Joy, Jenn Choreographic

ISBN 13: 9780262526357

Choreographic

2,67 valoración promedio
( 3 valoraciones por GoodReads )
 
9780262526357: Choreographic
Críticas:

Like truly great writing, The Choreographic performs itself, in duet with its literary, sculptural, philosophical, and mobile subjects. Joy reminds us that this pleasure of discourse and exchange offers the idea of a potential other world. -- Jess Wilcox Brooklyn Rail

Reseña del editor:

The choreographic stages a conversation in which artwork is not only looked at but looks back; it is about contact that touches even across distance. The choreographic moves between the corporeal and cerebral to tell the stories of these encounters as dance trespasses into the discourse and disciplines of visual art and philosophy through a series of stutters, steps, trembles, and spasms. In The Choreographic, Jenn Joy examines dance and choreography not only as artistic strategies and disciplines but also as intrinsically theoretical and critical practices. She investigates artists in dialogue with philosophy, describing a movement of conceptual choreography that flourishes in New York and on the festival circuit. Joy offers close readings of a series of experimental works, arguing for the choreographic as an alternative model of aesthetics. She explores constellations of works, artists, writers, philosophers, and dancers, in conversation with theories of gesture, language, desire, and history. She choreographs a revelatory narrative in which Walter Benjamin, Pina Bausch, Francis Alys, and Cormac McCarthy dance together; she traces the feminist and queer force toward desire through the choreography of DD Dorvillier, Heather Kravas, Meg Stuart, La Ribot, Miguel Gutierrez, luciana achugar, and others; she maps new forms of communicability and pedagogy; and she casts science fiction writers Samuel R. Delany and Kim Stanley Robinson as perceptual avatars and dance partners for Ralph Lemon, Marianne Vitali, James Foster, and Janet Cardiff and George Bures Miller. Constructing an expanded notion of the choreographic, Joy explores how choreography as critical concept and practice attunes us to a more productively uncertain, precarious, and ecstatic understanding of aesthetics and art making.

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Joy, Jenn
ISBN 10: 0262526352 ISBN 13: 9780262526357
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Joy, Jenn
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Descripción MIT Press. Estado de conservación: New. Brand New. Nº de ref. de la librería 0262526352

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Jenn Joy
Editorial: MIT Press Ltd, United States (2014)
ISBN 10: 0262526352 ISBN 13: 9780262526357
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Descripción MIT Press Ltd, United States, 2014. Paperback. Estado de conservación: New. 228 x 180 mm. Language: English . Brand New Book. The choreographic stages a conversation in which artwork is not only looked at but looks back; it is about contact that touches even across distance. The choreographic moves between the corporeal and cerebral to tell the stories of these encounters as dance trespasses into the discourse and disciplines of visual art and philosophy through a series of stutters, steps, trembles, and spasms. In The Choreographic, Jenn Joy examines dance and choreography not only as artistic strategies and disciplines but also as intrinsically theoretical and critical practices. She investigates artists in dialogue with philosophy, describing a movement of conceptual choreography that flourishes in New York and on the festival circuit. Joy offers close readings of a series of experimental works, arguing for the choreographic as an alternative model of aesthetics. She explores constellations of works, artists, writers, philosophers, and dancers, in conversation with theories of gesture, language, desire, and history. She choreographs a revelatory narrative in which Walter Benjamin, Pina Bausch, Francis Alys, and Cormac McCarthy dance together; she traces the feminist and queer force toward desire through the choreography of DD Dorvillier, Heather Kravas, Meg Stuart, La Ribot, Miguel Gutierrez, luciana achugar, and others; she maps new forms of communicability and pedagogy; and she casts science fiction writers Samuel R. Delany and Kim Stanley Robinson as perceptual avatars and dance partners for Ralph Lemon, Marianne Vitali, James Foster, and Janet Cardiff and George Bures Miller. Constructing an expanded notion of the choreographic, Joy explores how choreography as critical concept and practice attunes us to a more productively uncertain, precarious, and ecstatic understanding of aesthetics and art making. Nº de ref. de la librería AAU9780262526357

