From Margin to Center: The Spaces of Installation Art

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9780262681346: From Margin to Center: The Spaces of Installation Art
Críticas:

"Reiss has provided a clear narration of installation art's development; her argument is clear, well researched, and well argued." Sculpture

Críticas:

Reiss has provided a clear narration of installation art's development; her argument is clear, well researched, and well argued.

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Julie H. Reiss
Editorial: MIT Press
ISBN 10: 026268134X ISBN 13: 9780262681346
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Reiss, Julie H.
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Descripción The MIT Press. PAPERBACK. Estado de conservación: New. 026268134X Brand New Book. Ships from the United States. 30 Day Satisfaction Guarantee!. Nº de ref. de la librería 4708245

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Julie H Reiss
Editorial: MIT Press (2001)
ISBN 10: 026268134X ISBN 13: 9780262681346
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Descripción MIT Press, 2001. PAP. Estado de conservación: New. New Book.Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería IB-9780262681346

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Julie H. Reiss
Editorial: The MIT Press
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Descripción The MIT Press. Paperback. Estado de conservación: New. Paperback. 208 pages. Dimensions: 7.8in. x 7.4in. x 0.5in.Unlike traditional art works, installation art has no autonomous existence. It is usually created at the exhibition site, and its essence is spectator participation. Installation art originated as a radical art form presented only at alternative art spaces; its assimilation into mainstream museums and galleries is a relatively recent phenomenon. The move of installation art from the margin to the center of the art world has had far-reaching effects on the works created and on museum practice. This is the first book-length study of installation art. Julie Reiss concentrates on some of the central figures in its emergence, including artists, critics, and curators. Her primary focus is installations created in New York City--which has a particularly rich history of installation art--beginning in the late 1950s. She takes us from Allan Kaprows 1950s environments to examples from minimalism, performance art, and process art to establish installation arts autonomy as well as its relationship to other movements. Recent years have seen a surge of interest in the effects of exhibition space, curatorial practice, and institutional context on the spectator. The history of installation art--of all art forms, one of the most defiant of formalist tenets--sheds considerable light on the issues raised by this shift of critical focus from isolated art works to art experienced in a particular context. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Paperback. Nº de ref. de la librería 9780262681346

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Julie H. Reiss
Editorial: MIT Press Ltd, United States (2001)
ISBN 10: 026268134X ISBN 13: 9780262681346
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Descripción MIT Press Ltd, United States, 2001. Paperback. Estado de conservación: New. Reprint. 198 x 188 mm. Language: English . Brand New Book. Unlike traditional art works, installation art has no autonomous existence. It is usually created at the exhibition site, and its essence is spectator participation. Installation art originated as a radical art form presented only at alternative art spaces; its assimilation into mainstream museums and galleries is a relatively recent phenomenon. The move of installation art from the margin to the center of the art world has had far-reaching effects on the works created and on museum practice. This is the first book-length study of installation art. Julie Reiss concentrates on some of the central figures in its emergence, including artists, critics, and curators. Her primary focus is installations created in New York City -- which has a particularly rich history of installation art -- beginning in the late 1950s. She takes us from Allan Kaprow s 1950s environments to examples from minimalism, performance art, and process art to establish installation art s autonomy as well as its relationship to other movements. Recent years have seen a surge of interest in the effects of exhibition space, curatorial practice, and institutional context on the spectator. The history of installation art -- of all art forms, one of the most defiant of formalist tenets -- sheds considerable light on the issues raised by this shift of critical focus from isolated art works to art experienced in a particular context. Nº de ref. de la librería AAH9780262681346

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Reiss, Julie H.
Editorial: The MIT Press (2001)
ISBN 10: 026268134X ISBN 13: 9780262681346
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Descripción The MIT Press, 2001. Paperback. Estado de conservación: New. Nº de ref. de la librería 026268134X

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Reiss, Julie H.
Editorial: The MIT Press (2001)
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Descripción The MIT Press, 2001. Paperback. Estado de conservación: New. book. Nº de ref. de la librería 026268134X

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Julie H Reiss
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Descripción MIT Press, 2001. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería WM-9780262681346

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Julie H. Reiss
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Descripción Paperback. Estado de conservación: New. 201mm x 11mm x 178mm. Paperback. This study of installation art concentrates on some of the central figures in its emergence, including artists, critics and curators. The book's primary focus is installations created in N.Shipping may be from multiple locations in the US or from the UK, depending on stock availability. 208 pages. 0.349. Nº de ref. de la librería 9780262681346

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Julie H. Reiss
Editorial: MIT Press Ltd
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Descripción MIT Press Ltd. Paperback. Estado de conservación: new. BRAND NEW, From Margin to Center: The Spaces of Installation Art, Julie H. Reiss, Unlike traditional art works, installation art has no autonomous existence. It is usually created at the exhibition site, and its essence is spectator participation. Installation art originated as a radical art form presented only at alternative art spaces; its assimilation into mainstream museums and galleries is a relatively recent phenomenon. The move of installation art from the margin to the center of the art world has had far-reaching effects on the works created and on museum practice. This is the first book-length study of installation art. Julie Reiss concentrates on some of the central figures in its emergence, including artists, critics, and curators. Her primary focus is installations created in New York City -- which has a particularly rich history of installation art -- beginning in the late 1950s. She takes us from Allan Kaprow's 1950s' environments to examples from minimalism, performance art, and process art to establish installation art's autonomy as well as its relationship to other movements. Recent years have seen a surge of interest in the effects of exhibition space, curatorial practice, and institutional context on the spectator. The history of installation art -- of all art forms, one of the most defiant of formalist tenets -- sheds considerable light on the issues raised by this shift of critical focus from isolated art works to art experienced in a particular context. Nº de ref. de la librería B9780262681346

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