Cindy Sherman (October Files)

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9780262524636: Cindy Sherman (October Files)

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Reseña del editor:

With her Untitled Film Stills of the 1970s, Cindy Sherman became one of the era's most important and influential artists. Since then, her metamorphosing self-portraits and appropriation of genres can be seen as a continuous investigation of representation and its complicated relationship to photography. Sherman and her work are often discussed in terms of postmodern theories and ideas that were coming to increasing prominence as her career began-- feminism, subjectivity, mass media, new forms of mechanical reproduction, and even trauma, among others. Yet her refusal to acknowledge any of these themes as particular concerns raises questions about the relationships between the meanings projected upon a work of art and those produced by it. Cindy Sherman's art fascinates us in part because of its capacity to suggest--while at the same time slipping away from--so many possible readings.The discussions in these illustrated essays span Sherman's almost three-decade-long career, from her striking debut in the black-and-white Untitled Film Stills through her color photographs using back-projection, prosthetic body parts, and the ever-ingenuous modes of disguise and self-fashioning seen in such later series as Centerfolds, Fairy Tales, and Disasters. The essays--by such well-known critics as Douglas Crimp, Hal Foster, and Rosalind Krauss--respond not only to Sherman's work but also to the arguments and postulations made about it, becoming part of the ongoing critical conversation about an artist of major significance.

Biografía del autor:

Johanna Burton is on the faculty at the Center for Curatorial Studies at Bard College and is a doctoral candidate in Princeton University's Department of Art and Archaeology.

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Johanna Burton
Editorial: MIT Press Ltd, United States (2007)
ISBN 10: 0262524635 ISBN 13: 9780262524636
Nuevos Paperback Cantidad: 1
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Descripción MIT Press Ltd, United States, 2007. Paperback. Estado de conservación: New. 226 x 150 mm. Language: English . Brand New Book. With her Untitled Film Stills of the 1970s, Cindy Sherman became one of the era s most important and influential artists. Since then, her metamorphosing self-portraits and appropriation of genres can be seen as a continuous investigation of representation and its complicated relationship to photography. Sherman and her work are often discussed in terms of postmodern theories and ideas that were coming to increasing prominence as her career began-- feminism, subjectivity, mass media, new forms of mechanical reproduction, and even trauma, among others. Yet her refusal to acknowledge any of these themes as particular concerns raises questions about the relationships between the meanings projected upon a work of art and those produced by it. Cindy Sherman s art fascinates us in part because of its capacity to suggest--while at the same time slipping away from--so many possible readings.The discussions in these illustrated essays span Sherman s almost three-decade-long career, from her striking debut in the black-and-white Untitled Film Stills through her color photographs using back-projection, prosthetic body parts, and the ever-ingenuous modes of disguise and self-fashioning seen in such later series as Centerfolds, Fairy Tales, and Disasters. The essays--by such well-known critics as Douglas Crimp, Hal Foster, and Rosalind Krauss--respond not only to Sherman s work but also to the arguments and postulations made about it, becoming part of the ongoing critical conversation about an artist of major significance. Nº de ref. de la librería AAU9780262524636

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Johanna Burton
Editorial: MIT Press Ltd, United States (2007)
ISBN 10: 0262524635 ISBN 13: 9780262524636
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Descripción MIT Press Ltd, United States, 2007. Paperback. Estado de conservación: New. 226 x 150 mm. Language: English . Brand New Book. With her Untitled Film Stills of the 1970s, Cindy Sherman became one of the era s most important and influential artists. Since then, her metamorphosing self-portraits and appropriation of genres can be seen as a continuous investigation of representation and its complicated relationship to photography. Sherman and her work are often discussed in terms of postmodern theories and ideas that were coming to increasing prominence as her career began-- feminism, subjectivity, mass media, new forms of mechanical reproduction, and even trauma, among others. Yet her refusal to acknowledge any of these themes as particular concerns raises questions about the relationships between the meanings projected upon a work of art and those produced by it. Cindy Sherman s art fascinates us in part because of its capacity to suggest--while at the same time slipping away from--so many possible readings.The discussions in these illustrated essays span Sherman s almost three-decade-long career, from her striking debut in the black-and-white Untitled Film Stills through her color photographs using back-projection, prosthetic body parts, and the ever-ingenuous modes of disguise and self-fashioning seen in such later series as Centerfolds, Fairy Tales, and Disasters. The essays--by such well-known critics as Douglas Crimp, Hal Foster, and Rosalind Krauss--respond not only to Sherman s work but also to the arguments and postulations made about it, becoming part of the ongoing critical conversation about an artist of major significance. Nº de ref. de la librería AAU9780262524636

