Music and Memory: An Introduction

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9780262692373: Music and Memory: An Introduction
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This far-ranging book shows how human memory influences the organization of music. The book is divided into two parts. The first part presents basic ideas about memory and perception from cognitive psychology and, to some extent, cognitive linguistics. Topics include auditory processing, perception, and recognition. The second part describes in detail how the concepts from the first part are exemplified in music. The presentation is based on three levels of musical experience: event fusion (the formation of single musical events from acoustical vibrations in the air, on a time scale too small to exhibit rhythm), melody and rhythm, and form. The focus in the latter is on the psychological conditions necessary for making large-scale -- that is, formal -- boundaries clear in music rather than on traditional musical forms. The book also discusses the idea that much of the language used to describe musical structures and processes is metaphorical. It encourages readers to consider the possibility that the process of musical composition can be "a metaphorical transformation of their own experience into sound." The book also touches on unresolved debates about psychological musical universals, information theory, and the operation of neurons. It requires no formal musical training and contains a glossary and an appendix of listening examples.

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1.

Robert Snyder
Editorial: MIT Press Ltd, United States (2001)
ISBN 10: 0262692376 ISBN 13: 9780262692373
Nuevos Paperback Cantidad: 1
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The Book Depository
(London, Reino Unido)
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Descripción MIT Press Ltd, United States, 2001. Paperback. Estado de conservación: New. 226 x 178 mm. Language: English . Brand New Book. This far-ranging book shows how human memory influences the organization of music. The book is divided into two parts. The first part presents basic ideas about memory and perception from cognitive psychology and, to some extent, cognitive linguistics. Topics include auditory processing, perception, and recognition. The second part describes in detail how the concepts from the first part are exemplified in music. The presentation is based on three levels of musical experience: event fusion (the formation of single musical events from acoustical vibrations in the air, on a time scale too small to exhibit rhythm), melody and rhythm, and form. The focus in the latter is on the psychological conditions necessary for making large-scale -- that is, formal -- boundaries clear in music rather than on traditional musical forms. The book also discusses the idea that much of the language used to describe musical structures and processes is metaphorical. It encourages readers to consider the possibility that the process of musical composition can be a metaphorical transformation of their own experience into sound. The book also touches on unresolved debates about psychological musical universals, information theory, and the operation of neurons. It requires no formal musical training and contains a glossary and an appendix of listening examples. Nº de ref. de la librería AAZ9780262692373

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2.

Robert Snyder
Editorial: MIT Press Ltd 2001-03-12, Massachusetts (2001)
ISBN 10: 0262692376 ISBN 13: 9780262692373
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Descripción MIT Press Ltd 2001-03-12, Massachusetts, 2001. paperback. Estado de conservación: New. Nº de ref. de la librería 9780262692373

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Bob Snyder
Editorial: MIT Press (2001)
ISBN 10: 0262692376 ISBN 13: 9780262692373
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Descripción MIT Press, 2001. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería WM-9780262692373

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Snyder, Bob
ISBN 10: 0262692376 ISBN 13: 9780262692373
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Descripción Estado de conservación: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Nº de ref. de la librería NU-GRD-00392111

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Robert Snyder
Editorial: MIT Press Ltd, United States (2001)
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The Book Depository US
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[?]

Descripción MIT Press Ltd, United States, 2001. Paperback. Estado de conservación: New. 226 x 178 mm. Language: English . Brand New Book. This far-ranging book shows how human memory influences the organization of music. The book is divided into two parts. The first part presents basic ideas about memory and perception from cognitive psychology and, to some extent, cognitive linguistics. Topics include auditory processing, perception, and recognition. The second part describes in detail how the concepts from the first part are exemplified in music. The presentation is based on three levels of musical experience: event fusion (the formation of single musical events from acoustical vibrations in the air, on a time scale too small to exhibit rhythm), melody and rhythm, and form. The focus in the latter is on the psychological conditions necessary for making large-scale -- that is, formal -- boundaries clear in music rather than on traditional musical forms. The book also discusses the idea that much of the language used to describe musical structures and processes is metaphorical. It encourages readers to consider the possibility that the process of musical composition can be a metaphorical transformation of their own experience into sound. The book also touches on unresolved debates about psychological musical universals, information theory, and the operation of neurons. It requires no formal musical training and contains a glossary and an appendix of listening examples. Nº de ref. de la librería AAZ9780262692373

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Robert Snyder
Editorial: MIT Press Ltd
ISBN 10: 0262692376 ISBN 13: 9780262692373
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THE SAINT BOOKSTORE
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Descripción MIT Press Ltd. Paperback. Estado de conservación: new. BRAND NEW, Music and Memory: An Introduction, Robert Snyder, This far-ranging book shows how human memory influences the organization of music. The book is divided into two parts. The first part presents basic ideas about memory and perception from cognitive psychology and, to some extent, cognitive linguistics. Topics include auditory processing, perception, and recognition. The second part describes in detail how the concepts from the first part are exemplified in music. The presentation is based on three levels of musical experience: event fusion (the formation of single musical events from acoustical vibrations in the air, on a time scale too small to exhibit rhythm), melody and rhythm, and form. The focus in the latter is on the psychological conditions necessary for making large-scale -- that is, formal -- boundaries clear in music rather than on traditional musical forms. The book also discusses the idea that much of the language used to describe musical structures and processes is metaphorical. It encourages readers to consider the possibility that the process of musical composition can be "a metaphorical transformation of their own experience into sound." The book also touches on unresolved debates about psychological musical universals, information theory, and the operation of neurons. It requires no formal musical training and contains a glossary and an appendix of listening examples. Nº de ref. de la librería B9780262692373

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Snyder, Robert
Editorial: MIT Press (2001)
ISBN 10: 0262692376 ISBN 13: 9780262692373
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Descripción MIT Press, 2001. Estado de conservación: New. This far-ranging book shows how human memory influences the organization of music. The first part presents basic ideas about memory and perception from cognitive psychology and, to some extent, cognitive linguistics. The second part describes in detail how the concepts from the first part are exemplified in music. Num Pages: 320 pages, 38. BIC Classification: AVA; JMRM. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 181 x 229 x 19. Weight in Grams: 514. . 2001. Paperback. . . . . . Nº de ref. de la librería V9780262692373

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Robert Snyder
ISBN 10: 0262692376 ISBN 13: 9780262692373
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Descripción Paperback. Estado de conservación: New. Not Signed; This far-ranging book shows how human memory influences the organization of music. The book is divided into two parts. The first part presents basic ideas about memory and perception from cognitive psychology and, to some extent, cognitive linguistics. Topics include auditory processing, perception, book. Nº de ref. de la librería ria9780262692373_rkm

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ISBN 10: 0262692376 ISBN 13: 9780262692373
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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97802626923730000000

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Snyder, Robert
Editorial: MIT Press
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Descripción MIT Press. Estado de conservación: New. This far-ranging book shows how human memory influences the organization of music. The first part presents basic ideas about memory and perception from cognitive psychology and, to some extent, cognitive linguistics. The second part describes in detail how the concepts from the first part are exemplified in music. Num Pages: 320 pages, 38. BIC Classification: AVA; JMRM. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 181 x 229 x 19. Weight in Grams: 514. . 2001. Paperback. . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780262692373

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