Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 (October Books)

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9780262523479: Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 (October Books)
Review:

"This is a terrific collection of essays..." Blake Stimson CAA.reviews

From the Publisher:

Some critics view the postwar avant-garde as the empty recycling of forms and strategies from the first two decades of the twentieth century. Others view it, more positively, as a new articulation of the specific conditions of cultural production in the postwar period. Benjamin Buchloh, one of the most insightful art critics and theoreticians of recent decades, argues for a dialectical approach to these positions.This collection contains eighteen essays written by Buchloh over the last twenty years. Each looks at a single artist within the framework of specific theoretical and historical questions. The art movements covered include Nouveau Realisme in France (Arman, Yves Klein, Jacques de la Villegle) art in postwar Germany (Joseph Beuys, Sigmar Polke, Gerhard Richter), American Fluxus and pop art (Robert Watts and Andy Warhol), minimalism and postminimal art (Michael Asher and Richard Serra), and European and American conceptual art (Daniel Buren, Dan Graham). Buchloh addresses some artists in terms of their oppositional approaches to language and painting, for example, Nancy Spero and Lawrence Weiner. About others, he asks more general questions concerning the development of models of institutional critique (Hans Haacke) and the theorization of the museum (Marcel Broodthaers); or he addresses the formation of historical memory in postconceptual art (James Coleman).One of the book's strengths is its systematic, interconnected account of the key issues of American and European artistic practice during two decades of postwar art. Another is Buchloh's method, which integrates formalist and socio-historical approaches specific to each subject.

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Buchloh, Benjamin H. D.
Editorial: MIT Press; An October Book, Cambridge, MA (2003)
ISBN 10: 0262523477 ISBN 13: 9780262523479
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LEFT COAST BOOKS
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Descripción MIT Press; An October Book, Cambridge, MA, 2003. Paperback. Estado de conservación: NEW. xxxiii, 592 pp., illus., bib. notes, index; 23 cm. BRAND NEW. An excellent collection of essays by Buchloh. "Some critics view the postwar avant-garde as the empty recycling of forms and strategies from the first two decades of the twentieth century. Others view it, more positively, as a new articulation of the specific conditions of cultural production in the postwar period. Benjamin Buchloh, one of the most insightful art critics and theoreticians of recent decades, argues for a dialectical approach to these positions. This collection contains eighteen essays written by Buchloh over the last twenty years. Each looks at a single artist within the framework of specific theoretical and historical questions. The art movements covered include Nouveau Réalisme in France (Arman, Yves Klein, Jacques de la Villeglé - art in postwar Germany (Joseph Beuys, Sigmar Polke, Gerhard Richter), American Fluxus and pop art (Robert Watts and Andy Warhol), minimalism and postminimal art (Michael Asher and Richard Serra), and European and American conceptual art (Daniel Buren, Dan Graham). Buchloh addresses some artists in terms of their oppositional approaches to language and painting, for example, Nancy Spero and Lawrence Weiner. About others, he asks more general questions concerning the development of models of institutional critique (Hans Haacke) and the theorization of the museum (Marcel Broodthaers); or he addresses the formation of historical memory in postconceptual art (James Coleman). One of the book's strengths is its systematic, interconnected account of the key issues of American and European artistic practice during two decades of postwar art. Another is Buchlohs method, which integrates formalist and socio-historical approaches specific to each subject. / Benjamin H. D. Buchloh is Professor of Art History at Barnard College/Columbia University." - Publisher. Size: 8vo - over 7¾" - 9¾" tall. Nº de ref. de la librería 064423

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Buchloh, Benjamin H. D.
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Descripción MIT Press. Estado de conservación: New. Brand New. Nº de ref. de la librería 0262523477

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Descripción MIT Press Ltd, 2003. Estado de conservación: New. Eighteen essays written by Buchloh over the last twenty years, each looking at a single artist within the framework of specific theoretical and historical questions. Series: October Books. Num Pages: 632 pages, 137. BIC Classification: 1D; 1KBB; ACX. Category: (P) Professional & Vocational. Dimension: 229 x 178 x 36. Weight in Grams: 1384. . 2003. Reprint. Paperback. . . . . . Nº de ref. de la librería V9780262523479

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Descripción The MIT Press. PAPERBACK. Estado de conservación: New. 0262523477 Brand New Book. Ships from the United States. 30 Day Satisfaction Guarantee!. Nº de ref. de la librería 4708629

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Buchloh, Benjamin H. D.
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Descripción MIT Press, 2003. PAP. Estado de conservación: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Nº de ref. de la librería BB-9780262523479

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Descripción The MIT Press, 2003. Estado de conservación: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Eighteen essays written by Buchloh over the last twenty years, each looking at a single artist within the framework of specific theoretical and historical questions. Nº de ref. de la librería ABE_book_new_0262523477

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Buchloh, Benjamin H. D.
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Descripción MIT Press Ltd. Estado de conservación: New. Eighteen essays written by Buchloh over the last twenty years, each looking at a single artist within the framework of specific theoretical and historical questions. Series: October Books. Num Pages: 632 pages, 137. BIC Classification: 1D; 1KBB; ACX. Category: (P) Professional & Vocational. Dimension: 229 x 178 x 36. Weight in Grams: 1384. . 2003. Reprint. Paperback. . . . . Books ship from the US and Ireland. Nº de ref. de la librería V9780262523479

