Considering a redefinition of global space.
As much as it is a neoclassical compositional principle, the ensemble today is shifting into a new critical focus: it is a central figure in nascent developments in probabilistic mathematics and a critical logic in the development of artificial intelligence algorithms. Statistical ensembles are a specific adaptation of Markov processes. They produce and are produced by a highly circumscribed definition of creativity—that of a predictive state inherently based on a chain of linked, given events, thus a computational intelligence predicated on the established patterns of the database. Are these mathematical ensembles different from those of neoclassical composition? How are the new ensembles characterized and materialized relative to their conceptual tradition?
This fifty-second issue of Perspecta—the oldest and most distinguished student-edited architectural journal in America—is a projective art history of ensemble as form and politics. It uses theories of ensemble to propose both alternative extensive stagings of design objects, as well as other resistant assemblies of the corps of architects. Ensemble is posed a lens to theorize object-parts and states of motion at once, together: an architecture of the city.
The volume includes a new photographic essay on the contemporary city of Bengali by American and Indian artists. A collection of essays by interdisciplinary contributors interweave this new creative work, pointing toward a compositional project for an architecture that is multiple, extensive, spontaneous, collective, durational, temporary.
Contributors
Charlotte Algie, Hayden Bassett, Anya Bokov, Kim Bowes, Alex Bremner, Matteo Burioni, Swati Chattopadhyay, Jean-Louis Cohen, Mark Crinson, Arko Datto, Samia Henni, Heyward Hart, Mark Jarzombek, Vladimir Kulić, Jimenez Lai, Hannah Le Roux, John Loring, Zahra Malkani and Shahana Rajani, Emily Mann, Christina Maranci, Edward Mitchell, Brian Norwood, Itohan Oyasimwese, Cristina Osswald, Curtis Roth, Tapati Guha-Thakurta, Hans Tursack, Yasmin Vobis, Aaron Forrest
"Sinopsis" puede pertenecer a otra edición de este libro.
Considering a redefinition of global space. As much as it is a neoclassical compositional principle, the ensemble today is shifting into a new critical focus: it is a central figure in nascent developments in probabilistic mathematics and a critical logic in the development of artificial intelligence algorithms. Statistical ensembles are a specific adaptation of Markov processes. They produce and are produced by a highly circumscribed definition of creativity-that of a predictive state inherently based on a chain of linked, given events, thus a computational intelligence predicated on the established patterns of the database. Are these mathematical ensembles different from those of neoclassical composition? How are the new ensembles characterized and materialized relative to their conceptual tradition? This fifty-second issue of Perspecta-the oldest and most distinguished student-edited architectural journal in America-is a projective art history of ensemble as form and politics. It uses theories of ensemble to propose both alternative extensive stagings of design objects, as well as other resistant assemblies of the corps of architects. Ensemble is posed a lens to theorize object-parts and states of motion at once, together: an architecture of the city. The volume includes a new photographic essay on the contemporary city of Bengali by American and Indian artists. A collection of essays by interdisciplinary contributors interweave this new creative work, pointing toward a compositional project for an architecture that is multiple, extensive, spontaneous, collective, durational, temporary. Contributors Charlotte Algie, Hayden Bassett, Anya Bokov, Kim Bowes, Alex Bremner, Matteo Burioni, Swati Chattopadhyay, Jean-Louis Cohen, Mark Crinson, Arko Datto, Samia Henni, Heyward Hart, Mark Jarzombek, Vladimir Kulic, Jimenez Lai, Hannah Le Roux, John Loring, Zahra Malkani and Shahana Rajani, Emily Mann, Christina Maranci, Edward Mitchell, Brian Norwood, Itohan Oyasimwese, Cristina Osswald, Curtis Roth, Tapati Guha-Thakurta, Hans Tursack, Yasmin Vobis, Aaron Forrest
"Sobre este título" puede pertenecer a otra edición de este libro.
Librería: Bellwetherbooks, McKeesport, PA, Estados Unidos de America
paperback. Condición: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages. Nº de ref. del artículo: 401766
Cantidad disponible: Más de 20 disponibles
Librería: Bellwetherbooks, McKeesport, PA, Estados Unidos de America
paperback. Condición: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting. Nº de ref. del artículo: mon0000009410
Cantidad disponible: 3 disponibles
Librería: Bellwetherbooks, McKeesport, PA, Estados Unidos de America
paperback. Condición: Good. Bruise/tear to cover. Nº de ref. del artículo: mon0000009380
Cantidad disponible: 12 disponibles
Librería: Big River Books, Powder Springs, GA, Estados Unidos de America
Condición: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting. Nº de ref. del artículo: BRV.0262537877.G
Cantidad disponible: 1 disponibles
Librería: Revaluation Books, Exeter, Reino Unido
Paperback. Condición: Brand New. 320 pages. 12.25x9.00x1.00 inches. In Stock. Nº de ref. del artículo: 0262537877
Cantidad disponible: 1 disponibles
Librería: Books Puddle, New York, NY, Estados Unidos de America
Condición: New. pp. 320. Nº de ref. del artículo: 26381611887
Cantidad disponible: 1 disponibles
Librería: Majestic Books, Hounslow, Reino Unido
Condición: New. pp. 320. Nº de ref. del artículo: 382292144
Cantidad disponible: 1 disponibles
Librería: Rarewaves.com UK, London, Reino Unido
Paperback. Condición: New. Nº de ref. del artículo: LU-9780262537872
Cantidad disponible: Más de 20 disponibles