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Jenn Joy
Editorial: MIT Press Ltd, United States (2014)
ISBN 10: 0262526352 ISBN 13: 9780262526357
Nuevos Paperback Cantidad: 1
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(London, Reino Unido)
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Descripción MIT Press Ltd, United States, 2014. Paperback. Estado de conservación: New. 228 x 180 mm. Language: English . Brand New Book. The choreographic stages a conversation in which artwork is not only looked at but looks back; it is about contact that touches even across distance. The choreographic moves between the corporeal and cerebral to tell the stories of these encounters as dance trespasses into the discourse and disciplines of visual art and philosophy through a series of stutters, steps, trembles, and spasms. In The Choreographic, Jenn Joy examines dance and choreography not only as artistic strategies and disciplines but also as intrinsically theoretical and critical practices. She investigates artists in dialogue with philosophy, describing a movement of conceptual choreography that flourishes in New York and on the festival circuit. Joy offers close readings of a series of experimental works, arguing for the choreographic as an alternative model of aesthetics. She explores constellations of works, artists, writers, philosophers, and dancers, in conversation with theories of gesture, language, desire, and history. She choreographs a revelatory narrative in which Walter Benjamin, Pina Bausch, Francis Alys, and Cormac McCarthy dance together; she traces the feminist and queer force toward desire through the choreography of DD Dorvillier, Heather Kravas, Meg Stuart, La Ribot, Miguel Gutierrez, luciana achugar, and others; she maps new forms of communicability and pedagogy; and she casts science fiction writers Samuel R. Delany and Kim Stanley Robinson as perceptual avatars and dance partners for Ralph Lemon, Marianne Vitali, James Foster, and Janet Cardiff and George Bures Miller. Constructing an expanded notion of the choreographic, Joy explores how choreography as critical concept and practice attunes us to a more productively uncertain, precarious, and ecstatic understanding of aesthetics and art making. Nº de ref. de la librería AAU9780262526357

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Joy, Jenn
Editorial: The MIT Press (2014)
ISBN 10: 0262526352 ISBN 13: 9780262526357
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Descripción The MIT Press, 2014. Estado de conservación: New. Num Pages: 248 pages, 43 b&w illus. BIC Classification: ASDC. Category: (P) Professional & Vocational. Dimension: 231 x 179 x 22. Weight in Grams: 752. . 2014. Paperback. . . . . . Nº de ref. de la librería V9780262526357

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Joy, Jenn
ISBN 10: 0262526352 ISBN 13: 9780262526357
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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97802625263570000000

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Jenn Joy
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Descripción MIT Press Ltd. Paperback. Estado de conservación: new. BRAND NEW, The Choreographic, Jenn Joy, The choreographic stages a conversation in which artwork is not only looked at but looks back; it is about contact that touches even across distance. The choreographic moves between the corporeal and cerebral to tell the stories of these encounters as dance trespasses into the discourse and disciplines of visual art and philosophy through a series of stutters, steps, trembles, and spasms. In The Choreographic, Jenn Joy examines dance and choreography not only as artistic strategies and disciplines but also as intrinsically theoretical and critical practices. She investigates artists in dialogue with philosophy, describing a movement of conceptual choreography that flourishes in New York and on the festival circuit. Joy offers close readings of a series of experimental works, arguing for the choreographic as an alternative model of aesthetics. She explores constellations of works, artists, writers, philosophers, and dancers, in conversation with theories of gesture, language, desire, and history. She choreographs a revelatory narrative in which Walter Benjamin, Pina Bausch, Francis Alys, and Cormac McCarthy dance together; she traces the feminist and queer force toward desire through the choreography of DD Dorvillier, Heather Kravas, Meg Stuart, La Ribot, Miguel Gutierrez, luciana achugar, and others; she maps new forms of communicability and pedagogy; and she casts science fiction writers Samuel R. Delany and Kim Stanley Robinson as perceptual avatars and dance partners for Ralph Lemon, Marianne Vitali, James Foster, and Janet Cardiff and George Bures Miller. Constructing an expanded notion of the choreographic, Joy explores how choreography as critical concept and practice attunes us to a more productively uncertain, precarious, and ecstatic understanding of aesthetics and art making. Nº de ref. de la librería B9780262526357

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Joy, Jenn
Editorial: The MIT Press
ISBN 10: 0262526352 ISBN 13: 9780262526357
Nuevos Tapa blanda Cantidad: 3
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Descripción The MIT Press. Estado de conservación: New. Num Pages: 248 pages, 43 b&w illus. BIC Classification: ASDC. Category: (P) Professional & Vocational. Dimension: 231 x 179 x 22. Weight in Grams: 752. . 2014. Paperback. . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780262526357

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Joy, Jenn
Editorial: The MIT Press (2014)
ISBN 10: 0262526352 ISBN 13: 9780262526357
Nuevos Paperback Cantidad: 1
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Descripción The MIT Press, 2014. Paperback. Estado de conservación: New. Nº de ref. de la librería 0262526352

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Joy, Jenn
Editorial: The MIT Press
ISBN 10: 0262526352 ISBN 13: 9780262526357
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Descripción The MIT Press. PAPERBACK. Estado de conservación: New. 0262526352 Brand New Book. Ships from the United States. 30 Day Satisfaction Guarantee!. Nº de ref. de la librería 17255639

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