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Descripción MIT Press Ltd, United States, 2003. Paperback. Estado de conservación: New. Reprint. 226 x 178 mm. Language: English . Brand New Book. Some critics view the postwar avant-garde as the empty recycling of forms and strategies from the first two decades of the twentieth century. Others view it, more positively, as a new articulation of the specific conditions of cultural production in the postwar period. Benjamin Buchloh, one of the most insightful art critics and theoreticians of recent decades, argues for a dialectical approach to these positions.This collection contains eighteen essays written by Buchloh over the last twenty years. Each looks at a single artist within the framework of specific theoretical and historical questions. The art movements covered include Nouveau Realisme in France (Arman, Yves Klein, Jacques de la Villegle) art in postwar Germany (Joseph Beuys, Sigmar Polke, Gerhard Richter), American Fluxus and pop art (Robert Watts and Andy Warhol), minimalism and postminimal art (Michael Asher and Richard Serra), and European and American conceptual art (Daniel Buren, Dan Graham). Buchloh addresses some artists in terms of their oppositional approaches to language and painting, for example, Nancy Spero and Lawrence Weiner. About others, he asks more general questions concerning the development of models of institutional critique (Hans Haacke) and the theorization of the museum (Marcel Broodthaers); or he addresses the formation of historical memory in postconceptual art (James Coleman).One of the book s strengths is its systematic, interconnected account of the key issues of American and European artistic practice during two decades of postwar art. Another is Buchloh s method, which integrates formalist and socio-historical approaches specific to each subject. Nº de ref. de la librería AAU9780262523479

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Buchloh, Benjamin H. D.
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Descripción MIT Press Ltd. Paperback. Estado de conservación: new. BRAND NEW, Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975, Benjamin H. D. Buchloh, Some critics view the postwar avant-garde as the empty recycling of forms and strategies from the first two decades of the twentieth century. Others view it, more positively, as a new articulation of the specific conditions of cultural production in the postwar period. Benjamin Buchloh, one of the most insightful art critics and theoreticians of recent decades, argues for a dialectical approach to these positions.This collection contains eighteen essays written by Buchloh over the last twenty years. Each looks at a single artist within the framework of specific theoretical and historical questions. The art movements covered include Nouveau Realisme in France (Arman, Yves Klein, Jacques de la Villegle) art in postwar Germany (Joseph Beuys, Sigmar Polke, Gerhard Richter), American Fluxus and pop art (Robert Watts and Andy Warhol), minimalism and postminimal art (Michael Asher and Richard Serra), and European and American conceptual art (Daniel Buren, Dan Graham). Buchloh addresses some artists in terms of their oppositional approaches to language and painting, for example, Nancy Spero and Lawrence Weiner. About others, he asks more general questions concerning the development of models of institutional critique (Hans Haacke) and the theorization of the museum (Marcel Broodthaers); or he addresses the formation of historical memory in postconceptual art (James Coleman).One of the book's strengths is its systematic, interconnected account of the key issues of American and European artistic practice during two decades of postwar art. Another is Buchloh's method, which integrates formalist and socio-historical approaches specific to each subject. Nº de ref. de la librería B9780262523479

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Buchloh, Benjamin H. D.
Editorial: MIT Press Ltd, United States (2003)
ISBN 10: 0262523477 ISBN 13: 9780262523479
Nuevos Paperback Cantidad: 1
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Descripción MIT Press Ltd, United States, 2003. Paperback. Estado de conservación: New. Reprint. 226 x 178 mm. Language: English . Brand New Book. Some critics view the postwar avant-garde as the empty recycling of forms and strategies from the first two decades of the twentieth century. Others view it, more positively, as a new articulation of the specific conditions of cultural production in the postwar period. Benjamin Buchloh, one of the most insightful art critics and theoreticians of recent decades, argues for a dialectical approach to these positions.This collection contains eighteen essays written by Buchloh over the last twenty years. Each looks at a single artist within the framework of specific theoretical and historical questions. The art movements covered include Nouveau Realisme in France (Arman, Yves Klein, Jacques de la Villegle) art in postwar Germany (Joseph Beuys, Sigmar Polke, Gerhard Richter), American Fluxus and pop art (Robert Watts and Andy Warhol), minimalism and postminimal art (Michael Asher and Richard Serra), and European and American conceptual art (Daniel Buren, Dan Graham). Buchloh addresses some artists in terms of their oppositional approaches to language and painting, for example, Nancy Spero and Lawrence Weiner. About others, he asks more general questions concerning the development of models of institutional critique (Hans Haacke) and the theorization of the museum (Marcel Broodthaers); or he addresses the formation of historical memory in postconceptual art (James Coleman).One of the book s strengths is its systematic, interconnected account of the key issues of American and European artistic practice during two decades of postwar art. Another is Buchloh s method, which integrates formalist and socio-historical approaches specific to each subject. Nº de ref. de la librería AAU9780262523479

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