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Johanna Burton
Editorial: MIT Press Ltd, United States (2007)
ISBN 10: 0262524635 ISBN 13: 9780262524636
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Descripción MIT Press Ltd, United States, 2007. Paperback. Estado de conservación: New. 226 x 150 mm. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. With her Untitled Film Stills of the 1970s, Cindy Sherman became one of the era s most important and influential artists. Since then, her metamorphosing self-portraits and appropriation of genres can be seen as a continuous investigation of representation and its complicated relationship to photography. Sherman and her work are often discussed in terms of postmodern theories and ideas that were coming to increasing prominence as her career began-- feminism, subjectivity, mass media, new forms of mechanical reproduction, and even trauma, among others. Yet her refusal to acknowledge any of these themes as particular concerns raises questions about the relationships between the meanings projected upon a work of art and those produced by it. Cindy Sherman s art fascinates us in part because of its capacity to suggest--while at the same time slipping away from--so many possible readings.The discussions in these illustrated essays span Sherman s almost three-decade-long career, from her striking debut in the black-and-white Untitled Film Stills through her color photographs using back-projection, prosthetic body parts, and the ever-ingenuous modes of disguise and self-fashioning seen in such later series as Centerfolds, Fairy Tales, and Disasters. The essays--by such well-known critics as Douglas Crimp, Hal Foster, and Rosalind Krauss--respond not only to Sherman s work but also to the arguments and postulations made about it, becoming part of the ongoing critical conversation about an artist of major significance. Nº de ref. de la librería BTE9780262524636

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Burton, Johanna
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Descripción MIT Press Ltd, 2006. Estado de conservación: New. Critical essays on Cindy Sherman and one of contemporary art's most innovative bodies of work. Editor(s): Burton, Johanna. Series: October Files. Num Pages: 240 pages, 52 b&w photos, 1 figure. BIC Classification: AJB. Category: (P) Professional & Vocational. Dimension: 229 x 153 x 14. Weight in Grams: 438. . 2006. 1st. Paperback. . . . . . Nº de ref. de la librería V9780262524636

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Descripción Estado de conservación: New. Depending on your location, this item may ship from the US or UK. Nº de ref. de la librería 97802625246360000000

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Descripción MIT Press Ltd. Estado de conservación: New. Critical essays on Cindy Sherman and one of contemporary art's most innovative bodies of work. Editor(s): Burton, Johanna. Series: October Files. Num Pages: 240 pages, 52 b&w photos, 1 figure. BIC Classification: AJB. Category: (P) Professional & Vocational. Dimension: 229 x 153 x 14. Weight in Grams: 438. . 2006. 1st. Paperback. . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780262524636

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Descripción 2006. PAP. Estado de conservación: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Nº de ref. de la librería TM-9780262524636

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Johanna Burton
Editorial: MIT Press (2007)
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Descripción MIT Press, 2007. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería BB-9780262524636

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Descripción MIT Press, 2007. Estado de conservación: New. book. Nº de ref. de la librería ria9780262524636_rkm

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Descripción Mit University Press Group Ltd, 2007. Estado de conservación: New. Nº de ref. de la librería EH9780262524636

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