Photographer and writer Allan Sekula constructs narratives that define land and itspolitical, social, and economic demarcations. He has described Geography Lesson: Canadian Notes as aconjectural comparison of imaginary and material geographies in the advanced capitalist world. Inthe book, which is based on a 1986 exhibition, he examines the iconography found in images of alandscape altered by mining, of bank architecture and its messages of cultural stability, and of theland as a source of economic wealth as it appears on Canadian money.The seventy-six photographs forma narrative sequence augmented by captions and by the text, which is written in the subjective voiceof a single investigator and storyteller. The photographs link two sites: the Inco mine and smelterin Sudbury and the Bank of Canada in Ottawa. The deep roots of their existence -- the creation anddistribution of wealth -- are far more intimately connected than appearances would suggest. Canadianbills bear images of industry that draw resources from the land, contributing to the myth ofnational independence and self-determination. Issues of national identity and independence acquire aheightened poignancy in light of Sekula's underlying subject, the relationship between Canada'sresource-based economy and U.S. capital.In essays following Sekula's text, Gary Dufour discussesCanadian Notes as an examination of social and economic discourses that shape perceptions of theland, and John O'Brian discusses the dynamics of a resource-based economy, relations between Canadaand the United States, and photography's ability to regulate appearances and therefore to controlreality.Distributed for the Vancouver Art Gallery
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Photographer and writer Allan Sekula constructs narratives that define land and its political, social, and economic demarcations. He has described Geography Lesson: Canadian Notes as a conjectural comparison of imaginary and material geographies in the advanced capitalist world. In the book, which is based on a 1986 exhibition, he examines the iconography found in images of a landscape altered by mining, of bank architecture and its messages of cultural stability, and of the land as a source of economic wealth as it appears on Canadian money.The seventy-six photographs form a narrative sequence augmented by captions and by the text, which is written in the subjective voice of a single investigator and storyteller. The photographs link two sites: the Inco mine and smelter in Sudbury and the Bank of Canada in Ottawa. The deep roots of their existence -- the creation and distribution of wealth -- are far more intimately connected than appearances would suggest. Canadian bills bear images of industry that draw resources from the land, contributing to the myth of national independence and self-determination. Issues of national identity and independence acquire a heightened poignancy in light of Sekula's underlying subject, the relationship between Canada's resource-based economy and U.S. capital.In essays following Sekula's text, Gary Dufour discusses Canadian Notes as an examination of social and economic discourses that shape perceptions of the land, and John O'Brian discusses the dynamics of a resource-based economy, relations between Canada and the United States, and photography's ability to regulate appearances and therefore to control reality.Distributed for the Vancouver Art Gallery
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Librería: Paradou Books, Richmond, VA, Estados Unidos de America
Soft cover. Condición: Fine. 1st Edition. Glossy softcover, 95 pgs. : illus. (color and b&w). Essays by Gary Dufour and John O'Brian. Fine. Nº de ref. del artículo: ABE-1765164374734
Cantidad disponible: 1 disponibles
Librería: Russell Books, Victoria, BC, Canada
Condición: Very Good. Nº de ref. del artículo: FORT919027
Cantidad disponible: 1 disponibles
Librería: Sequitur Books, Boonsboro, MD, Estados Unidos de America
Paperback. Condición: Very Good. Softcover. Good binding and cover. Shelf wear. Lightly creased. Clean, unmarked pages. 96 pages : illustrations (some color) ; 29 cm. This is an oversized or heavy book, which requires additional postage for international delivery outside the US. From the library Dr. Owen Hannaway. Hannaway was director of the Center for the History and Philosophy of Science at Johns Hopkins University. He authored numerous books and served as an editor of academic magazines in the history of science. Partial list of publications: Chemists and the Word: The Didactic Origins of Chemistry (1975); Observation, Experiment, and Hypothesis in Modern Physical Science (1985); The Evolution of Technology (1989); Science and the Practice of Medicine in the Nineteenth Century (1994); and The Foundations of Modern Science in the Middle Ages: Their Religious, Institutional and Intellectual Contexts (1996). Nº de ref. del artículo: 2503190159
Cantidad disponible: 1 disponibles
Librería: Phatpocket Limited, Waltham Abbey, HERTS, Reino Unido
Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Nº de ref. del artículo: Z1-C-025-02550
Cantidad disponible: 1 disponibles
Librería: Colin Martin Books, Near Hull, EY, Reino Unido
Soft cover. Condición: Very Good. 1st Edition. Qto., 96 pages, illustrated. there is one small ink stamp of a publisher on the title page, else is a Very Good clean copy. Nº de ref. del artículo: 095563
Cantidad disponible: 1 disponibles
Librería: Arcana: Books on the Arts, Culver City, CA, Estados Unidos de America
Pictorial Wrappers. Condición: As New. First Edition. 96pp, profusely illustrated in color and b&w. Designed by Allan Sekula and Reinhard Derreth Graphics. With a bibliography. Published in conjunction with a 1997 exhibition held at the Vancouver Art Gallery, "Geography Lesson: Canadian Notes" is a body of work by the noted late socially-conscious photographer and educator Allan Sekula examining the Canadian mining industry and the executives, workers, and labor activists that depend on it for their livelihoods. A brand new, most handsome example additionally bearing the SIGNED INSCRIPTION "For ., With Thanks, Allan Sekula / Atlanta 10/10/98" to an institutional curator in black ink on the title page. Signed by the Photographer. Photography Monograph. Nº de ref. del artículo: 024339
Cantidad disponible: 1 disponibles