry Polansky, Joseph Straus 1922 Professor of Music, Dartmouth College, co-author of the computer music language HMSL and co-director, Frog Peak Music (a composers' collective) "Temperley's book is a landmark effort that integrates three strands of contemporary music theory: preference rule formalisms, music cognition, and computational modeling. Temperley wisely encourages music scholars to reconsider basic topics such as key, meter, and harmony. In addressing anew these concepts the books lays the most solid foundations yet described for the analysis of music. At the same time, the book provides lucid insights into such phenomena as rock music and African rhythms. A major contribution to music theory."--David Huron, Professor of Music, Ohio State University, and author of *Sweet Anticipation: Music and the Psychology of Expectation*Please note: Endorser gives permission to excerpt, but please do not use the third sentence without the second.

Reseña del editor:

In this book, David Temperley addresses a fundamental question about music cognition: how do we extract basic kinds of musical information, such as meter, phrase structure, counterpoint, pitch spelling, harmony, and key from music as we hear it? Taking a computational approach, Temperley develops models for generating these aspects of musical structure. The models he proposes are based on preference rules, which are criteria for evaluating a possible structural analysis of a piece of music. A preference rule system evaluates many possible interpretations and chooses the one that best satisfies the rules.After an introductory chapter, Temperley presents preference rule systems for generating six basic kinds of musical structure: meter, phrase structure, contrapuntal structure, harmony, and key, as well as pitch spelling (the labeling of pitch events with spellings such as A flat or G sharp). He suggests that preference rule systems not only show how musical structures are inferred, but also shed light on other aspects of music. He substantiates this claim with discussions of musical ambiguity, retrospective revision, expectation, and music outside the Western canon (rock and traditional African music). He proposes a framework for the description of musical styles based on preference rule systems and explores the relevance of preference rule systems to higher-level aspects of music, such as musical schemata, narrative and drama, and musical tension.

"Sobre este título" puede pertenecer a otra edición de este libro.

Los mejores resultados en AbeBooks

1.

David Temperley
Publicado por MIT Press
ISBN 10: 0262701057 ISBN 13: 9780262701051
Nuevo Cantidad disponible: > 20
Librería
INDOO
(Avenel, NJ, Estados Unidos de America)
Valoración
[?]

Descripción MIT Press. Condición: New. Brand New. Nº de ref. del artículo: 0262701057

Más información sobre este vendedor | Contactar al vendedor

Comprar nuevo
EUR 21,15
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 2,85
A Estados Unidos de America
Destinos, gastos y plazos de envío

2.

Temperley, David
ISBN 10: 0262701057 ISBN 13: 9780262701051
Nuevo Cantidad disponible: 4
Librería
Paperbackshop-US
(Wood Dale, IL, Estados Unidos de America)
Valoración
[?]

Descripción 2004. PAP. Condición: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. del artículo: TM-9780262701051

Más información sobre este vendedor | Contactar al vendedor

Comprar nuevo
EUR 22,62
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 3,25
A Estados Unidos de America
Destinos, gastos y plazos de envío

3.

David Temperley
Publicado por MIT Press Ltd, United States (2004)
ISBN 10: 0262701057 ISBN 13: 9780262701051
Nuevo Paperback Cantidad disponible: 1
Librería
Book Depository International
(London, Reino Unido)
Valoración
[?]

Descripción MIT Press Ltd, United States, 2004. Paperback. Condición: New. Language: English . Brand New Book. In this book, David Temperley addresses a fundamental question about music cognition: how do we extract basic kinds of musical information, such as meter, phrase structure, counterpoint, pitch spelling, harmony, and key from music as we hear it? Taking a computational approach, Temperley develops models for generating these aspects of musical structure. The models he proposes are based on preference rules, which are criteria for evaluating a possible structural analysis of a piece of music. A preference rule system evaluates many possible interpretations and chooses the one that best satisfies the rules.After an introductory chapter, Temperley presents preference rule systems for generating six basic kinds of musical structure: meter, phrase structure, contrapuntal structure, harmony, and key, as well as pitch spelling (the labeling of pitch events with spellings such as A flat or G sharp). He suggests that preference rule systems not only show how musical structures are inferred, but also shed light on other aspects of music. He substantiates this claim with discussions of musical ambiguity, retrospective revision, expectation, and music outside the Western canon (rock and traditional African music). He proposes a framework for the description of musical styles based on preference rule systems and explores the relevance of preference rule systems to higher-level aspects of music, such as musical schemata, narrative and drama, and musical tension. Nº de ref. del artículo: AAU9780262701051

Más información sobre este vendedor | Contactar al vendedor

Comprar nuevo
EUR 26,45
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

4.

David Temperley
Publicado por MIT Press Ltd, United States (2004)
ISBN 10: 0262701057 ISBN 13: 9780262701051
Nuevo Paperback Cantidad disponible: 1
Librería
The Book Depository
(London, Reino Unido)
Valoración
[?]

Descripción MIT Press Ltd, United States, 2004. Paperback. Condición: New. Language: English . Brand New Book. In this book, David Temperley addresses a fundamental question about music cognition: how do we extract basic kinds of musical information, such as meter, phrase structure, counterpoint, pitch spelling, harmony, and key from music as we hear it? Taking a computational approach, Temperley develops models for generating these aspects of musical structure. The models he proposes are based on preference rules, which are criteria for evaluating a possible structural analysis of a piece of music. A preference rule system evaluates many possible interpretations and chooses the one that best satisfies the rules.After an introductory chapter, Temperley presents preference rule systems for generating six basic kinds of musical structure: meter, phrase structure, contrapuntal structure, harmony, and key, as well as pitch spelling (the labeling of pitch events with spellings such as A flat or G sharp). He suggests that preference rule systems not only show how musical structures are inferred, but also shed light on other aspects of music. He substantiates this claim with discussions of musical ambiguity, retrospective revision, expectation, and music outside the Western canon (rock and traditional African music). He proposes a framework for the description of musical styles based on preference rule systems and explores the relevance of preference rule systems to higher-level aspects of music, such as musical schemata, narrative and drama, and musical tension. Nº de ref. del artículo: AAU9780262701051

Más información sobre este vendedor | Contactar al vendedor

Comprar nuevo
EUR 26,57
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

5.

Temperley, David
Publicado por MIT Press Ltd (2004)
ISBN 10: 0262701057 ISBN 13: 9780262701051
Nuevo Tapa blanda Cantidad disponible: 1
Librería
Valoración
[?]

Descripción MIT Press Ltd, 2004. Condición: New. 2004. Paperback. A computational framework, based on preference rules, for studying musical cognition. Num Pages: 422 pages, 211 illus. BIC Classification: AVA. Category: (P) Professional & Vocational. Dimension: 228 x 177 x 20. Weight in Grams: 666. . . . . . . Nº de ref. del artículo: V9780262701051

Más información sobre este vendedor | Contactar al vendedor

Comprar nuevo
EUR 26,73
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
De Irlanda a Estados Unidos de America
Destinos, gastos y plazos de envío

6.

Temperley, David
Publicado por MIT Press Ltd
ISBN 10: 0262701057 ISBN 13: 9780262701051
Nuevo Tapa blanda Cantidad disponible: 1
Librería
Kennys Bookstore
(Olney, MD, Estados Unidos de America)
Valoración
[?]

Descripción MIT Press Ltd. Condición: New. 2004. Paperback. A computational framework, based on preference rules, for studying musical cognition. Num Pages: 422 pages, 211 illus. BIC Classification: AVA. Category: (P) Professional & Vocational. Dimension: 228 x 177 x 20. Weight in Grams: 666. . . . . . Books ship from the US and Ireland. Nº de ref. del artículo: V9780262701051

Más información sobre este vendedor | Contactar al vendedor

Comprar nuevo
EUR 28,07
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío

7.

David Temperley
Publicado por MIT Press
ISBN 10: 0262701057 ISBN 13: 9780262701051
Nuevo Paperback Cantidad disponible: 1
Librería
THE SAINT BOOKSTORE
(Southport, Reino Unido)
Valoración
[?]

Descripción MIT Press. Paperback. Condición: New. New copy - Usually dispatched within 2 working days. Nº de ref. del artículo: B9780262701051

Más información sobre este vendedor | Contactar al vendedor

Comprar nuevo
EUR 20,40
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 7,80
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

8.

David Temperley
Publicado por The MIT Press (2004)
ISBN 10: 0262701057 ISBN 13: 9780262701051
Nuevo Paperback Cantidad disponible: 1
Librería
Ergodebooks
(RICHMOND, TX, Estados Unidos de America)
Valoración
[?]

Descripción The MIT Press, 2004. Paperback. Condición: New. Nº de ref. del artículo: DADAX0262701057

Más información sobre este vendedor | Contactar al vendedor

Comprar nuevo
EUR 24,59
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 4,07
A Estados Unidos de America
Destinos, gastos y plazos de envío

9.

David Temperley
ISBN 10: 0262701057 ISBN 13: 9780262701051
Nuevo Cantidad disponible: 1
Librería
BWB
(Valley Stream, NY, Estados Unidos de America)
Valoración
[?]

Descripción Condición: New. Depending on your location, this item may ship from the US or UK. Nº de ref. del artículo: 97802627010510000000

Más información sobre este vendedor | Contactar al vendedor

Comprar nuevo
EUR 29,27
Convertir moneda

Añadir al carrito

Gastos de envío: GRATIS
A Estados Unidos de America
Destinos, gastos y plazos de envío

10.

Temperley, David
Publicado por MIT Press (2004)
ISBN 10: 0262701057 ISBN 13: 9780262701051
Nuevo Cantidad disponible: 1
Librería
Books2Anywhere
(Fairford, GLOS, Reino Unido)
Valoración
[?]

Descripción MIT Press, 2004. PAP. Condición: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. del artículo: BB-9780262701051

Más información sobre este vendedor | Contactar al vendedor

Comprar nuevo
EUR 19,57
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 10,12
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío

Existen otras copia(s) de este libro

Ver todos los resultados de su búsqueda